• guitar collection... which I've got my eye on... Arrrrrrrrrrr..."
• Keith Richards, Easter Egg on Pirates Of The Caribbean: Curse Of The Black Pearl, 2003

• "Johnny's probably better than he thinks. I'm probably not as good as he thinks."
• Keith Richards, on Johnny as a guitarist, 2007

• "He's got one of the best guitar collections, very eclectic."
• Keith Richards, 2007

• "Yeah, Johnny is going to be on it, but he's not just on there to get his name on the cover; he's there because he's actually a great guitarist. Johnny played on The Snake, and this record is going to be a bit more punky in a similar way."
• Shane MacGowan in 2004, on plans for Johnny to participate in a still as yet unrecorded new solo album
  

• "It's going to be quite rocky in some parts. Johnny Depp is going to be playing some guitar again because he's a great guitarist."
• Shane MacGowan, 2004
  

• "He is a great actor and a great guitar player too. We played together. He really heavied it up. His guitar playing releases all of his rage and frustration. We did one song together, but forgot to record it. But it sounded like an atom bomb going off!"
• Shane MacGowan, 2005

• "I think Johnny’s wonderful too — he’s a great guitar player by the way."
• Shane MacGowan, 2007
  

• "As it works out, he's actually one of the best guitarists I've ever seen. He's really, really good. He doesn't actually think he's any good, but he's a fine guitarist. That's why we got him to play the slide guitar solo on Fade In/Out on the last album, 'cos I couldn't play it. Afterwards, everybody...we were rehearsing for the tour: it took me about 6 months to work it out, what he was actually playing."
• Noel Gallagher, on Fade In/Out
  

• "The first part of 'Fade In/Fade Out' was recorded in a little fucking shack on the beach. We were drunk one night [in the Caribbean], and I borrowed his slide guitar and tried to play this solo, and it was absolutely dreadful. So he sat down and played it and got it in one take. He's actually a really good guitar player."
• Noel Gallagher
  

• "He just fit in perfectly. He just... He plays from his heart, you know. He wasn't really into the 'technique' of playing the guitar. He was just more into the 'feel' of it."
• Bruce Witkin, on Johnny joining The Kids
  

• "I'm a songwriter, not a guitar player's guitarist. Johnny can actually play guitar better than I can, but he didn't want to feature it at all and be the actor-turned-rock-star for the evening."
• Bill Carter, on P's 1993 debut at SXSW

• "Johnny Depp was an extremely talented musician and songwriter. He was really good at coming up with compelling riffs which could then be used as a song signature or an ascending or descending guitar line that a song could be written around."
• Bobby Durango of the Rock City Angels
  

• "We played a bunch of shows with johnny in 86 and 87 in los angeles. before and after he got the gig on 21 jump street. he's a really good guitar player and i remember he learned our set of 12 songs in one rehearsal."
• Andy Panik of the Rock City Angels
  

• "Well Johnny Depp...he was in a rival band in South Florida at the time called the Kids...and they were a little bit more new wave than we were...they weren't a hard core punk rock band like we were...he ahh...him and I had kind of a competition going...we were always after the same women...and we had a certain little rivalry going at that time. But we were still friends and... then years later...we met in Los Angeles after the band had moved to LA and he was acting but he wasn't in a band. He had just finished doing "Nightmare on Elm Street" and he was interested in playing again...well one thing led to another and he started playing in the band and he was an incredible rhythm guitar player...he's a good songwriter as well. People have no idea...he's got many hidden talents...of course he's a great actor...but he...I loved playing with him..."
• Bobby Durango
  

