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My Novel
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Available
online and at all major bookstores:

Buy Now!
Mingmei’s gift shop If
you buy from my site, you will get an autographed copy
with my Chinese seal. If you buy 2 or more copies (They
make great gifts!), you can choose one of the following
free gifts: an original print of Mingmei’s Chinese
goddess painting or a CD of Mingmei‘s qin playing and
singing.
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Peach Blossom Pavilion has been published in Romania! |
Only 7 weeks after its release, Peach Blossom Pavilion is already in its 4th printing!!!
Mingmei’s novel
Peach Blossom Pavilion.
In all major bookstores June 2008!
Kensington Books
Peach Blossom
Pavilion is
the story of the last courtesan, or geisha, in China. With great
insight based on detailed research carried out in China, Mingmei
has re-created the elegant, refined, intriguing Chinese
courtesan culture. Her story has been described as ”Sweeping in
scope and stunning in its evocation of China…Peach
Blossom Pavilion
is a remarkable novel with an unforgettable heroine at the heart
of its powerful story….”
Chinese Geisha
culture was the predecessor of its counterpart in Japan (see
“Introducing the Chinese Courtesan/Geisha Culture”),
so if you’ve read or seen Memoirs of a Geisha, you must read
Peach Blossom
Pavilion!
The Story:
Publisher’s
Weekly
“A
courtesan’s vow to avenge her father’s execution and her
mother’s banishment to a nunnery.”
Kensington
Books
“In a sunny
California apartment, a young woman and her finance arrive to
record her great-grandmother’s reminiscences. The story
that unfolds of Precious Orchid’s life in China, where she rises
from a childhood of shame to become one of the most
successful courtesans in the land, is unlike any they’ve heard
before….
When Precious
Orchid’s father is falsely accused of a crime and found guilty,
he is executed, leaving his family a legacy of dishonor. Her
mother is banished to a Buddhist nunnery and she is abandoned to
the “care” of a relative in Shanghai.
At first, life at
Peach Blossom Pavilion feels like a dream. Surrounded by exotic
flowers, murmuring fountains, colorful fishponds, and jade-green
bamboo groves, Precious Orchid sees herself thriving. She is
schooled in music, literature, paining, calligraphy, and to her
innocent surprise, the art of pleasuring men. For the beautiful
Pavilion hides its darker purpose as an elite house of
prostitution. And even as she commands the devotion of China’s
most powerful man, Precious Orchid never gives up her
determination to escape the Pavilion, be reunited with her
long-lost mother, avenge her father’s death, and find true love.
As the richest, most beautiful and celebrated Ming Ji or
“prestigious courtesan” in all of China, she just might have her
way even if it comes with a devastating price…”
Praise
for Peach Blossom Pavilion:
Neal Chandler,
director, Creative Writing Program of Cleveland State
University:
“In the sure
voice of Precious Orchid, Mingmei recounts thirteen tumultuous
years of Chinese history: vicious politics, pristine piety and
heartrending scandal, framed in the classical arts. She writes
with a painter’s fastidious eye and the irresistible energy of
grand storytelling. The pages just turn themselves.”
Max Byrd,
Professor of English, University of California, Davis:
“I thought Peach
Blossom Pavilion was beautifully written, wonderfully
imagined—erotic, funny, bursting with life—a terrific novel!”
Hannelore Hahn,
Founder and Executive Director, International Women’s Writing
Guild:
“Peach Blossom
Pavilion, the story of the last geisha in China, is told with
amazing insight as if the author had lived in the tumultuous
China of a century ago. Through her beautiful, lucid prose,
Mingmei brings modern Western readers into the mysterious world
of the cultivated courtesan.”
Chun Yu, author
of Little Green: Growing up during the Chinese Cultural
Revolution:
“Peach Blossom
Pavilion is a vivid account of the forgotten past.”
Why I wrote
Peach Blossom Pavilion
I have been a
performer and scholar of China’s most revered and oldest string
instrument, the
qin (seven stringed zither) for many years.
As I researched on this instrument, I found out that qin playing
was not only a favorite pastime among the educated elite,
including privileged, refined high-society ladies, but also for
elegant courtesans. In fact, most courtesans were originally
high-society ladies but who, due to the inscrutable paths of
karma, ended up in prostitution houses.
Originally called
Yiji, Chinese courtesans were the predecessors of their Japanese
counterparts. (“Geisha” is the Japanese pronunciation of the
same word in Chinese.) Since most people only know about the
Japanese Geisha, especially through Arthur Goldsmith’s widely
enjoyed novel, Memoir of a Geisha, I decided to write about the
Chinese Geisha phenomenon, so that people in the West will learn
about the original form of this fascinating, yet hauntingly sad,
way of life.
Read Reviews
Read the prologue and the first
chapter |