HomeWelcome!About EvaPsychic Services & TrainingTarot for YouHow Tarot WorksTarot CoachingTestimonialsAs the Spirit Moves Me (blog)Visualization ExerciseField Notes: Reviews of Dance, Theater and PerformanceBook, Deck & Product ReviewsEva's Writing on the WebAs Above, So BelowBibliographyLinksContact Eva

Tuesday, March 11, 2008

Titania Hardie's "Good Fortune and how to attract it"

Good Fortune and how to attract it byTitania Hardie (Quadrille Publishing, 2008)

reviewed by Eva Yaa Asantewaa

What an imposing, attractive package this is! A squarish book with good, earthy heft to it. A handsome royal purple, metallic cover with golden lettering. Three golden coins, 1-3/4" in diameter–one side for the sun, the other representing the crescent moon–set into plastic windows in the front cover. And when you open the book–ooo-la-la!–be prepared for rich color. Each page has a delicious color or two, and some have illustrations that look as if they’ve been snipped from dreams. Not every page color is kind to the eyes, unfortunately, particularly since most of the black type is small. But, for the most part, I suspect you will enjoy the look, energy and purpose of this book which updates the classic I Ching oracle, adapting its basic divination procedure in pagan-inspired and woman-respecting ways. Hardie is a third-generation witch, and her aim is to help people succeed in life by better understanding and working with their inherent connection to the flowing patterns and energies of nature.

Having said all that, I must now admit that I remain a hard-sell when it comes to the I Ching. I tried it out once–just once!--decades ago, found its "voice" stern and alienating, and forever after left it well alone. As oracular tools go, Tarot is my preference. Hardie has retained the use of coins as alternatives to yarrow sticks--good, as I prefer coins to sticks–and she gives you a somewhat helpful visual guide to figuring out the pattern and import of your six throws, but I still find myself confused by which line goes where, coordinating the two triplets of lines, flipping the moving lines... Oy! I likely have I Ching-a-lexia, but this is probably just not my thing. Every reader has to go with what he or she loves.

Now, having said all that, I must now add that, aside from a procedure I find unnecessarily complex, I do enjoy what Hardie offers. Her "Personality Profile" section shows you how to discover–by birth order, birthdate and hemisphere of birth, north or south–which feature of nature and which season governs you. I am--proudly--Summer Wind (keyword: welcoming), since I was born the first daughter (and only child) of my mother in the Northern hemisphere in the depths of August. Hardie’s wise and well-written explanations are charming and helpful. The sections on each of the 64 possible divinations are also quite lovely, and I hope that Hardie will not mind that I’ll be using the old open-a-page-at-random divination method with her book. I’ve tried this already, and it works just fine.

As for throwing those three golden coins, they’re a tad big in the hand for comfort. But they’ll make a wonderful symbol on an altar.

© Eva Yaa Asantewaa, 2008

11:21 am | link

Saturday, February 23, 2008

hummingwitch podcast debuts!
If you enjoy this page, you'll like my new hummingwitch podcast.  To subscribe, click http://magickaleva.hipcast.com/rss/hummingwitch.xml.
9:52 am | link

Thursday, January 24, 2008

The Metaphysical Book of Gems and Crystals
 
Your eyes will adore The Metaphysical Book of Gems and Crystals by Florence Megemont  (Healing Arts Press, 2008), an English translation of Megemont's 2003 French-published book.  The vivid, gorgeous photos of each gem and crystal turn these minerals into...well, I can only call them rock stars!  Just looking at these celebrity portraits gives you a sense of their inherent characteristics--through shape, texture and color--and clues about how to work with them. 
 
The bulk of the book is a directory of gems and crystals, including some I'd never heard of (like andalusite, iolite, meerschaum, nephrite, sunstone, orpiment, tanzanite) and some that rarely or never get mentioned in other manuals (like kunzite, labradorite, mica), giving this guide unique value.  Megemont's directory details each item's chemical composition, range of colors and hardness, density, geographical areas of principal deposits, etymology and general characteristics, therapeutic uses and zodiacal correspondences.
 
