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Conservation treatment of a mummiform coffin.
The following
photographs illustrate the treatment of a soot-covered mummiform coffin lid,
Ptolemaic, c. 320-220 B.C.E., wood, paint, gold, 31x 23 1/2 x 67 inches, The
College of Wooster Art Museum 1901.1a

The coffin was covered
with soot during a fire in the early 1900's. The soot obscured most
surface detail, including important hieroglyphs that might lead to the
name and family history of the coffin's mummy. Kitty McManus Zurko, the
Director/Curator of the College of Wooster Art Museum, was very
interested in seeing the hieroglyphs for the first time. |
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The
cleaning revealed a great deal of detail that was not visible or only
partially visible before treatment. The photograph on the left is a
detail of Horus, the falcon god. The photograph on the right shows some
hieroglyphic text that was partially visible before the cleaning.
Egyptologist Dr. Jonathan Elias, director of the
Akhmim Mummy Studies
Consortium, was present during the treatment to witness the
revealing of any details that might help identify the coffin's mummy. |
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The soot was cleaned
using cotton swabs dampened with distilled water. The paint on the
coffin was loosely bound and was not varnished, which made it vulnerable
to loss during the cleaning process. The swabs were checked throughout
the cleaning to see if any of the pigment had come off the coffin. A
thin layer of soot was left covering the paint layer rather than remove
paint by accident. |

The coffin was placed on
display in the College of Wooster Art Museum a short time after the
treatment was completed. After conservation, Dr. Elias was able to read
the name of the coffin's owner, "ta -irty", as well as some additional
information about her mother and father.
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Conservation treatment of leather Native American moccasins.
The
following photographs illustrate the treatment of a pair of leather Native
American moccasins from the Buffalo Museum of Science
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Before-treatment
photograph of tops of moccasins (c9896). |
A salt efflorescence
was highly visible on the bottom of the right moccasin. The
efflorescence was visually distracting and also indicated that the
leather needed to be stabilized. |

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The
efflorescence could be seen on the patch on the interior of the shoe
as well. |
Conservation intern
Eileen Sullivan removing the salt efflorescence with cotton swabs
dampened with distilled water. Attempts to mechanically remove the
salts with brushes or dental tools or bamboo skewers were
unsuccessful. |
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Hopefully, the cotton
swabs acted as poultices and pulled salts out from below the surface
of the leather. |
After-treatment
photograph of the moccasins. They have been monitored to check for
more efflorescence. There has been none so far. |
Conservation at Old Fort Niagara.
The
following photographs illustrate the treatments of archaeological
artifacts from Old Fort Niagara.
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Before-treatment photograph of a fragmented plate
(TU 463, x-0 y-59 Level II, AT 0.67). The plate had
shattered into approximately 100 pieces. |
Archaeology field
students Kacey Page and Cassandra Ortiz, shown in the photograph
above, found where all the fragments needed to be joined together.
Conservator Dena Cirpili and assistant conservator Colleen Snyder
adhered the fragments with a stable and reversible acrylic adhesive. |
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After-treatment
photograph of the plate. |
This copper-alloy cap
plate (OFN2001 Unit 3/Unit 10, bag 210) was in many fragments, and the
surface details were obscured with dirt. |
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Conservation intern Cynthia Albertson assisted in the cleaning,
stabilization, and reconstruction of the object. The obscuring dirt
was mechanically cleaned with brushes and scalpels. The metal was
stabilized by inhibiting future corrosion with the application of
benzotriazole and a protective acrylic coating. The fragments were
then assembled with a reversible and stable adhesive. |
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