NEW PROJECTS

NEW SCREENINGS/CURATION PROJECTS

CINEMATEXAS 10 (2005)
INTERNATIONAL PROGRAM #2:DEPRIVED&DEPRAVED

12TH ANNUAL CHICAGO UNDERGROUND FILM FESTIVAL (2005)

AURORA PICTURE SHOW
THE SPECTACULAR SEMESTER APRIL 30TH
RESIDENCY PROGRAM MAY1ST
http://www.aurorapictureshow.org/calendarevents/next.html

NEW YORK UNDERGROUND FESTIVAL (2005)
Video Wow-http://www.nyuff.com/
SCREENING - SATURDAY MARCH 12TH 9:30 / MARCH 14TH 7:30
Big Screen Version
DIR AARON VALDEZ - EXPERIMENTAL VIDEO 3 MIN
"Split-screen talking heads and flying graphics collide in a musical homage to the self-righteous rhetoric of Fox News." A. Valdez
Folk Music and Documentary
DIR SETH PRICE - EXPERIMENTAL VIDEO 5 MIN
"Both folk music and documentary are traditional 'Left' art forms--or, let's say, the popular-culture Left in America,
as opposed to the more aristocratic Trotskyist Left (wait for laughter)." S. Price
SET-4
DIR JAN VAN NEUNEN - EXPERIMENTAL VIDEO 3 MIN
Ping-pong, volleyball, and diving collide in an electronically choreographed kaleidoscope of athleticism.
Volcanica
DIR TORSTEN ZENAS BURNS, DARRIN MARTIN - EXPERIMENTAL VIDEO 9 MIN
"A feel-good glimpse into a full-bodied lava canal; horror and hippies transmigrate through a portal that began
through a hole in the head that activates a redefined eruption." T. Burns+D.Martin
Cone Eater
DIR TAKESHI MURATA - ANIMATION VIDEO 4 MIN
A psychedelic digi-death Rorschach test of melting pixels
DISED 2604, Prof. Catherine Poplar
DIR EILEEN MAXSON - EXPERIMENTAL VIDEO 5 MIN
Addressing a silent audience, Prof. Poplar's lecture entitled 'Existentialism and Stephen King: The Artist's Role in Society,
According to The Shawshank Redemption, 1994. Directed by Frank Darabont; 142 Minutes/Rated R' is plagued
with technical disaster." E. Maxson
Double Dummy
DIR JENNET THOMAS - EXPERIMENTAL VIDEO 6 MIN
"A visual poem about love and symmetry with four Dummies, two cats, a hair ball, and a mess of string." J. Thomas
SSSkull
DIR LOVID - EXPERIMENTAL VIDEO 7 MIN
"In this piece we use our synthesizer Dragon Slayer to make a figurative drawing of an iconic skull.
The drawing is distorted as the video signal is processed and decays." T. Hinkus
HeartzBurst
DIR LOVID - EXPERIMENTAL VIDEO 4 MIN
"One of LoVid's early experimentations with raw electric signal and audio video closed circuit loops.
This is a seizure-inducing mesmerizing colorful A/V noise!" T. Hinkus
Grounded
DIR MATT MCCORMICK - DOCUMENTARY 16MM ON VIDEO 4 MIN
"An examination of size and weight through the culmination of heavy industry, urban wildlife,
a Bolex, and a Casio SK-1." M. McCormick
Towlines
DIR MATT MCCORMICK - DOCUMENTARY 16MM ON VIDEO 22 MIN
A look into the role of the tugboat throughout history, this portrait assigns humanity
and a sense of resilience to tugboats, advocating the idea that tugboats are just little
engines than could, but they were never given the chance. Features an original soundtrack
by James Mercer of The Shins.