There's a section on the proper maintenance and storage of your gemstones and crystals, as well as one ennumerating ways to access their power as amulets, talismans, jewelry, elixirs, healing wands and more.  You will learn a kind of stone feng shui to liberate good energy in your house or apartment. Megemont correlates gemstones to the chakra system, the zodiac and to a variety of physical ailments (from acne to whooping cough), psychological imbalances (from agitation to Tourette's Syndrome) and spiritual concerns (from Balancing the Energetic Body to Strengthening Your Evolutionary Power). But what's particularly lovely about this book is that it will surely encourage you to work your own experiments with these beautiful stones and learn the personal teachings they hold for you.
 
For more information about The Metaphysical Book of Gems and Crystals, click here.
10:52 am | link

Monday, December 3, 2007

Golden Botticelli Tarot

by Atanas Alexandrov Atanassov

(Lo Scarabeo, 2007; ISBN: 10-0738712310)

by Eva Yaa Asantewaa

Have you seen Lo Scarabeo's Golden Botticelli Tarot? This little treasure that samples the work of the Italian Renaissance master painter known as Botticelli and decorates those images in accents of gold--should satisfy your desire for artistry and opulence. And need I remind you that it's the holiday gift-giving season? You do want to impress that special Tarot-loving someone, don't you?

The deck features a conventional array of 78 cards (2-1/2" x 4-3/4"), each with its black border that identifies it in six languages. The framed imagery generally includes close-up or mid-range figures set against a landscape and surrounded by an atmosphere of decorative gold. Visually, this is one of Lo Scarabeo's most successful issues, comparable to the publisher's sumptuous, although certainly less graceful, Mantegna Tarot (aka Silver Mantegna) and easily more appealing than Atanassov's Golden Tarot of Klimt. In the popularity polls, Botticelli's probably got it all over Klimt anyway, although--beauty being in the eye of the beholder--the Klimt's intensely radiant cards surely have their fervent fans. In any case, Atanassov's creative eye and mind are superb.

I'm especially impressed by Atanassov's original conceptions which give us new stories to tell about cards such as the Queen of Swords with her dreamy, somewhat melancholy gaze and her lowered, restrained sword; the 3 of Pentacles with its musician-angel skimming over three golden stepping stones as she flies downstream; the big, icy-blue apparitional angel of the 7 of Cups. In accord with Renaissance traditions, Atanassov's Ace of Cup portrays Mary with baby Jesus, and Death is a pietá.  The World is Botticelli's Venus on the half-shell.

The Emperor looks skeptical and remote but more human than usual; you can tell that his sword is, for him, a sign of conquest and possession. The dramatic 8 of Swords positions the prisoner in the midst of a stand of trees, each one guarded by a sword. I'm disappointed by the Strength card--in which the lady seems to be threatening the lion--but there are more than enough images in this deck to love and to find fascinating.

I have to say it again: Lo Scarabeo, what's up with your LWBs? Aside from a one-paragraph introduction to the Golden Botticelli and a suggested layout (the Star of Solomon spread), you'll find very little of use. If you already know your Tarot, take this deck and dive in; the water's fine. If you're new to Tarot, look elsewhere for help or exercise your own imagination and creativity.

Both veterans and novices might find themselves puzzling over an enigmatic image here and there. While I don't usually rely upon prescribed meanings for the cards, I found myself stymied when I drew the 3 of Swords and could not, for the life of me, figure out how to reconcile Atanassov's intriguing image with the traditional way that the 3 of Swords is usually depicted and understood. In the painting, a nearly nude ascetic, his hands folded in prayer, is being pulled by the hair by a barefooted, redheaded woman in a white gown and aqua-blue cloak. The LWB, of course, was of no help. Where did Atanassov get that particular Botticelli image, and why did he select it for his 3 of Swords? I spent some time thinking about the image and, eventually, it revealed a rather multifaceted relevance to my original question. I believe that, given time and trust, the Golden Botticelli will surprise other readers with similarly fresh revelations. Enjoy!

See images of Golden Botticelli Tarot at Aeclectic.net, click here.

(c)2007, Eva Yaa Asantewaa

6:52 pm | link

Monday, September 24, 2007

A way of freedom
The ancient practice of meditation comes to a maximum-security prison in Alabama. Read Staring at Death, and Finding Their Bliss by Whitney Joiner, The New York Times, September 13, 2007.
11:58 am | link

2008.03.01 | 2008.02.01 | 2008.01.01 | 2007.12.01 | 2007.09.01 | 2007.08.01 | 2007.07.01 | 2007.06.01

Link to web log's RSS file

 Subscribe to ATSMM