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August
2001
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July
2002
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January
2003
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The
duo of Dean King and Tomas Phillips came together as Eto Ami in 2000 with
the mere intention of exploring a shared aesthetic. This partnership soon
developed a trajectory of its own, however, compelling us to push the
compositional process towards further levels of refinement and performative
dexterity. What this continues to mean for us is the achievement of a
balance between digital and non-digital sound and a functional recognition
of their differences in terms of utility and signification. Whilst computer
technology remains central to our work, we make an effort to locate composition
within a space of physicality, a space in which the composing subject(s)
is allowed to "become," in the language of Deleuze, alongside the relative
self-sufficiency of software. Hence our use of acoustic instrumentation
and field recordings gathered on the periphery of laptops. By extension,
we seek to foreground the act of listening (as composers and audience
alike) in the slowly evolving tradition of microsound, without precluding
the possibility of active and engaged harmony.
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parasites rework (4 MB mp3 from microsound.org) Tomas Phillips: On Dit (Trente Oiseaux) Dean King: Mendenhall (Klanghausen project, 3.6 MB mp3 from microsound.org) Reunion
show scheduled for May 12, 2004 "Course"
will be presented at the Overgaden
Sound Art Festival "EA1
Track2" will be presented at the field
recording sound exhibition "Bauer
Codec" will be presented at the SoundLab
Channel Edition II "Bauer Codec" and "Biket" are part of AFE Records' 10-year anniversary compilation, December 2005 Available now through nonvisualobjects |
etoami (at) gmail.com