PACIFIC FILM ARCHIVE BERKELEY,CA
GAMES PEOPLE PLAY 11 - WED FEB 2005 - WED MARCH 30 2005
Parallel Universum, Part II - WED MAR 9 2005 7:30 pm
Works by Torsten Zenas Burns & Darrin Martin, Angelique Clark, Nicole & Norbert Corsino,
Van McElwee, Eddo Stern, and Fred Szymanski
Plus special demonstration of The Color Game by artist Joe McKay
Joe McKay is a recent transplant to the Bay Area. His inventive and alternative computer-based
games have been widely exhibited.
Driven by common influences such as technological advances and evolving cultural discourse,
artists often invent coincidental worlds. Tonight's program looks at video artists who have pursued
a path parallel to the development of video games, whether it was through the navigation of deeper
space, haunted imagery, or the quest for engagement. Angelique Clark's 2080 (2004, 4:13 mins) is a
Pong-inspired video for humans who are "super deform." Nicole and Norbert Corsino's Captives
(France, 1999, 12 mins) places enthralling choreography within a completely fluid 3-D space.
Eddo Stern's Sheik Attack (2000, 16:25 mins) lifts sequences from a half-dozen war games to
"misremember" the tragic outcome of a Middle East utopia. Real-world architecture finds itself
reinvented as melded structure in Van McElwee's soaring Space Splice (1994, 12 mins).
Torsten Zenas Burns and Darrin Martin send their performance arena spinning into a conceptual void
in the loopy Learning Stalls:Lesson Plans (2002, 3:30 min. excerpt). In Fred Szymanski's Vent (2004, 8 mins),
the emptiness of space is filled with a searing dimensional soundtrack. Finally, weaving together Web-based
Bin Laden games in Deathstar (2004, 9:25 mins), Eddo Stern orchestrates a mournful symphony of sadism.
-Steve Seid

SCREENING: LEARNING STALLS:LESSON PLANS: I AM TODAY'S LESSON PLAN
http://www.bampfa.berkeley.edu/pfa_programs/games2/content.html
http://www.bampfa.berkeley.edu/pfa_programs/games/index.html

18th STUTTGARTER FILMWINTER FESTIVAL FOR EXPANDED MEDIA
EUROPEAN PREMIERE OF HALFLIFERS - JANUARY 2005
"AFTERLIFERS:WALKING&TALKING" 16:30/STEREO (C)2004
http://www.wand5.de/fiwi2005/index.php?shortfilms6_en

MUSEUM OF MODERN ART-NYC
"PREMIERES" DECEMBER 1ST 2004, 8:30 PM / DECEMBER 27TH 2004, 5PM
http://www.moma.org/exhibitions/film_media/2004/premieres.html

Monograph in Stereo. 2004. USA. Directed by Darrin Martin. The director's experience of
hearing-loss provoked this playful exploration of the interdependency of the senses. 22 min.
Extending Trainer: Pressure Suits & Broom-Crafts. 2004. USA. Directed by Torsten Zenas Burns.
Comical sight-gags and juxtapositions bring together "alternative space agencies" and
"processed training exercises" with "past-regressed family workshops, feline androidal studies,
[and] beams of light." 22 min.
The Good Things. 2003. The Netherlands. Directed by Marc Bijl. An urban landscape is spray painted
with the lyrics of a song about terror threats. 4 min.
One-Minute Movies. 2004. USA. Directed by The Residents. Ten new music videos by the world's most
famous unknown band. 10 min.
Oualalaradime. 2000. France. Directed by H5/Antoine Bardou-Jacquet, Hervé de Crécy, Ludovic Houplain.
A virtuoso short that runs the gamut of animation styles, from childlike drawings to Hanna-Barbera
cartoons and Japanese anime. 4 min.
Shea Stars Flash. 2004. USA. Directed by Pia Lindman. Individuals reach for the stars in the immensity
of a stadium crowd. 2 min.
We Are (Untitled). 2001. Great Britain. Directed by Mark Leckey. A highly mannered tableau vivant
in the dark of a London night. 8 min. Program 72 min.
Wednesday, December 1, 8:30 (introduced by Martin, Burns, Bijl, and Cryptic Corporation);
REPEAT Monday, December 27, 5:00 (introduced by Lindman). T2