• "Well, we had so many guitar players that he just seemed like another one of the guys in the band. What I do remember sticking out about that guy was we have a song called “Pitbull” that’s got all this real dark, harmonic type feedback during the verses, and I just remember the second or third time we played with him, I looked over and he was bending the neck of the guitar, doing some real outside shit, and that was only the second rehearsal. So I decided then that he was a pretty solid guitar player. Initially when they told me he was an actor, I didn’t even want to see the guy. I was like, 'Oh, a fucking actor.' When you live in LA, you get sick of those bastards. I didn’t buy into him at all, but after two rehearsals, he really impressed me. He only played about 5 or 6 shows with us, though, and then he had to go to Canada. The reason that he was in the band in the first place is because of the Florida connection – he knew the other guys from back there, where he had a band called the Kids. He was good guy, though. He was really a musician that fell into the acting thing. In a way, I feel kinda bad for him, because I don’t think he could ever go back into music and be accepted as a real musician. The Rock City Angels was probably the last real band he was in, and I remember him being frustrated about the whole acting thing. He needed the money, though, because we were all broke."
• Ringo Jukes of the Rock City Angels
  

• "John [Mellencamp] had what so many artists have, and it's an intangible. But it's very obvious. Some people call it charisma; some people call it star power. Whatever it is, it's a drive that some people possess. When we were very young, making the 'John Cougar'* record in Miami, Johnny Depp was a resident of Miami and a fledgling rock star, or so he thought. His mom would drop him by the studio in the evenings, and he would hang out with us. He was about 16 and he had a band called the Kidz. Johnny Depp had the same thing John Mellencamp had. It was a drive, a talent that was going to be realized -- whether it was in music, acting or art. Somehow that was going to come through."
• Mike Wanchic of John Mellencamp's band
• *The John Cougar record was released in 1979 and Johnny did not join The Kids until late 1980.  Mike may have been thinking of a later record, or else may have seen Johnny in a band prior to The Kids.  

• "That is more important than how good an actor he is. Acting, who cares? Everyone could be an actor."
• Emir Kusterica, saying he knew Depp had something when he heard him play guitar

• "His physique is his greatest asset. It's almost a teenager's body, those delicate hands, a musician's handshake, and this puerile streak in him. You look at him sometimes and think, 'How old are you?'"
• Roman Polanski

• "Loves words, loves music, loves art. An artist in all aspects of life."
• Terry Rossio

• "I don't know, but if Johnny Depp's band was involved, I would lie down and let him put his foot on my chest. I'd roll over. I'd be his stalker."
• Amy Tan, on whether the literary rock band the Rock Bottom Remainders could beat Keanu Reeves' Dogstar or Russell Crowe's The Ordinary Fear Of God in a battle of the bands

• "He offered to sing in his own voice.  I knew Johnny was in a band. I remember hearing a tape, but I think we were just too far along. I don't know, maybe I made the wrong decision."
• John Waters, 2007, on the possibility of Johnny doing his own vocals in Cry-Baby.  Johnny's singing was dubbed by rockabilly legend James Intveld.

• "Nobody had heard Johnny's voice. Millions of dollars, committed on an assumption. We all said to one another, 'Johnny is a smart guy. He would never put himself in this position if he didn't think he could do it. He must be able to sing.' But nobody could prove that!"
• Richard Zanuck, co-producer of Sweeney Todd, 2007

• "I was like, 'Do you want the good news or the bad news?' He goes, 'Well, give me the bad news.' And I said 'The Bad news is you're going to have to do this."
• Bruce Witkin, 2007, on assessing Johnny's ability to do the role of Sweeney Todd.

• "I figured he'd have a light baritone. You can hear it in his speaking voice. I love him as an actor, and always have. Put those things together, I didn't hesitate for one second."
• Stephen Sondheim, on Johnny as Sweeney Todd, 2007

• ''There are very few people who can act and sing at the same time. He's one.''
• Stephen Sondheim, 2007

• "Johnny’s going to bring something completely natural, sinister and heartfelt to the part-his voice is great and he’s such a great friendly guy. I love working with him."
• Laura Michelle Kelly, 2007

• "Johnny's singing voice is very sexy." 
• Helena Bonham Carter, 2008

• "He's fierce, wondrous, haunted, funny, scary--and on key."
• Richard Corliss, film critic, Time Magazine, 2008

Music-Related Quotes By Johnny Depp:

• [On acting] "Commitment, conviction, these are the only things I believe in. The ideal for me would be to be able to
  act like one plays a guitar solo: left handed, eyes shut, and never the same way." 

