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David Berberian’s two characters are well differentiated and very touching. His speech about having to kill a bird to really understand it and be able to paint it was given so entirely without irony that if felt like a blow to the heart.
-Review for "At The Vanishing Point"
David Berberian is moving as a slaughter-weary plant worker and charming as a car lot worker with artistic aspirations.
-Review for "At The Vanishing Point"
"David Berberian and Jeffrey Scott Detwiler, as the agents, expertly tag-team good-cop and bad-cop roles, and give the
play its philosophic nimbleness"
-Review for Back of the Throat
"One of the best actors in the Triangle"
-Roberts Reviews "The Guys"
"while David Berberian convincingly caresses brother Ned's bruised psyche."
-Review for Holiday
"This unusually cold opening warmed up fast with Al Singer and David Berberian's second-scene
duet, where Berberian's boorish character, Dave, tries to rope Singer's timid George into taking all the risks on a certain
after-hours "project" at the office.
When Singer and Berberian showed they could verbally spar with the best of them, and act one closed with the Wild Kingdom sales pitch cited above, the show was clearly out of the woods."
-Review for Glegarry Glen Ross
...we see career-topping work early on from Rod Rich and David Berberian.
-Review for Polish joke