LOWER MANHATTAN CULTURAL COUNCIL
Tuesday, November 30 2004; 6-8 PM - "Site Matters" Book Launch
please visit www.lmcc.net/sitematters
Site Matters: The Lower Manhattan Cultural Council's World Trade Center Artist Residency, 1997-2001
by Moukhtar Kocache, Erin Shirreff, Liz Thompson

http://www.lmcc.net/EventsandExhibitions/Site_Matters/Site_Matters_main.html

LOS ANGELES FILM FORUM
http://lafilmforum.org/fall2004/10_24/10_24.html
SOFT-SCIENCE -Soft Science is a collection of video-curiosities created by artists and scientists. Behind laboratory
doors are some of the most astonishing outsider art projects around. Autopoetic bacteria, tethered flies, hermaphroditic
slugs these data gems create wonder, beauty not to mention knowledge.
Artists have been mining science for years in diverse experiments with icky substances, authority figures, and the
ever-elusive idea of Reason. This unique program includes unadorned quicktimes by biologists alongside contemporary
video art. Programmed by Rachel Mayeri. Contact - mayeri@soft-science.org

D.u.m.b.o. Short Film and Video Festival (2004)
programmed by Les LeVeque and Daniella Dooling
45 Main Street 9th Floor

SATURDAY, OCTOBER 16 TH / SUNDAY,OCTOBER 17 TH
http://dumboartscenter.org/festival/
8:30 pm
SELF HELP UTOPIA
Total Running Time 57:49 minutes
Rejected or Unused Clips Arranged In Order of Importance,10:00 minutes, 2003; Seth Price
The piece is composed of audio and video pieces that I haven't found a way to use in other projects
the excess and the rejected.
How I Learned to Become An Assertive Human Being, 2:10 minutes, 2004; Libby Hux
"The best way to develop into a more assertive human being is to choose a thought and repeat it over and over again
until the thought is a reality. The thought should be, "I am an assertive human being" or it could be another assertive thought."
Regression, 4:50 minutes, 2004; Caitlin Parker
The voice of a past life hypnotist guides the viewer into the subconscious. Images from this life and past lives juxtapose
in a trance-like landscape fragmented by slippages in time.
Burger King, Lonesome Anger..., 2:30 minutes, 2004; Joshua Thorson
Place is displacement (disposable, decoration) as I try and work out my lonely feelings by punching the air, the walls,
as I remember my mother talking about an IKEA teapot. "I drink tea, too!" I wish she could understand just what I mean...
our subjectivity and our subjection. This exploration takes place in both the actual ("real") world as well as the many
parallel dimensions created through our varied and unreliable understanding of science, religion, and the media.
Volcanica, 9:30 minutes, 2004; Torsten Burns and Darrin Martin
A feel good glimpse into a full-bodied lava canal, horror and hippies transmigrate through a portal that began through a
hole in the head that activates a redefined eruption.
Crash, 7:51 minutes, 2004; Alix Pearlstein
A group of four people are bound by a repetitive task, their ties to each other and their dogged conformity.
An interloper manages to penetrate their ranks and momentarily disrupt the status quo.
Afterlifers: Walking & Talking , 16:00 minutes, 2004; Halflifers
Unliving and Undead partners shuttle between the day and night in their custom gravicles-talking, walking and exploring
residency activated splatstick......
Cloud-Cuckoo-Land, 1:06 minutes, 2004; Gordon Wills aka Joshua Thorson
Webster: noun: a realm of fantasy or of whimsical or foolish behavior, a feeling like suicide.

http://www.soft-science.org/
ANTIMATTER FESTIVAL OF UNDERGROUND SHORT FILM AND VIDEO
September 17 to 25, 2004 Victoria,BC,Canada
http://www.antimatter.ws/

PACIFIC FILM ARCHIVE
BERKELEY,CA - PROGRAMS CURATED BY STEVE SEID
http://www.bampfa.berkeley.edu/pfa_programs/performance_anxiety/index.html

