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Led Zeppelin Is Being Brought To You By Music for Sight

The music of this week’s featured artist at Music for Sight is well known to classic rock fans the world over.  Once described as the progenitors of “heavy metal”, Led Zeppelin is in fact much, much more than heavy metal.  They do that genre the greatest justice.  No doubt!  And bands that have tried to emulate them in that genre have usually fallen miserably short of the mark.  The talents of Jimmy Page, Robert Plant, John Bonham and John Paul Jones went way beyond heavy metal.  Which is what made it so impossible for other band to successfully emulate their style.  Blended with heavy metal, the Zep offered a nice fusion hard rock, blues, folk, country, Latin, Celtic, classical and more.

 

Formed by the simple twists of fate rather than design or plan, it all began in 1968 when Jimmy Page, then playing bass guitar, joined Jeff Beck in the New Yardbirds, Eric Clapton’s old band, to fill in for the departing bass player.  Soon after Beck left, and Page, needing to fill out the Yardbirds roster to finish up show dates the Yardbirds were committed to, he rang up John Paul Jones who introduced him to John Bonham.  In turn Robert Plant fell in, the Yardbirds commitments were fulfilled and on October 25, 1969, under the new name Led Zeppelin, Plant, Page, Jones and Bonham  gave their very first show

Led Zeppelin
A photo of Led Zeppelin on stage in Montrose 1970
Monntrose 1970

A few months before that fabled event, while Jimmy Page was still trying to decide what to do with his own musical future, he had the idea of putting together a “super group” with himself and Jeff Beck on lead guitars, Keith Moon and John Entwhistle, drums and bass respectively, Donovan on vocals, Steve Marriott  on vocals and keyboard and Steve Winwood on vocals and keyboards.  It never happened of course, but can you imagine the sound?  Keith Moon, who, along with John entwhistle were playing with Roger Daltry and Pete Townsend in The Who, apparently didn’t care much for the idea and said the idea would go over like a “lead zeppelin”.  That being a phrase he had coined to describe a show that bombed out.  Page and Plant, Jones and Bonham liked the sound of Led Zeppelin.  They changed the spelling of “lead” to “led” to prevent Americans from pronouncing it “leed”.  It worked out ok, eh?

 

The name  worked out ok  that is until they were scheduled to perform a show in   Copenhagen on February 28, 1970 when the Countess Eva von Zeppelin threatened legal action over a “couple of screaming monkeys” unauthorized use of her distinguished family name after she saw the guys and the band’s logo, the fiery crash of a zeppelin.  In order to keep the show on, they changed the name of the band for that event to “The Nob”.  After that, it was back to Led Zeppelin and to the best of this author’s knowledge, no further problems have been encountered.

 

The Led Zeppelin Discography

1969 Led Zeppelin

1969 Led Zeppelin II

1970 Led Zeppelin III

1971 The fourth album*

1973 Houses of the Holy

1975 Physical Graffiti

1976 Presence

1976 The Song Remains the Same

1979 In Through the Out Door

1982 Coda

 

*The fourth album had no title.  It was referred to in the Atlantic catalogs as IV, 4, Led Zeppelin IV, Sticks, Man With Sticks, Herm, Zoso and untitled.  Since Jimmy Page calls it simply, “the fourth album”, that’s what I call it.

The fourth album's cover
A picture of the album cover of the fourth record by Led Zeppelin

What Do Those Symbols Mean?

 

I'll tell you.  First though, let me tell you a bit about why the album has no name.  We've got critics to thank for that.  With the phenomenal success of their first three albums, those darned critics began to imply, rather obnoxiously, that we, the rock and roll music buying crowd of the late sixties and early seventies, were buying all those millions of albums more for the name of the band than for the quality of the music.  The critics further went on to suggest that future Led Zeppelin albums would not be as good since they had all of us  fans brainwashed, relieving the musicians of the need to continue the level of quality found on the first three albums.

 

Not surprisingly, Jimmy Page took offense at these silly suggestions and recommended to the band they not give the next album a name.  He went on to suggest they put nothing on the album cover, front or back, to identify it.  No credits, no title, nothing. 

 

The record company executives considered this career suicide.  All the members of the band had confidence in their abilities, and having gained full control over all artistic elements of their work during their tenure with Atlantic Records they went forward with the idea.

 

A symbol was considered.  Then Page said, since it’s our fourth album and there are four of us, let’s come up with four symbols.  so each member of the band was given the assignment of finding an existing, or creating a new symbol, to represent themselves.    

 

Looking at the album cover, assuming you can see it, and going from left to right…

 

Jimmy Page            Jimmy says he designed this himself.  At first glance, the symbol looks like the word Zoso.  It is in fact a symbol representing Saturn, the ruling planet over Jimmy’s astrological sign, Capricorn. The symbol has been in existence for around four hundred and fifty years, dating back to circa 1557.  It should be noted Jimmy Page has never changed his original contention.

 

John Paul Jones      Taken from Rudolf Koch Book of signs.  It’s a single circle intersecting three vesica pisces triquetra). It is intended to symbolize a person who possesses both confidence and competence.

 

John Bonham                    Three interlocking circles, the symbol was taken from the same book as Jones.   It represents the trinity of mother, father and child.  It is also the logo for Ballantine Beer.

