INCONSPICUOUS UTILITIES FOR AN OLD HOUSE
Incorporating heat, electricity, and other modern
utilities inconspicuously into an old house often poses major
challenges. This article discusses an approach taken in a museum
restoration that we undertook a few years ago.
The concerns governing restoration of a house as
a museum differ from those of the "real world." Absolute literal
accuracy is a paramount concern of a museum restoration; livability,
when considered, is at best a secondary issue. This approach can
produce buildings that superbly evoke the past, but few would
be livable by present-day standards. Even so, solutions developed
for museum properties can be used successfully in an inhabited
old house.
A case in point is The William Pitt Tavern at Strawbery
Banke Museum in Portsmouth, New Hampshire, where means used to
provide inconspicuous heat and electrical power are directly usable
by old-house owners who want the "moderns" to intrude as little
as possible.
The William Pitt Tavern was built in 1766, and became
an important gathering place for the local movers and shakers,
aided, no doubt, by a large third-story room that was the scene
of plays, operas, and Masonic meetings. By its owner's death around
1800, competition from newer and more fashionable hostelries had
set the Tavern on a long course of decline, interrupted only by
an 1897 reworking that removed chimneys, stairs, and most other
early elements, and recast the building into working-class tenements.
Strawbery Banke Museum's goal for restoring The
William Pitt Tavern was to reproduce as accurately as possible
the building's form and appearance during its builder's occupancy
(1766-1797), to be an exhibit of taverns and tavern life in eighteenth-century
Portsmouth. As part of that restoration, it was necessary to provide
heat, lighting, switches, and power outlets. All this work was
to be inconspicuous--invisible where possible.
Forced warm air was chosen for heat. It could be
supplied through relatively small outlets, in contrast to the
more visually obtrusive convectors and radiators that hot water
heat would require. Warm air, however, requires relatively large
ducts to get from the furnace to the spaces where it is needed;
the first problem was how to run the air ducts through a three-story
house without intruding into finished space.
Heating runs to the first story were not a problem--all
ductwork could be run in the basement, and brought up through
the fl;oor as needed.
Heating the topmost story could be almost as simple:
Where there was sufficient space, ducts could be taken up to the
attic in concealed spaces and run across the floor before dropping
into the third-story rooms. In cases where there was not sufficient
space in which to run vertical ducts, forced hot water could be
used to carry heat from a boiler in the basement to a water-to-air
heat exchanger in the attic, and from there through ducts to the
rooms.
Heating the second story, however, presented a problem.
Research into the building showed there to have been closets beside
most fireplaces, but they were only left-over spaces between the
chimneys and the walls, and were too small to contain the necessary
ductwork. Furthermore, if hot water was used, there were no available
spaces large enough to hold heat exchangers or fan-coil units.
Originally it had been intended to reconstruct the
original chimneys--removed from the Tavern as part of the 1897
remodelling--from the bottom to the top. Given the need to heat
the building "invisibly," that decision was reconsidered in favor
of another solution: Restore only what could be seen of the original
chimneys, and use the remainder of the space formerly occupied
by brick stacks for heating ducts and other building utilities.
In the space each chimney used to occupy, we constructed
a tower of pipe columns and light steel beams. Reinforced concrete
platforms at each floor provided solid bases on which to build
non-functioning fireplaces. Holes left in the concrete platforms
accommodated heating ductwork, as well as electrical and security
wiring. The exhaust from gas-fired furnaces in the basement was
vented into an insulated metal flue which also ran up this space
to the attic.
At the top of each tower masonry shafts represented
the missing chimneys. These structures, which began at the attic
floor, were made of concrete block within the attic for economy,
and of brick above the roof for appearance. A working flue in
one of these dummy chimneys vented the furnace exhaust. The illusion
of complete chimneys in the restored building is convincing; visitors
typically have to be shown the steel towers and ductwork before
they believe that the chimneys are not solid masonry.
With heat distribution to the upper stories solved,
the locations for air supply and return registers followed: Warm-air
registers were placed in the throats of the dummy fireplaces,
and cool-air return grilles were located in the closets beside
them. Supply registers are invisible to everyone except a person
squatting or lying on the floor. When the the building heat is
off, the returns are invisible as well, concealed behind closed
closet doors.
We provided two options for use during the heating
season. Where they do not interfere with the use or appearance
of the spaces, closet doors can simply be left open. When partly
open closet doors are not acceptable, a solid door panel can be
removed and a wooden grille substituted for it. These grilles
are not authentic, but are reasonably inconspicuous, particularly
when strategically-placed furniture screens them from visitors'
view.
A good heating engineer or contractor will warn
you--as ours warned us--that such a system does not meet present-day
standards for heat distribution. The William Pitt Tavern installation
does, however, seem to provide more uniform distribution than
the systems found in many older houses, where warm air is supplied
through local registers and returned through a central grille
in the first-story hall.
Since we could run ducts serving the first story
through the basement, there we used conventional outlet locations
in the floor. To keep the heating system inconspicuous, though,
the outlets and inlets were set below the finish floor at the
level of the subfloor. Removable pieces of fi;nish fl;ooring cover
the registers when the heating system is not in use; the only
sign of their presence is an inconspicuous rectangular outline
in the floor.
We took a similar approach with the electrical system.
The owner wished to use the least amount of built-in lighting
consistent with building-code requirements, and to provide a relatively
large number of convenience outlets in each room. With the exception
of a few electrified reproduction period lighting fixtures, no
fixtures, switches, or outlets were to be visible within the rooms.
We had seen other installations where electrical
switches were covered with wallpaper and otherwise faked into
near-but-not-total invisibility, and were not impressed. Switches
that have been wallpapered over leaving only the toggle protruding
are initially inconspicuous enough, but quickly become unpleasantly
visible as the paper becomes stained, and repeated touching wears
away its design.
We wanted to do better; besides, most of the Tavern's
walls were finished with whitewash, which barely adheres to smooth
surfaces. The first step was to group all light switches outside
of the restored space. The relatively few switches required by
the built-in lighting were gathered in groups on each fl;oor and
concealed in readily-accessible closets. In a house that was actually
lived in, many light switches could be similarly concealed. Those
that for safety reasons could not be remotely located could be
placed where doors and pieces of furniture would screen them.
As with first-story heat registers, we set electrical
outlets in the subfloor, and covered them with removable pieces
of finish flooring. Since there was little built-in illumination,
these outlets were used for portable lighting, as well as for
exhibits. The Tavern was a public building; electrical code required
using special-purpose outlet boxes which were significantly more
expensive than those normally used in walls. Private residences
should be able to use conventional outlet boxes.
To facilitate routine maintenance--we doubted that
housekeepers would appreciate having to fiddle with removable
pieces of flooring--we provided electrical outlets next to the
heat registers inside dummy fireplaces. Smoke-alarm sensors were
also placed out of sight in those fireplaces.
Heat and smoke detectors were the one type of equipment
that proved impossible to hide. In order to function, these devices
must be exposed. We considered trying to hide them above the ceilings,
but concluded that the openings necessary to allow them to function
would be visually even more intrusive than the detectors themselves.
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Copyright 1991-2008 Allen C. Hill