| One ADSR. The P6 only has one ADSR shared by both the
filter and amplifier. You can however put the amp into "gate" mode
(simple on/off envelope) if you want the filter to be enveloped
separately (remember the evnvelope can be inverted too). But now, no
amp release stage! What to do? Put the P6 through an external
effects device. Delay or reverb will add a nice release. (AdamT from
Wales, UK) 'Course a delay can also fatten the sound up even more,
too.
No
cross-mod/poly-mod as on the Prophet 5. There is apparently a
modification where replacing the timing capacitor of the LFO allows
it to operate in the mid-audio range for those clangorous tones.
(Andreas Nordenstam lupo_@hotmail.com) However, if you don't
want to mod the P6 in this manner, why just turn up the resonance,
get it to self-oscillation and tune it into
inharmonicity!
Only multiple triggering available. Aside
from the great MIDI mod designed by Ricard Wolf and Johannes
Hausensteiner which provides different triggering options (among a
great many other things like a noise generator, arpgeggiator sync to
MIDI, sys-ex storage, etc.) there is a way to sort of simulate
single triggering. When in mono mode (all 6 osc. stacked) have a
filter sweep of some kind on the attack. Playing one note you hear
the sweep, but if you play legato it won't be triggered on the next
note. At least it's worked for me!
No
portamento. If you are recording or have a free left hand when
performing live, you can use the pitchbend wheel for those nice
glides. I know, not the greatest solution. But when playing live, it
seems that the multiple triggering implies a very quick portamento,
at least to my ears.
No
hard sync. Well, without a true second oscillator with hard sync
ability, it's tricky. Although when in mono mode with certain filter
settings the P6 does sound quite a bit like a synth in hard sync
mode. Try experimenting.
Only one oscillator. The sub-osc will help
beef up the sound as well as the onboard effects. Plus having a
seperate LFO dedicated to pulse-width modulation helps if you use it
to get that chorus effect, then use the chorus/phaser/ensemble
effects and maybe the free LFO to modulate the VCO or VCF. Plus you
can always push the resonance to self-oscillation and use it as
another oscillator.
|
LFO will only modulate one thing at a
time. Well you CAN modulate
either the VCO along with either the VCF or VCA at the same time
with the one free LFO. However, the speed must be shared and the mod
wheel is the device that introduces modulation to the VCO, so its
depth is variable relative to the depth of the EG controlling either
the VCF or VCA. Not perfect, but it does come in handy once in a
while.
From
Kristofer Ulfves, Uppsala, Sweden:
- Layering three or
more voices at the same key with the CHORD-funtion and then
slighly detuning them using the internal pots results in *fat*
sounds a la Minimoog. Not too far-fetched either, since the
characteristics of the SSM-filter within the P6 is somewhat a bit
similar sounding to the classic 24 dB moogfilter.
- It is possible to
modulate the VCF-CV input with audio in order to get rather nasty
FM-effects, especially when the resonance is somewhere turned
halfway up...
From Jesse
Ziser:
- I managed to get
a VERY good bass drum out of this thing! I didn't think it was
possible at first, but if you crank the filter into
self-oscillation, put the envelope on the filter, set the VCA
control switch to the gate instead of the EG, use an Attack/Decay
envelope, and set up the VCO so that you can barely hear it
through the filter, you can actually get a perfect-sounding bass
drum when you hit the higher keys.
For mods, patches and
other goodies, check out Kristofer's archive, the Poly6-list digest
homepage:
http://www.acc.umu.se/~amber/Poly6/
Anyone else have any
Polysix tips and tricks? Any corrections / comments to the above?
Please let me know and I'd be happy to post them here. Just e-mail
me.

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