 

Robert Plan             Designed by Robert, the symbol is based on a symbol representing the ancient Mu civilization.

 

There is a fifth symbol on the album representing singer Sandy Denny and her contribution on the song “Battle of Evermore”.  It appears on the albums inner sleeve liner notes and serves as an asterisk.  The symbol is of three triangles with points touching.

 

It should be noted, finally, that the fourth album was considered by many to be the best, artistically speaking,  of all ten of Led Zeppelin’s albums from 1969 to 1979.  And commercially, it ranking as the top Led Zeppelin album is supported by the number of units sold.  It’s one of my favorites, for sure, but personally, I put “In Through the Out door” at the top of the list.  That’s mostly because of the song “Hot dog”, which I think is the best song…  EVER!

You've got to push... the button... to get In Through the Out door

The Hermit
Pictured here is the gatefold of the fourth album, a hermit.
The gatefold of the fourth album

In Through the Out door  Album Notes

Recorded November and December 1978

Released August 15, 1979 On the Swan Song Label and Produced by Jimmy Page  All Songs written by Led Zeppelin

This was the last Led Zeppelin album, technically speaking.  John Bonham died in 1980.  The album “Coda”, released in 1982, is a compilation of out takes and previously unreleased material the band had recorded from 1969 – 1979.

 

I have often said this is my favorite Led Zeppelin record, and that is more or less true, with one little disclaimer.  Whichever Led Zeppelin album I happen to be listening to when someone asks me that question could very likely be the answer.  Usually though, if we are away from a sound system, or someone else is playing and I get asked which is my favorite Led Zeppelin album, I will most likely answer “In Through the Out door”.  Why?

 

There are a couple of reasons.  First is the music.  Specifically the song “Hot Dog” a lively little ditty that is very reminiscent of Elvis in his early days.  And the rest of the songs on the album are incredibly deep in everything that makes up the Led Zeppelin sound..  “All of My Love” always struck me as a little too “soft pop” for Led Zeppelin, but it’s a great love song none the less.

 

And, there is the album cover design.  The band had us guessing with the cover of the fourth album.  This one though really had us tripped up.  There on the “new release” rack was the new Led Zeppelin album, wrapped of all things, in a brown paper bag.  So you bought it, took it home, opened it up, removed the brown paper bag and there was this picture on the front of a man in a bar burning a “Dear John” letter with several other people in the bar looking on.  Cool, you may have thought. You put the album on, dug the sound Or didn’t.  and went on.  Next time you were at your friends house, you asked if they had picked up the new Zep album yet.  They answered yes, and handed you the sleeve as the went to put on the record.  You looked at it thinking, something is different.  And for the next few weeks, everywhere you went you saw a slightly different album cover.

 

There were in fact, six different album covers.  And the brown paper bag wrapping prevented you from knowing which one you would get.  It’s the perspective that changes with each cover.  Here’s a table showing each of the covers and the intended perspective.

 

In Through the Out Door
A picture of the album as you saw it in the store.  Just a plain brown wrapper.
Cme wrapped in a plain brown paper bag

In Through the Out door
Woman leaning on the wall perspective
Alternate Cover 1

In Through the Out Door
The man with wallet's perspective
Alternate Cover 2

In Through the Out Door
The bartenders perspective
Alternate Cover 3

In Through the Out door
The woman atthe  the bars perspective
Alternate cover 4

In Through the Out Door
The piano players perspective
Alternate Cover 5

In Through the Out Door
The woman at the jukebox perspective
Alternate Cover 6

 

Led Zeppelin Live in Chicago
circa 1977-78
Playing my fav tune, "Hot Dog"

And if that wasn't enough, the album also had another bit of magic up it's sleeve (pun intended!)...  The album covers were done in black and white line art.  If you wiped the cover with a damp wash cloth, it would turn to color!

 

The album concept and design were done by Hypnosis and in 1981 they were nominated for a Grammy in the category best album cover design.

 

 

According to Storm Thorgerson, in his book “Eye of the Storm” in which he writes about his days with Hypnosis and the album covers they designed not only for Led Zeppelin, but also Pink floyd, Genesis, Wishbone Ash, and others “The sepia quality was meant to evoke a non-specific past and to allow the brushstroke across the middle to be better rendered in color and so make a contrast. This self same brushstroke was like the swish of a wiper across a wet windscreen, like a lick of fresh paint across a faded surface, a new look to an old scene, which was what Led Zeppelin told us about their album. A lick of fresh paint, as per Led Zeppelin, and the music on this album... It somehow grew in proportion and became six viewpoints…”

Led Zeppelin
A 1968 promo shot of John Bonham,Robert Plant,Jimmy Page,John Paul Jones
Right to left: John Bonham,Robert Plant,Jimmy Page,John Paul Jones

Before you do the following, if you are at work or in some other public place, you might want to make sure the volume on the computer’s speakers is turned down.  When I tested this link just now, it worked.  Real good.  Including The Zep doing “Good Times, Bad Times” at a volume level consistent with their music!

 

For more on Led Zeppelin, click here to cruise on over to their official web site at http://www.ledzeppelin.com

 

I hope you have enjoyed this week’s featured artist as much as I did! 

 

lease tell your friends about Music for Sight!

 

Love an luck to all of you from Don and Lucky

The Studio On the Back Porch

Lake Alfred, Florida

Rocktober 2009

 

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