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By
Bobbie Christmas
Q: When writing
for a magazine that invites you to solicit clients, what’s the best way to do it?
A: Make full use
of the byline at the end of the article. If you are a family therapist, for example, and you’ve written an article on
reconciling estrangements, and if you have a Web site that has all your contact information on it, you could simply add at
the end, usually in italics, a brief note that might go like this: John Tranquil is
a family therapist in practice in Pleasant Falls, Tennessee. His Web site is www.TranquilFamily.com.
If you do not
wish to refer to a Web site, you can try something like this: John Tranquil is a family
therapist in practice in Pleasant Falls, Tennessee. He can be reached at 555-555-5555.
If you'd like
to go for the super-deluxe version, write a longer byline and see if it passes muster with the editor. It might go like this:
John Tranquil has been a family therapist in practice in Pleasant Falls, Tennessee,
for 22 years. He has put together more than 100 previously estranged families through his unique style of counseling that
is outlined in his upcoming book, Glue Your Family. Contact him by calling 555-555-5555.
The byline is
the contact information, but remember to include clues in your article that reveal your products or services. Don’t
sound like a commercial, though. You might use an anecdote like the following:
When Sue and Ralph
came to see me for counseling, their son had sought emancipation at age 16 and had not contacted them since. After six months
of working with the parents, I was able to bring the family back together by . . . etc.
Q: I submitted
my nonfiction book to quite a few university presses some time ago. It’s possible that they rejected me because my writing
wasn’t good enough, which may not be the case after I incorporated your editing suggestions. Is it okay to resubmit
to the same presses?
A: It’s
also possible that the first submission did not reach the right person or that the company had already filled its publishing
calendar. Without feedback, you have no way of knowing the reason for rejection. I don’t know how long ago you submitted
the manuscript, but if a year or more has passed and the newer version is much better, go ahead and resubmit. Treat it as
if you never submitted it before. With the turnover rate in this business, chances are good the submission will reach a different
person, anyway.
Q: I would
like to know of a book or Web site that shows complete sentences in which a specified word is used. I have a good vocabulary
and know how to use a thesaurus, but I’m fearful when it comes to promoting a word from my cognitive vocabulary to my
active vocabulary; i.e., actually using a word I know in a sentence I write. (For example, I stepped out on a limb to use
the word “cognitive.”)
A: First, never
use a word in your writing that you wouldn't use in casual conversation, and you'll never go wrong.
Next, if you never
stretch your own vocabulary, you won't grow, so after the first caution, I’ll add my favorite source: American Heritage Dictionary. It often, but not always, uses words in a sentence.
A third warning:
When you look something up in a thesaurus, be cautious, because each word has its own connotation, and choosing a word from
a list does not ensure that the exact meaning you intend will be relayed to the reader. One of my clients for whom English
was not a native language, for example, wanted to impart excitement, so after referring to a thesaurus, he wrote, “Oh,
no!” he ejaculated. Yes, the sentence and word use are both technically correct, but Americans more often use ejaculate
to mean something other than exclaim, so the word choice was less than ideal. It did give this editor a chuckle, however.
Q: I've written a short story [synopsis deleted]. I
had three people--one fellow writer and two avid readers who are not writers--read this story and provide feedback. They all
love the story, except each one told me that she doesn't like the ending. Each offered suggestions for alternative endings
that range from fairy tale to Barney the Dinosaur endings. (I love you; you love me; oh, how happy we will be.)
I ended it the way I did
because it made more sense to me. [The protagonist] grew up a little and learned that sometimes it's okay to assert himself,
even if it brings conflict. Our hero was content with the way the story ended.
I know I'm writing for a market, and
I want my stories to entertain and satisfy readers. But I don't feel right ending a story in a way that I personally think
is a cheesy cliché. Should I write something I wouldn't read myself, just because others like it? Can I even trust the response
of such a small sample of readers, even though their independent feedback concerning the ending is resounding and consistent?
I know this is a terribly subjective question, but I'd like to know what you would do.
A: You may be asking the wrong person. To be able to make a living writing, I have
made it my motto that "I'll write anything for money." As a result I have written and/or edited many things that did not reflect
my personal opinions.
Examine your motives. If indeed
you are writing to sell your work, you do have to consider the market, and if you consider the market--your focus group sounds
like a small but good specimen--you will change the ending to suit the market. If you write for yourself without hope of selling
your work, you can write anything you want, including gibberish, and it won't matter. In that case, you can make the ending
as unpleasing to the public as you wish, because in reality the public will probably never see it.
You are the god who created
your story. You can control the outcome, depending upon your goals. As you know, the endings of many movies have been changed
when focus groups did not like the first ending. As a result, some movies have become blockbusters that may have otherwise
bombed, if the ending had not changed.
Q: With all the stories of plagiarism in the news, how do you keep honest when writing
a researched article?
A: The plagiarism in the news tends to refer to fiction--stories allegedly created
from thin air--not nonfiction, which is information gathered from various sources. In nonfiction, you can cite your sources
within the article and reword information so sentences are not exactly as written in your sources. When you show where your
information originated, you should be in the clear, as long as you do not copy information from another source and allege
that you alone originated the material.
To clarify, in a nonfiction
article, you may refer to other sources by writing something like this:
Has New Orleans recovered yet
from its Hurricane Katrina devastation? Not according to the news and those who visited there a few months after the storm.
In a Washington Post article, journalist Tom Calvert reported having seen a group of teenagers living without adult supervision
under the Burlington Bridge in New Orleans.
Media Specialist David Baker
with the Georgia State Public Library System attended a conference in New Orleans ten months after Katrina and said, "It looks
like a third-world country that has been hit by a bomb. Nothing’s been done. I could just scream."
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Bobbie Christmas, book doctor, author of Write
In Style (Union Square Publishing), and owner of Zebra Communications, will answer
your questions, too. Send them to Bobbie@zebraeditor.com. Read more “Ask the Book Doctor” questions and answers at www.zebraeditor.com.
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