PERFORMANCE ANXIETY: WED SEP 1 2004 - WED SEP 29 2004

Featuring pioneering performance/video artists Vito Acconci, Linda Montano, John Baldessari, Martha Rosler,
and Paul McCarthy and fourteen artists who followed.
The late 1960s saw a near coup in the art world. The supremacy of the object was overthrown, or so it seemed.
In its place came new protocols for artmaking. Conceptual actions marked out in a given space were imagined as
something akin to virtual sculpture; these actions grew in formality, acquiring the trappings of narrative as
movement gave way to utterance. Performance Art, as it came to be known, though born of an anti-object stance,
really exchanged one object for another-out went the canvas and the stone, in came the artist's body. The body
was a handy resource, being accessible 24/7, open to extended punishment, and resistant to commodification.
Performance Anxiety offers up major works by five prominent artists of the seventies, skewing them with
latter-day exercises by the generations that followed. Whether it be Vito Acconci's sing-songy seductions,
Linda Montano's heart-wrenching exorcism, or Paul McCarthy's flailing spectacles; John Baldessari's deadpan
deconstructions or Martha Rosler's sharp-tongued savaging of the patriarchy, these videoworks trace the
continual repurposing of the artist's body, from the blunt instrument of conceptualism to the histrionic
centerpiece of a minimalist theater. Curated/Notes by Steve Seid

PERFORMANCE ANXIETY : WED SEP 8 2004
7:30 Linda Montano
Plus Donigan Cumming, Joe Gibbons, and AfterLifers
With acupuncture needles piercing her chiaroscuro-lit face, Linda Montano recounts in chant-like rhythms the
mournful story of her husband's death. From the phone call alerting her to the tragedy, to her visit to view the body,
Mitchell's Death (1978, 22 mins, B&W) takes on the ache of mortality, siting it on the artist's body. The slowly
shifting camera focus reflects a like shift in consciousness as Montano moves between death and deliverance.
Donigan Cumming leads us on a tour of decay as he recovers mementoes from a dead friend's apartment in Culture
(2002, 17 mins, Color). Cumming's agitated presence wavers somewhere between niggling loss and discomforting
laughter. The first chill of autumn has arrived when Joe Gibbons decides it's time for a man-to-dog talk in Elegy
(1991, 11 mins, B&W), so off he goes to the cemetery with Woody, his canine confidant. Man's mortality is also dog's,
a fact that leaves Woody speechless. Is it the undead or the unliving portrayed in Walking Talking (2004, 16:30 mins, Color),
the newest work by AfterLifers Torsten Burns and Tony Discenza? The ambling antics of zombies take the art of
performance into a netherzone of discombobulated bodies.

PERFORMANCE ANXIETY :WED SEP 22 2004
7:30 Martha Rosler
Plus Miranda July and HalfLifers
Martha Rosler envisions the female body as a site of struggle. In her chilling Vital Statistics of a Citizen,
Simply Obtained (1977, 38 mins, Color), every inch of the artist's body is measured by an overbearing
physician while a distanced voice-over recites a list of body standards and ideals and their disciplinary
implications. Miranda July's eerie The Amateurist (1998, 14 mins, Color) draws the gaze back from the
minutiae of the body to the more sweeping view of surveillance. A young captive (played by July), shown
only as a televised image, is reduced to a collection of quantified postures. In Semiotics of the Kitchen
(1975, 6 mins, B&W), a mock cooking demonstration, Rosler employs everyday culinary utensils with a
vengeance. Her fury, coupled with the recitation of the utensils' names, subverts the kitchen as a place
of oppression. The HalfLifers (Torsten Burns, Tony Discenza) turn the kitchen into an estranged domestic
space, filled with charged "organics." What at first appears to be a food fight in Actions in Action
(1997, 10:30 mins, Color) is really a frantic struggle to overcome a psychoactive landscape.

