Celebrating Poets and Their Songs
Written and arranged by
Susan Haley, Poetry Coordinator
January. The month signaling the ‘new’
. . . a new year, a new hope, perhaps a new dream. New lists of resolutions and
challenges. Some will know success, a few will be forgotten or abandoned, and still others will be stored on a shelf in the
‘resolution closet’ to be attempted again on the dawn of yet another new January. The circles do turn. Will turn.
Always will turn. It’s a Cosmic thing.
The New Year’s first month is, too, a time of reflection. We ponder awhile on the year past, our lives past. What we’ve learned and experienced now must be woven into the horizon of yet
another ‘new’. Throughout this month, I, on behalf of the Infinite Writer, wish you all a new year of challenge
and growth, health of mind and body, and prosperity of wisdom and spirit.
In the months past, the poems shared here were more of the rhyme-verse
nature, the traditional expressions of things familiar. Heart, visual, and nature things which carry us through the corridors
of the poet’s soul. To launch the new, I’d like to explore into the world of ‘free’ verse as well.
The ‘deep’ thinker kind of poetry that stirs the mind with symbolism and imagery . It’s the unfathomable
poetry old Literature teachers loved to assign, the classics of such legends as Poe, D.H. Lawrence, and Frost. In this element
of ‘free’, we are taken more into the corridors of poet’s mind. The passageways, often wandering through
the shadows. Mystery and perception challenge the reader into interpretation. Reaction
allows it to become a personal journey, the phenomena of vision through another’s eyes.
Lee Klein is a poet, curator, essayist, actor, producer and writer
on the arts. He’s just returned from a visit to China to continue his exploration of
the taking over of reality by a consumer culture. With his poem “World’s Biggest Shopping Mall” published
by Linear Arts in 1997 and followed by “Financial Surrealists Take The Train” in 1999, he won acclaim from Columbia
University’s Poetry Professor, Bob Holman, who said of his work “I don’t know if your work is an aesthetic
or a mental condition.” Mr. Klein has been involved in so many venues of the New York City art community, the publications
and media productions to his credit are just too numerous to mention. One tool of his research is employed through a converging
with the City itself, taking the role of a tour bus guide where he delights his patrons with his talents. I had the pleasure
of meeting him on a night tour of the City that is, arguably, the modern mecca of the Arts. He was kind enough to share with
me a poem he wrote through the eyes of a tour guide, an example of symbolism at its best. I take personal responsibility for
its length as it does far expand the submission guidelines. It is my first attention to ‘interpretive’ poetry,
however, and I use it as a speculative tool to conjure thought. In the future, the guidelines will be adhered to.
The Circle Un-Squared
Beginning in the mustard and ketchup colored
tour bus pavilion
From which and where I work out from
Unfolds a condiment universe
With a taxi cab front line and a livery accompaniment
A corridor of tourist targeted food suppliers
And then again in the bus terminal
Mustard yellow tabletops
Here the boy scouts meet the borscht belt
Watch Nathan the famous hot dog stand
The big bad wolf meets Goldilocks
Tiers of billowing red reflections
Automobiles-front ends like the sparkling silver crème silk
Chrome Cadillac SUV gull winged and jigsaw puzzle pieced in by cranes
Then formatted for the sky
Or stickling out wrongly pulled out over the asphalt edge of the parking lot
and onto the sidewalk
The assassinated pay phone gave birth to the banana
The blonde Hercules of the hiccupping laugh track
To drive around pulling in nobody
Double Decker Triple Decker Quadruple bypass
Three story four lane super buses
Hotels on wheels-audiences keep on getting bigger
Tours keep on getting better
Until here comes an entire stadium around the bend
Scissors brought into the wrought iron curlicue
Diners on the parallax
Dinners on the parallax
Pennants of ridge
Slide onto glass
Red and black gating as if a Caribbean fire
engine station
Before a school auditorium
Wedding cakes and loading bays
Cement barely skims the surfaces
Purple and gold
Whether a bicycle messenger's valise
Or the uniform shirt
Of a sandwich making maestro
Trompe l'oeil before poker eyes
As pineapple rings around black holes
In the summertime
The dead buzz of agave tiling
Neon in the hearth of a brick oven's front-piece
The gift shop blown out-Gone now
Pile up in Poemtopolis
My metonymous metropolis
We thought the bottom was the top
Now the bottom is on top of us
A tour guide in a bright yellow mustard leather jacket
Must have been staring at the synthetic sun too long
Mural of a horse and rider Against a yellow field
"Hunter's Whiskey" Newly uncovered
And at that at a recently demolished building's side
Cadillac S.U.V's
Come around corners as if indoor arenas outdoors
I twirl my twin hole punchers
While singing Bon Jovi's
"I'm a cowboy and on a steel horse
I ride
And I'm wanted dead or alive"
I am cowboy slinging a microphone
and twin hole punchers
Having been out down this way before
The sun is perched atop the July sky
High noon and back to back and back to back
Back I am back - back to give the tour
A silken chrome cream with a silver glint S.U.V
Comes around the bend
A three lane four story silken cream chrome
With a silver glint S.U.V turns now
The pink bubble gum colored wrecking ball drops
The summer takes a dive
The flat grilled cheese colored star of the lone star state
Mounted squarely on the marquee
of the large theme park mess hall
Times Square centered mess hall
Firmly centered in Times Square
And on a side street - a brass door knob store
Lee Klein 2002
Mr. Klein can be contacted at llmk1@aol.com
FAME by Sidney K. Shoenwald
Will a part of me survive
When Death comes to demean,
As it’s wont with all alive,
By foreclosing the lien
It has greedily savored
And kept hoping that chance
Would not show it me favored
Nor my few years enhance
In return for inscription
In any of life’s forms
And of any description
If it exceeded the norms.
If chance does see me this way
And from me it can glean
A reason for me to stay
Death shall not me demean.
We met Sidney
in November. He penned beautiful poems of heart. I was pleasantly surprised to learn that he also wrote interpretive poems
like “Fame”.
Following is a poem by Robert J. Delany. He, too, wrote many.
Amazing how many writers who specialize in other genres often seem to express their very heart, or in this case, mind, through
simplicity or the symbolism of poetry. “New Shoes of the Cobbler” is an award-winning poem.
First
came the elephant
Then
the whale, seal, bear
The
otter, tiger, buffalo
At
last came the dolphins
All
came to the house of the cobbler
Make
us some new shoes they asked . . .
Shoes
that don’t travel man’s road of hate
Shoes
that will let us roam as we please
And
live as it was intended
The
shoes of our ancestors - that’s what we want
The
cobbler worked day and night
Nailing,
stitching, sewing
His
hands rubbed raw, his fingers bled
He
worked years and years getting the new shoes ready.
But
by then the elephant was extinct
The
whale, buffalo, bear – all gone
Only
the dolphin was left
One
of them, just one
You
come too late, said the dolphin
Much
much too late
So
the cobbler gathered up the shoes
And
put them in the fire
All
of them
And
the flame burned and burned in the minds of men
But
it was too late, much much too late
May You Always Have Rainbows . . .
Susan Haley, Poetry Coordinator