Traditional singing masters Jeff and Shelbie Sheppard of Glencoe, Alabama
will teach a "Singing School"
for new and experienced singers
on Friday evening at the Meetinghouse.
The public is invited to sing or just to listen!
Beginners are welcome on all days.
Copies of The Sacred Harp tunebook (1991 edition, 585 pages, hardbound) will be available for loan or purchase.
Childcare will be available on Friday and Saturday; advance notification helpful.
To inquire about housing with local singers, call 973 779-8290. Rooms are reserved at the Holiday Inn on Route 46 West in nearby Totowa. Call 800 443-5943 by May 1st and ask for the $72 Sacred Harp rate.
Map and travel directions: see the directions page.
For more information about the convention call 973 655-7219 (weekdays); 973 509-2165 or send e-mail to balestracci@saturn.montclair.edu.
For information about regular 4th-Sunday Sacred Harp singings in New Jersey, see our current schedule page.
It is loud, it is heartfelt, and there are no harps (or any other instruments).
But there is plenty of harmony--and the harmony is like nothing else that you have ever heard.
It is a uniquely American music with roots in colonial New England congregational singing and a continuous tradition preserved by both black and white churches in the rural South. Since the 1970s it has been sung in all parts of North America by people of remarkably diverse musical and religious backgrounds.
We sing in the old way, sitting in four sections facing each other around a hollow square, beating time together, taking turns leading. The music's three- and four-part modal harmonies are enriched by octave doublings, and both lively and sober tunes are propelled by a strong, constant rhythmic pulse. Our tunebook, The Sacred Harp (first published in 1844 and most recently revised in 1991), is written in standard musical notation supplemented with "shape note" noteheads that make it easier for beginners to learn the notes of the scale and to learn to read music. But you don't need to read music to join in.
Although we sing early versions of standard hymns such as Amazing Grace, Old Hundred, Wayfaring Stranger, and Wondrous Love, much of the music in The Sacred Harp will be unfamiliar even to experienced choir singers: majestic ancient English and European psalm tunes, spirited 18th-century New England "fuging tunes," anthems, folk and gospel hymns, camp-meeting songs from the 19th-century frontier, and modern compositions in all of these traditional styles.