THE 11TH ANNUAL CHICAGO UNDERGROUND FILM FESTIVAL
AUGUST 18-24TH 2004 http://www.cuff.org/
V IS FOR VIDEO
Saturday, August 21 10:45 PM & Tuesday, August 24 5:30 PM
5 VIDEO HITS
Kent Lambert
Experimental Video 6:40 2004 Chicago
Five exhilarating journeys involving Teenagers, Piracy, Music, Majic and Mother-in-laws.
DIGITS
William Scott Rees and JoEllen Martison
Experimental Video
A music video-documentary hybrid, Digits tracks the rise and fall of two finger-giving Euro terrorists and their Soda pop-sucking foe.
MONOGRAPH IN STEREO
Darrin Martin
Experimental Video 21:00 2004
An active investigation of the interdependency of the senses, particularly binocular vision and binaural hearing,
and the inequity caused by their unbalanced degradation.
AFTERLIFERS: WALKING AND TALKING
Halflifers
Experimental Video 16:30 2004
Being undead isn't as easy as it looks. Unliving and Undead partners shuttle between the day and night in their
custom gravicles talking, walking and exploring residency activated splatstick.
THE POST PONY TRILOGY:
PONY CHANGES EVERYTHING
Ben Coonley
Experimental Video 9:15 2003
A man explains global currency markets without the help of his formerly trusty rockin' talkin' pony, who is missing.
Without the pony, the world is as disorientating as it is depressing. The audience is invited to help make order of the chaos.
EVERY PONY PLAYS THE FOOL
Ben Coonley
Experimental Video 7:50 2003
An audience-interactive game of Mad Libs, with support from a linguistically challenged newcomer. We replace various parts of speech
in newspaper articles to create new, customized meanings.
THE LAST PONY
Ben Coonley
Experimental Video 5:45 2003
Ponies discover an equine Shangri-La. The audience is introduced to a classic dance step.
Chubby Checker provides the musical accompaniment.
AFTERLIFERS: WALKING &TALKING-16:30-stereo-(C)2004
Unliving and Undead partners shuttle between the day and night in their custom gravicles
talking,walking and exploring residency activated splatstick......

The HalfLifers exhume cinema's favorite incarnation of mindless, decaying mortality, 
the Zombie, in the hopes of breathing new life into this misunderstood figure. 
From a panel discussion in an old TV studio to a quarantined helicopter high above 
California's rolling hills, these life-challenged entities walk, talk, and chew on some 
of the more difficult questions concerning the whole linear birth-death system.
NEW YORK VIDEO FESTIVAL JULY 14TH-18TH 2004
PROGRAM 3: APPROPRIATE BEHAVIOR  75 minutes
Performance anxiety, improvisation, and other forms of resistance.
Thurs July 15: 4:30; Sat July 17: 9pm
Afterlifers: Walking and Talking
Halflifers, 2004; 16m
Being undead isn't as easy as it looks.
Sod and Sodie Sock (Vienna cut)
Mike Kelley &Paul McCarthy, 1999-2004; 18m
A military encampment with a tunnel complex and shower room is the setting for a semi-narrative 
with references such as the Sad Sack comic strip, the bawdy teen comedy Porkys, task-oriented 
performance art, the military comedy, and the theoretical writings of Clement Greenberg, 
Georges Bataille, and Wilhelm Reich.
Hung Up
Eric Saks, U.S., 2003; 9m
Time to be a wrench in the works: an agitprop manifesto and call to arms.
The Whale
Stephen Connolly, U.K., 2003; 9m
The micro-politics of contemporary life as refracted through a dialogue on survival strategies 
for when animals attack, plus contributions from terrorist Ulrike Meinhof and political philosopher 
Thomas Hobbes.
The Star Eaters
Peggy Ahwesh, 2003; 23m
An open-ended experimental narrative (two women, an extended stay in Atlantic City) 
that employs play acting, joke telling, aimless physical romps, vamping, dressing up, 
and non sequitur interactions to interrogate and unsettle the performance of social behavior.