• [On whether he's played music around Keith Richards]  "No. I don't have the kind of hair that would allow me to pick up a guitar and start strumming. I've never been that confident -- or drunk. I just couldn't do it. Unless he asked me to. Then maybe."

• [On comparing himself as a guitarist to Keith Richards] "I wouldn't even, like, begin."
  

• [On what he could play on any session, anytime during the recording of Warren Zevon's final album] "Very bad guitar."
  

• "Since I was 14 I have played serious guitar. But I do not want to release a record under the name Johnny Depp. I do not want people to buy it in the light of the name I have built up as an actor. If I ever do release a record it will be with an anonymous name."

• "In my world and in my brain, I was a musician. You know, I get these acting gigs was basically just to... pay the rent, you know, pay the rent, be able to eat, and buy cigarettes, you know, that's really all it was for the first couple of years. And, I always planned on going back into music which had been my first love for ever and ever. And then, whatever one thing led to another and I ended up doing it all the time."

• "When I first started doing films, the band was making little money. I thought of acting as a way to finance my music habit. My whole upbringing was playing in bars and clubs since I was 14; I still feel like I'm a musician. There's nothing like being onstage with four or five guys with a really loud guitar and all the adrenalin, there's nothing to compare with it."

• "I've always been interested in… I guess fringe may be a way of putting it. The people that I've always admired in whatever the arena, whether it's art or film, whatever, music, have always been the people who came in from the outside, who didn't just - I prefer Daniel Johnston to Mariah Carey. You know what I mean? Really by far; like really. A Daniel Johnston, I admire very much. I don't know. It's the kind of people I've always been drawn to."

• "It wasn't like I ever kissed the guitar good-bye."

• "Me and music. Music was always my first love. It was my first love for sure. And still is a huge part of my life."

• "It's impossible to compare music and acting.  With music, I get to be myself, all the time.  With acting, I play different characters."

• [Asked whether he wishes he had ended up as a guitarist instead of an actor] "Not really.  Music will always be my first love.  But if I continued to do it for a living, I don't know that I would feel the same way about it.  I'm glad that it worked out this way, because it's still as fresh as it was back then and I'm not pressured to write hit songs.  I pick up the guitar and space out and drool."
  

• "The joy of falling in love with a musical instrument is that it will never go away and you won't stop playing."

---

Quotes by Johnny about Sweeney Todd and singing:

• [On his days playing in rock bands] "Never, ever, did I ever want to sing.  Singers always got too much attention. I was always happier playing my guitar in the dark."

• "I've never been a big-musical sort of guy."

• "How many chances do you get at a musical about a serial killer?"

• "[Sweeney] makes Sid Vicious look like the innocent paper boy."
  

• "As far as my singing is concerned, I don’t want to shock anyone but I am not a singer [laughter]. I would never ever claim to be a singer but I am willing to give it a shot, to see if it works. It is important to try stuff.  I grew up as a guitar player. I was a musician for most of my life. I am musically inclined and I am not tone deaf. At least, not yet."

• "When Tim asked if I'd be into it, he said, 'Do you think you can sing?' And I said, 'Honestly, I don't know.' I'm not tone deaf, so I knew I could stay in key to some degree. But I didn't know if I could sustain a note, or belt one out."

• "I may sound like a strangled cat."

• "I might be a horrible singer but that might work for the character. You never know."

• "[Sondheim] said to me early on, it was much more about the acting work than the singing. He felt the singing was secondary to hitting the notes emotionally. I didn't believe him. [Laughs] I think he was probably saying that to make me feel better about what I was about to attempt."

