s/t
course
biket/fnet
August 2001
July 2002
January 2003
The duo of Dean King and Tomas Phillips came together as Eto Ami in 2000 with the mere intention of exploring a shared aesthetic. This partnership soon developed a trajectory of its own, however, compelling us to push the compositional process towards further levels of refinement and performative dexterity. What this continues to mean for us is the achievement of a balance between digital and non-digital sound and a functional recognition of their differences in terms of utility and signification. Whilst computer technology remains central to our work, we make an effort to locate composition within a space of physicality, a space in which the composing subject(s) is allowed to "become," in the language of Deleuze, alongside the relative self-sufficiency of software. Hence our use of acoustic instrumentation and field recordings gathered on the periphery of laptops. By extension, we seek to foreground the act of listening (as composers and audience alike) in the slowly evolving tradition of microsound, without precluding the possibility of active and engaged harmony.

parasites rework (4 MB mp3 from microsound.org)

Tomas Phillips: On Dit (Trente Oiseaux)

Dean King: Mendenhall (Klanghausen project, 3.6 MB mp3 from microsound.org)

Reunion show scheduled for May 12, 2004
at Nightlight, 405 1/2 W. Rosemary St., Chapel Hill, NC

"Course" will be presented at the Overgaden Sound Art Festival
August 6 - September 5, 2004, Copenhagen, Denmark

"EA1 Track2" will be presented at the field recording sound exhibition
at e:Cube, October 23 - 24, 2004, Montreal, Canada

"Bauer Codec" will be presented at the SoundLab Channel Edition II
(both online and at the MediaCentre's ConcertHall, Cologne, Germany) in February 2005

"Bauer Codec" and "Biket" are part of AFE Records' 10-year anniversary compilation, December 2005

Available now through nonvisualobjects
Phillips/King: Á Travers le Bord
EXTRACT: Portraits of Soundartists (book + 2 CDs)

etoami (at) gmail.com