DALLAS VIDEO FESTIVAL JULY 7TH - 11TH 2004
ROOFTOP FILMS FRIDAY - JUNE 18TH 2004
LEARNING STALLS:LESSON PLANS
(C)VARIABLE DATE-TORSTEN Z. BURNS&DARRIN MARTIN

NEW YORK UNDERGROUND FILM&VIDEO FESTIVAL
ANTHOLOGY FILM ARCHIVES-32 SECOND AVE-AT SECOND ST.
http://www.nyuff.com/
Laboratory Retrievers
6PM -SATURDAY-MARCH 13TH / REPEATS SUNDAY-MARCH 14TH- 2:30PM
Stories from the Genome
By Rachel Mayeri Documentary 14:30 Video 2003
Idiot's Brew
By Antonin de Bemels Short 9:30 Video (Netherlands) 2002
Afterlifers
By Halflifers Experimental 16:00 Video 2004
Dire Mastery
By Bernard Roddy Short 9:00 16mm 2003
Not Too Much Remember
By Tony Gault Experimental 11:00 16mm
Learning Stalls: Lesson Plans
By Darrin Martin & Torsten Zenas Burns Experimental 7:00 Video 2003

PDX FILM FESTIVAL
http://www.rodeofilmco.com/peripheralproduce/
PORTLAND,OREGON APRIL 15TH-18TH
i am today's lesson plan
Afterlifers:Walking&Talking
Volcanica



Museum of Art & Design
Corporal Identity - Body Language: Videoworks

Donnell Library
20 West 53rd Street
New York, NY 10019
(212) 621-0618

February 26, 2004 / 6 - 8 pm, free

Presented in conjunction with the exhibition Corporal Identity - Body Language at the Museum of Arts & Design, this public program features works by fourteen artists who employ the moving image to explore physical and intellectual aspects of identity. In the conceptual performance works of Beverly Semmes, Carolee Schneeman, Tatiana Parcero, Bruce Nauman, and Ingrid Mwangi, the artist uses his or her own body as an art-making object. Works by Kristin Lucas, Aida Ruilova, Melissa Dubbin and Aaron Davidson reveal psychological anxieties as a condition of contemporary self. Stelarc, Steina, Torsten Zenas Burns and Darrin Martin forecast the impact of new technologies on the body. The struggle with body-image is explored in a music video by Tony Oursler in collaboration with Sonic Youth, and artists Ursula Hodel and Alix Pearlstein continue this investigation with works that utilize the artist as performer or a surrogate as a means to interpret self-image.

Beverly Semmes, Torsten Zenas Burns and Darrin Martin, Melissa Dubbin and Aaron Davidson, and Alix Pearlstein will introduce their works in person.

The Swing, Beverly Semmes, 2003 
Welcome & Introduction-Galen Joseph-Hunter
Body Collage 
Carolee Schneemann 
1967, 3:30 min, b&w, silent, 16 mm film
Life Lines
Tatiana Parcero
1995, 6 min, color, sound
Gauze 
Bruce Nauman 
1969, 8 min, b&w, silent, 16 mm film
The Stun
Aida Ruilova
2000, 1:30 min, color, sound
Sitting Still 
Melissa Dubbin + Aaron Davidson
2003, 2:15 min, b&w, sound
Cable Xcess 
Kristin Lucas 
1996, 4:48 min, color, sound
Alternate Interfaces
Acmi & Stelarc
2004, 6 min, color, sound
Warp 
Steina 
2000, 4:30 min, color, sound
The Man-Probe Examples
Torsten Zenas Burns and Darrin Martin
2004, 6 min, color sound
Oh No
Aida Ruilova
1999-2000, 45 sec, color, sound
Tunic (Song for Karen)
Tony Oursler. In collaboration with Sonic Youth.
1990, 6:17 min, color, sound
Godiva
Ursula Hodel
1997, 4:31 min, color, sound
Neger 
Ingrid Mwangi 
1999, 4:15 min, color, sound
Partners 
Alix Pearlstein 
1998, 16:40 min, color, sound


 Robert Beck Memorial Cinema 
(145 Ludlow) at 9:30pm Tuesday July 22...
http://www.rbmc.net/

