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[PLEASE NOTE: E-MAIL ADDRESSES GIVEN IN THIS DOCUMENT, WRITTEN IN 1996, ARE NOW OBSOLETE. WRITE TO gssh@altavista.net FOR MORE INFORMATION.] FOR IMMEDIATE RELEASE CONTACT: Roland Hutchinson October 22, 1996 (201) 509-2165 rhutchin@email.njin.net COMPOSER WILLIAM BILLINGS OF BOSTON TURNS 250. ===================================================================== EDITORS PLEASE NOTE: In paragraph 2, "fuging tunes" is correctly spelled. (Following the usage of standard reference works including the New Harvard Dictionary of Music, "fuge" and "fuging" refer to a style used in Anglo-American hymnody, so spelled to distinguish it from "fugue," a related style and genre of European art music.) ===================================================================== On Sunday, October 6, more than 130 singers from New England and around the world met at the Central Burying Ground on Boston Common, thought to be the site of William Billings' unmarked grave. On a crisp and clear fall afternoon, amid slate headstones on a tree-covered hilltop from which, in the 1780s, one might have spied Billings walking from his house on Newberry Street to his Frog Lane tannery, the gathered "friends of Bill" joyfully sang hymns, fuging tunes, anthems, and canons for three hours in celebration of the Yankee tunesmith's 250th birthday. Portions of the event were recorded by National Public Radio's Performance Today for broadcast on the following day, October 7, the actual anniversary of Billings' birth. Participants included early-music and choral amateurs and professionals, composers, musicologists, and shape-note singers, among them several singers from the U.K. who gamely tolerated more than one singing of Billings' best-known work, the militantly anti-British Revolutionary War hymn "Chester." Singers took turns leading the music, in the egalitarian manner of a modern American shape-note convention. On Tuesday, October 8, many of the same singers reconvened at King's Chapel, Boston, for a second celebration. The audience for the regular Noon-Hour Recital Series was invited to join in the singing--and many did, including the members of the sixth-grade choir from the nearby Advent School, who had prepared Billings' well-known canon "When Jesus Wept." Birthday cake, washed down with New England apple cider, concluded the celebration. More information about these events, and about Billings and his music, is available at http://www.njin.net/~rhutchin/billings96 ###