• "I would listen to [the score] nonstop, just constantly. Various versions. And then just a musical version without any vocals. I saturated my noggin with it."

• "I just didn't see the character developing with me doing scales in front of a piano, with a vocal teacher going, 'No, no — bring it up from the bollocks.'"

• "Singing couldn't be more foreign to me in a lot of ways, but at the same time, I need to incorporate my own process to find it, to see where I land."

• "So here I'm challenged with these amazing melodies of Stephen Sondheim. That was kind of a bugger to deal with."
  

• "I ended up going into a recording studio with a friend of mine and I just sang to the tracks to find out if I could do it at all. It’s not unlike the mating call of a rutting stag. It’s a very strange sound but so far, I have not been fired, which is good. We’ll see. I hope you like it."

• [on the song, My Friends] "That was the first song I ever sang in my life.  It was pretty weird and scary."
  

• "When I was doing the demos in Los Angeles, I came home and played it for Vanessa. That was one of the more frightening moments. You go, I'm gonna fall flat on my face…They [Vanessa and the kids] said, 'Is that you?'"

• "Vanessa was very helpful, because she was the initial victim. Before I sent my first recordings to Tim, I brought them home to her and said, “If I’m going to be fully embarrassed, I may as well play it for you!  So, I played it to her to see if I was doing the wrong thing. She was very supportive about it. She’s a very talented singer. She offered me all kinds of advice in terms of holding a note. More than anything, she gave me confidence. Oddly, she liked my voice. That was a miracle to me!"

• [on the gutteral aspect of his singing voice] "Organically, there’s something natural in my voice that happens when you push it. And it’s aggressive stuff. But one thing I do—that I don’t remember hearing any of the other Sweeneys do—is English, oddly. [In most productions, Sweeney is played with an American accent.] Especially that East End English. That was something I thought I could add."

• "The one that was probably the most challenging was 'Johanna.'  It's such an emotional song.  And as far as I was concerned, when Stephen Sondheim writes the note and it has to be held for this many beats, you do it.  I don't care if you're from Miramar or Kentucky or you're an ass and you don't sing.  It doesn't matter.  Don't be a pussy, you fuckin' hold that note.  You can't cheat.  You can't whisper.  You can't do the William Shatner thing.  You just gotta belt it out.  So I really beat myself up, making sure I could hold those notes.  In 'Johanna,' some are, like twelve beats.  That was a bugger.  At one point, I was very close to passing out - I got dizzy and saw black.  But that's what Sondheim wrote, so that's what you do."
  

• "If there was anybody in terms of inspiration for my sound, it was Anthony Newley [the Broadway vet]. And Iggy Pop, you know? Iggy’s kind of this very aggressive crooner. Especially in the early stuff, there’s something about his attack that’s haunting."

• "I wouldn't ever dream of attempting to channel David Bowie, he's a big hero of mine. If there's a similarity, it wasn't intentional, certainly not. [But] it's a nice compliment."
  

• "This could be the punk-rock Sweeney, you know. The alternative Sweeney."

• [on Sondheim's music] "It's beautiful stuff to sing. I can only imagine it must be really nice if you're a singer."
  

• [after claiming that he usually never sings, in response to the prompt, "Brown Sugar" comes on …"] "I might sing a little harmony. I might air guitar. Drumming. I like to drum."
  

• [after claiming that he probably wouldn't have sung for anyone but Tim Burton, Burton asks, "What if Barry Manilow asked you?"] "That's a different thing, cause that might mean duet, and if that's the case, I'm in." [A car horn sounds in the street outside] "And there he is."
  

• "I think I am done with singing."

• "Am I happy with my singing in Sweeney Todd?  I'm happy it's done."
  

See also the Johnny Depp Rocks! Sweeney Todd page for more Sweeney Todd-related information!