JULY 22 PERIPHERAL PROGRAMMING:THE PDX/JFK CONNECTION
The underground's most cheerily quixotic entrepreneur, Matt McCormick
(Portland, OR), returns to the RBMC with another duffel bag full of
contraband cinema. McCormick's microcine-corporation Peripheral Produce is
about the finest DIY video distribution company out there, and he has
cherry-picked half a program from his stable of PP all-stars. The RBMC will
counter with several of their NY counterparts. Titles and artists TK.
Selections from the PP catalog (www.rodeofilmco.com/peripheralproduce/)
available at the concession stand, including a brand-new tape by the RBMC's
own Brian Frye.

PDX:· Escalator Meditation by Orland Nutt (video - 3 m.)
· Texas Seadrift by Bill Daniel (video - 8 m.)
· 9 is a Secret by Vanessa Renwick (video - 7 m.)
· Transgenic Romance by Morgan Currie (video - 5 m.)
· American Nutria by Matt McCormick (video - 10 m.) (work in progress)
· Meridian Days by Trevor Fife (16mm - 11 m.)

JFK:· Lunch Break on the Xerox Machine by Marie Losier (16mm 3 m.)
· I am Today's Lesson Plan by Torsten Z. Burns and Darrin Martin (video -10 m.)
· Encomium by Brian L. Frye (16mm 2 m.)
· Two by Twelve by Sarah Hanssen (video 1 m.)
· Film Sketches by Shannon Plumb (film on video 20 m.)
· Watched by Jim Supanick (video 2 m.)

The New York Video Festival JULY-2003
is curated by Marian Masone, Gavin Smith, Graham Leggat
and Cord Dueppe. Thanks also to Ben Cook, Carmen Kovens,Abina Manning, Sara Meltzer,
Nigel Redden, Peter Serace, John Thomson, Amy Taubin, Electronic Arts Intermix and Video Data Bank.
http://www.filmlinc.com/nyvf/nyvf.htm

PROGRAM ONE: INSIDE/OUTSIDE: THE SPIRITS OF PLACE
Personal Anthology - 88m
Whether bone dry or with attitude to spare, based on precise structural conceits or strung together
without apparent logic, this collection of anthology format excursions mix it up.
Learning Stalls
Torsten Zenas Burns & Darrin Martin, U.S., 2003; 4 x 4m
The Chocolate Factory
Steve Reinke, Canada, 2002; 26m
Wasted
Scott Russell, Canada, 2003; 18m
Lost in Space
Tricia Middleton & Joel Taylor, Canada, 2003; 11m
Single Beds Vol. 1 Desolation
Ximena Cuevas, Mexico, 2002; 18m
Wed July 23: 6:15; Fri July 25: 4

*SIXTY SEVEN
SUMMER.SHOW.03
DATES: June 27- July 27, 2003
GALLERY HOURS: Fridays, Saturdays, and Sundays, 12.00 - 6.00pm
DIRECTIONS: 67 Metropolitan Ave. 3rd F. W'burg, Brooklyn.
Take the L train to Bedford ave. station. walk south 5 blocks to
Metropolitan ave. Turn right, the gallery is bet. Wythe and Kent ave.
http://www.star67.org/
torsten zenas burns / chris caccamise / javier cambre
john earles / rika hirata / nils karsten / mary klie
pierre obando / christa parravani / philip simmons
angela strassheim / nicolas touron / jade townsend
eric trosko / yuh-shioh wong

ELECTRONIC ARTS INTERMIX
http://www.eai.org/eai/web projects.jsp
Lesson Stalls: learning net
Torsten Zenas Burns and Darrin Martin
An off-branch of their recent studies, Burns and Martin establish an on-line
training complex dedicated to the philosophical, technical, and practical aspects
of an intra and extraphysical society. By engaging in diagrammatic mobile interfaces
and various testing paradigms, Lesson Stalls: learning net will allow participants to
access examples of various training techniques in paraphysiology.