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"The Lead"
What exactly is this "lead" thing anyway? "A good lead/follow is like a good conversation - you don't have to yell, you only need to talk. As you get better, all you really need to do is whisper. Leading is not pushing or pulling. It is communicating an intention. Dancing is an art form, despite the fact that it requires the prowess of an athlete." MOST IMPORTANT....... MEN, THIS IS THE ONLY TIME IN YOUR LIFE THAT YOU ARE IN CHARGE OF THE LADY! LEARN HOW TO LEAD AND USE AND ENJOY YOUR 3 MINUTES ! (TEEHEE) On a practical level, men the lead is: Rhythm Rhythm is fundamental-- not optional. I know I’ve said it before but I don’t think it can be said enough. Rhythm is fundamental. Every step, every move, every turn, every spin is done—in and on the rhythm—those 8 beats. Part of the lead is being on the rhythm. The tempo of music ranges from slow to very fast so you MUST adjust your dancing accordingly. The steps you do You don’t just dance in place and watch the lady. You have to do your moves too- the steps, the turns, the "cool moves," the "shines". So do your steps. Not hard, right? But wait! There’s more. Determining what steps the lady is to do That’s right, not only are you doing your steps, but you are also making choices about her steps anytime she is in a hand-to-hand position. In closed position, men decide what steps are to be done and in what order. Make a mental note to give her some independent dance time by releasing her hands. She has skills. Part of your responsibility as lead is to ensure that she has an opportunity to show off those skills. Hold on! There’s still more. Communicating your expectations This is where you as "leaders" must strive to excel. Excellence from this point on, is what will begin
to take your from ordinary to extraordinary.
Leading is the
ART of communicating the choreography of the dance with finesse, subtlety, but with crystal clear clarity of purpose. Lead
well, and she will love dancing with you. Lead too forcefully and you will be guilty of "manhandling" or "steering," the lady.
They will refuse to dance with you. OR, lead too lightly, and you will be labeled as a "spaghetti-arm."
The right amount of lead is different for each
lady. So part of the dance paradigm is to make the necessary adjustment for each and every lady. Remember that there is no
one formula.
Assuring that the floor is available to her This is generally called "floor craft." It is the job of making sure that where she goes
(dances) is SAFE.
By safe, I mean the space is available and other
couples are not in the way or headed for the same spot. Your responsibility is to protect her from harm; to keep her out of
harm’s way.
'How do you know if you are doing this well?
Easy.
Did she bump into anyone?
Did anyone step on her foot?
Did she step on someone’s foot?
Did someone bump into her?
Your answer to this should be an emphatic, "Of
course not!"
Watching for and handling dance hazards (a.k.a. other people who are not concerned about others on the dance floor) In addition to watching out for other dancers,
you must also be on guard for the "dance hazards." These are people generally unconcerned about who they hit.
undamentally they believe that they OWN the entire
floor. Be sure that your dance partner never has an unfortunate meeting with these people.
Take time to notice them. If you and your partner
are near them, my advice is move quickly to another part of the floor. You’ve probably noticed that some couples do
lots of complex moves, and others dance near them.
That means there is a level of trust in their
expertise.
If you don’t have confidence in their skills,
give them space! Also, if people are giving you lots and lots of space, they are telling you something.
Providing compliments and feedback The lady is responsible for executing the dance. So give credit where credit is due. And if she is a beginner give her credit for being willing to dance. It’s tough out there!
Remember when you were a beginner?
Compliment her dance skills, turns, footwork,
and attire, if appropriate. Of course, use good judgment!
Remember that good manners go a long way. If
possible escort or accompany her on and off the dance floor.
When the dance is over, say
thank you AND WALK HER BACK TO HER CHAIR!
Your show, but she is the Leading Lady Under no circumstances, should you out-class or out-dance the lady. I always say, "Stop dancing AT me and dance
WITH me". The Lady the star. You can do your stuff, Yes! But in moderation. Be subtle. Mix your moves in with the
dance so that it becomes and integral part of the dance. Then your styling serves to contribute to rather than detract
from the lady.
Note: if she is a great dancer
be sure to give her the freedom to shine. Then relax, keep your rhythm, and enjoy dancing with a great dancer.
Having a good time Dancing is about having a good time. It’s hard to have a conversation with the loud music, so consequently facial expressions or the lack thereof tell a lot. Don’t wear a face that looks like you just lost your best friend, are bored, hate being there, or would rather be getting a root canal. Smile.
Great when it all comes together
Great lead is when these nine elements or so all come together. It will happen. Practice, practice, practice. |
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A FEW DANCE BENFITS FOR MEN
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