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Hewing
timber An introduction to the way wood was shaped
before modern sawmills.
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Wobbly
walls The walls of this old church looked like they
had been built by a drunken carpenter. What happened? Was
it serious?
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HEWING
TIMBER
One of
the delights of what we do is that we're always learning, and
dealing with new information. A while ago we went to a workshop
on hewn timber conducted by Tom Paske, an artisan-consultant from
western Massachusetts, who offered some information we thought
might be worth passing on:
Two primary
tools were used to hew timber to size: the broadax and the adz.
The working methods associated with the two tools differed, and
not surprisingly, they were used for different purposes.
The broadax
was used to hew larger timbers. It was a large tool, and worked
fast, but left a rough surface.
To hew
a timber, guidelines were first struck the length of the rough
log, and guide wedges cut between the lines down to the intended
face of the finished timber. The log was then positioned so that
the face to be cut was vertical. Standing beside the timber, the
axman then used his broadax used to hew off the unwanted material.
A broadaxed
member is typically rough and ragged appearing. The bottoms of
the guide wedges typically are visible as v-shaped cuts running
across the grain.

The adz
was used to hew smaller timbers, and also to smooth the finish
of larger broadaxed members. When worked with an adz, the timber
was set with the face to be cut facing up. The adzeman straddled
the piece as he worked, and swung the adz between his legs like
a sharp croquet mallet.
The surface
of an adzed member looks as though it had been roughly planed
using short strokes.
It is
a principle of structural engineering that a wooden beam is strongest
for a given amount of material when it is rectangular, and set
with the long dimension vertical, but most hewn timber is roughly
square in cross-section. This apparent wastefulness seems odd.
Some
scholars (obviously theoretical types) had speculated that early
builders hadn't yet discovered this principle, but a more convincing
reason quickly presents itself when you remember that these large
timbers were not saw-cut, but rather were hewn, by chopping away
the unwanted parts of the tree trunk. A square member provides
the most wood for the least hewing. Hence, square members.

Most
framing members that are not approximately square in cross section
have been sawn, rather than hewn. Some early buildings, however,
do have rectangular hewn beams. Typically, members were first
hewn square, and then were split down the middle
to make two more-or-less equally-sized members.

It is
usually easy to tell when this has been done, even if you are
not skilled in reading cut marks --the member will be roughly
twice as tall as it is wide, and the two vertical faces will
look different, since different methods were used to form
them.
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WOBBLY
WALLS
We recently
performed a comprehensive assessment of an old wooden meeting
house dating from around the time of the Revolutionary War. One
of the church's concerns was the exterior side walls, which undulated
in and out like waves on a vertical sea. Inside, we noted that
the window sills bowed upward. Something was obviously not right.
Our research turned up an interesting story:
The church
was built as a meetinghouse. The interior was lit by two courses
of two-sash windows, one above the balcony that encircled three
sides of the space, and one course below. As was typical of the
practice of the period, the windows were set between (and attached
to) pairs of studs.

Some
time in the eighteen-thirties, the building was modernized. The
balcony was removed, the pulpit and main entrance were relocated
from the long sides of the building to its ends, and most significantly
for our story, the old windows were replaced with large modern
three-sash units. In order to do this, it was necessary to make
large openings in the wall, cutting studs, balcony-level girts,
and diagonal braces in the process.
These
changes did not disturb the main posts, and so did not threaten
the building's main structure, but once the girts and studs had
been severed, continuity was lost between the posts. The wall
became more flexible, and over time was able to bow in and out,
resulting in its wavy appearance.
Not only
that, the windows were supported on by their sills, which rested
on the cut-off studs. Since the windows overhung the studs, all
their weight (and the weight the construction that bore on them)
was taken by the sills. Window sills aren't designed to carry
such loads, and over the past hundred sixty years their ends slowly
settled, causing their centers to bow upward.

These
problems could have been prevented if, when the building was modernized,
the builder had not cut corners: He should have opened the entire
wall, top to bottom, and reframed the spaces between the main
posts to maintain continuity and support the windows. Instead,
he took a shortcut, and simply cut window-sized openings in the
outer wall, and set the windows into them.
Fortunately,
the interior plaster showed little or no distress, indicating
that the movement was not an immediate concern. We counseled monitoring
the condition of the plaster for signs of additional movement,
but otherwise taking no immediate action.
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SCRIBE
RULE JOINTS, SQUARE RULE JOINTS
The joints
of the hewn timber frames of wooden buildings constructed from
the earliest days until well into the nineteenth century were
cut according to two very different methods, commonly known as
the scribe rule and the square rule.
For centuries,
the joints of building frames were formed by carefully positioning
the two members to be joined, and marking, or scribing, the outline
of edge of the member in which the mortise (slot) was to be cut
on the member that was to be tenoned (tabbed) into it. Then, when
the tenon was cut, its back was formed to match exactly the contour
of the other member.
As can
be imagined, this procedure, known as "scribe-rule framing" required
a great deal of careful positioning and test fitting to produce
good joints. Each joint was unique, so every member had to be
fitted to its proper place in the frame. The idea of making some
pieces separately from the frame, and inserting them when it was
erected, was inconceivable.

Around
the time of the War for Independence, a new way of framing was
developed, the so-called "square rule." Instead of laboriously
scribing and cutting each piece to its mate, square-rule framing
allowed all joints to be cut to a constant plane as though the
member were uniform in size, regardless of its actual shape.
The economies
were immediate. Instead of having to cut and fit each member to
a unique situation, they could be cut to specified dimensions,
for great savings in time and labor. Furthermore, since it was
no longer necessary to fit each part to its mate, it became possible
to make many smaller members--such as diagonal braces--interchangeable
with each other. They could even be made off-site with an excellent
likelihood of fitting once they were set into the frame.
This
seemingly magical feat was accomplished by recessing the joints
into the receiving (mortised) member so that they all lay on a
common plane. The appearance of scribe-rule and square-rule framed
joints differs significantly.

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Copyright 1998-2008 Allen C. Hill