The Myers studio was the last bastion
of the cowboy way of making a living as
an artist.
Because of his local reputation as an
artist, Joe Myers was able to secure
stained glass art commissions when
he opened his studio in his backyard
in 1946. One of his early commissions
was Christ the King Catholic Church
in Tampa, for whom he made the window
over the choir and the round windows
lining each side of the sanctuary
around 1953. One of his son's last
windows was placed over the altar
of this same church in 1995.
Joseph D. Myers Associates was honored with an
award from the Florida AIA for their stained glass
in Palma Ceia Baptist Church, Tampa, in 1962.
The stained glass industry exploded in the 1970s, but has
never been regulated or controlled like electricians,
plumbers, or contractors.. Rather, a group of studios
devised the Stained Glass Association of America,
which hoped to be mistaken for a licensing board,
the stamp of official approval, but they had an art
agenda members had to adhere to:
to promote abstract art in the medium, rediculing the
Rennaisance style of church window as the European,
or old, style of stained glass. A mantra was, "If you want to
paint, get a canvas." This author has old issues of their
magazine instructing members how to talk
congregations and pastors out of representational,
pictoral windows.. They knew fame-seeking
architects understood.
Dotting the country through the Smokies, Blue Ridge,
down through Florida , the old-schooled painters on
glass, in their middle years or older, eked out a living
giving "naive" southern churches splendid religious
scenes of stained glass. Such art talked down to the
congregant, the SGAA said, as if ignorant and naive
when in reality Americans were sophisticated , more
abstract thinkers than the illiterate peasants of the
Middle Ages.
As funds for the art became a dedicated part of the
American scene, public art projects required certain
materials--slides of at least 3 public installations, a list
of at least three museums or gallerys you've shown in-
-and a fee--to be listed in the database public artists
had to be selected from.
Because Joe and Dan worked 40 or more hours a week
, without summer vacations, to feed their families, and
not much more, they had no idle time to experiment
with creations of their own to sell on the open market,
let alone assemble a gallery-sized collection of them.
One peice of Dan's--the Our Lady of Guaudelupe
pictured on the right here--was sold, ever, uninstalled;
and one, a small panel of a happy Franciscan friar,
given to a Fransican friar. Everything else is installed
in a church, home, or business. A representative of
the Mullen Religoius Supply Company saw the Guadelupe
as it sold and asked Dan to produce another peice for
an art museum in Chicago. But he couldn't find the time.
Throughout history God has gifted select men with the ability
to glorify Him on glass. Historically they have painted and
passed on, anonymous. To dedicate yourself to church
stained glass is to realize this and be willing to work in
the background, leaving your identity behind, just as God
calls us to do on our path to Holiness as we become one.
This is one artistic medium where "expressing yourself " is
the antithesis of the purpose of the art. The artist should not
be thought about at all, other than in reverance that God
gives man such talent. As Joe Myers wrote, "From the
stained glass windows,like the refeshing waters, the
beautiful symphony of light and color flows over the
congregation instructing the mind and renewing the spirit.
To spend my life making stained glass
works to the greater glory of God. Thus have I been indulged
and for this give joyous thanks."