Ed: I must tell you that your book certainly lived up to its advertising. I enjoyed the setting, your characters
and found myself worrying about them and eager to turn the page.
RH: That’s what I tried to accomplish.
Ed: You succeeded. On your book cover it states you lived in the area where CROSSHAIRS takes place. Were you
born there?
RH: I was born in
the Pennsylvania Dutch country of Lancaster County in a small town called Denver. At that time much of the surrounding farmland was owned the Amish. My parents moved
frequently, but within the state of Pennsylvania for the
most part.
Ed: You’ve mentioned that you were an avid reader. When did you first experience the creative urge to
write?
RH: When I was in the service, I wrote many letters home. I realized at that point that I could more easily
express myself on paper than with conversation. When I was discharged, I enrolled in a night course on short story writing
at Temple University.
I began to write short stories and submit them to men’s magazines. Not one was accepted. I then began to write romance
stories and submitted to women’s magazine where I found acceptance and publication.
Ed: When did you switch to or add novel writing?
RH: I did attempt a few novels during that period; one a suspense set in Tennessee,
the second and third were romance novels. A literary agent signed me on, but five years later she still hadn’t sold
anything. I sort of gave up on novel writing.
Ed: What turned you around? Obviously, you have an amazing literary talent. Crosshairs has every ingredient
a good suspense novel should have.
RH: Well, my romance stories were also suspense stories because the genre is interesting to me. I researched
two of my favorite suspense novelists, Bill Pronzini and Ed McBain (Evan Hunter). I proceeded to plot out the story that became
CROSSHAIRS.
Ed: It seems you’ve found your field and your muse. You’ve said that you’d originally planned
to write a trilogy, but had no success with publishers.
RH That’s right. I went back to writing short stories aimed at the literary magazines and university
quarterlies. CROSSHAIRS was laid to rest in a file drawer.
Ed: Obviously something resurrected it.
RH: Yes. About a year and a half later I received a phone call from James A. Rock & Company, Publishers
in Rockville, MD. They wanted
to publish the book. About nine months later, I realized my dream of being a novelist when CROSSHAIRS was released.
Ed: Do you do much reading now?
RH: I'm usually
reading for a purpose. It may be that I simply want to learn about a non-fiction subject of one sort
or another. When I read a novel I'm usually studying and taking detailed notes as I'm reading. I do that to
learn how that particular writer did whatever he/she did, and to see if I can adapt any of his/her techniques to
my own writing. Writing is a never-ending process of learning.
Ed: Do you target a particular audience with your stories?
RH: CROSSHAIRS was aimed mostly at a male audience but I know
some women (my wife, Lee, for instance) loves suspense stories, whether the protagonist is a man or a woman. Doesn't
matter. A novel I started a couple months ago is aimed more at a female audience, since they are the ones who buy most
of the books. It, too, is a suspense story, although with a female protagonist. But I'll probably return to Jesse
Eichenlaub for awhile and see what develops next. As I probably told you, I already have the first half of the second
Jesse story outlined although I haven't looked at it for a year or more. Like my wife, I, too, am wondering what's going
to happen next to Jesse, Franky and Clay, and all the other Glen Haven characters. To tell you the truth, I miss them,
so I've got to see how they are faring, now that deer hunting season is definitely underway. Who knows what will happen
next!?
Ed: Are you a disciplined writer or do you sit down and write when the muse strikes?
RH: I'd call myself a disciplined person whether I'm writing or not. If you wait for "the muse" you waste
an awful lot of time. And as I indicated before, I've always tried to approach writing as I would any other profession
or craft. You have to work at it regularly if you want to maintain your skill level and the flow of ideas that are so
essential. I write nearly every day, in one form or another, although not at or for a specific amount of time.
But when I'm working on a large project like a novel, it is absolutely essential to work at it consistently, again, to keep
the flow going, the rhythm, and the interconnection of ideas that is so necessary for a long story that involves literally
hundreds of details that have to all work together. Writing a novel is kind of like creating and then assembling a jigsaw
puzzle. First you have to create all the pieces, and then you have to fit them all together. And, in a way,
you are actually doing both at the same time. At least that's the way it works with me and my writing.
Ed: Do you plan to write in any other genres?
RH: I look at writing as a craft, similar to carpentry. A good, professional carpenter can build anything from
a napkin holder to a two-story house. Similarly, I believe a good writer should be able tow rite in just about any genre.
The tools are the same: words, sentences, paragraphs and punctuation. And Ideas,
of course. I continue to explore whatever other genre appeals to me. In addition
to children’s books, for instance, I’m also doing book reviews.
Ed What are you working on now?
RH: Since CROSSHAIRS was released I've been spending
a lot of time promoting the book via various Internet outlets and by contacting bookstores and periodicals all over
the country. But I expect to get back to work on another novel very soon, probably the second installment of the Jesse
Eichenlaub series. I think I'll hold off on the Picture Book texts for awhile since I haven't found a buyer yet for
any of them. And I may slow down on the book reviews. I enjoy doing them but I'm not a particularly rapid reader
so it takes a fair amount of my time just to read a book, take notes, and then do the review. I seldom read just for
the joy of it (although it usually is a joy.)
Ed: Is your family supportive of your writing?
RH: My wife, Lee, has always been very supportive of my writing. She has always believed in my abilities, even
when my own confidence sometimes wavered. Since the book has been released she has also been my most avid publicist and salesperson. She’s always buttonholing someone with a cheery, “Say, have you heard
about my husband’s new book? It’s really very good.”
Ed: What is your own feeling about the success of your novel?
RH: It’s always a good feeling to accomplish a goal you’ve
set for yourself. It’s gratifying to know that the endless hours of solitary work required of a writer have found an
audience that appreciates and enjoys it. I believe I have a natural ability to write. I’ve worked hard to develop that
ability. My writing brings me a great deal of joy and satisfaction. That alone makes the effort worth it.
Ed: Thank you, Russ—it was every bit as enjoyable to meet with the author of CROSSHAIRS as it was to
meet Jesse and his crew. Your reading public is looking forward to your next
book.
RH: Thank you.
CROSSHAIRS is available at
Barnes & Noble, Borders, Amazon or may be ordered directly from the publisher at www.rockpublishing.com. It’s also available in England, Scotland,
Ireland and Wales through
the UK’s bookstore chains. See synopsis
on this site under Author Links..