THE BARD ON BROADWAY
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Amoral Alphabet
ARCHIVE - February 1, 2006-August 31, 2006
ARCHIVE - August 1, 2005-January 31, 2006
ARCHIVE - February 1, 2005-July 31, 2005
ARCHIVE - October 15, 2004-January 31, 2005
"Back to the Olden Days That Were Golden . . ."
THE BARD ON BROADWAY
BELLICOSE BALLADS
Brentwood Bop
Chri$tma$ Medley
Claus-trophobia
Ejection: an Ode
Elmer's Tune (A Fragment)
Fruitcake Season
Golden Anniversary
Guys and Dollars
Hooray for Hollywood, Revisited
Ich Bin Ein Berliner
"Indiana" Clone and the Temple of Om
"IN HIS MASTER'S STEPS HE TROD . . ."
I've Got a Tedious Feeling; or, Oscar, Your Corn's a Bit Too High
The Kid Wallows in the Picture; or, Bob's Your Uncle (the Long-Winded One)
Lax Fax Packs Wax
Legalese
Liberating Lingo
"Life Is So Unfair That It's Grotesque"
Mañana
MEAT AND DRINK
Ne Elvis Requiescat in Pace
NEW YORK? WELL . . . NEW-ISH
The Oxford Don to His Ladye-Love
Peppery Popery; or, The Fender of the Faith
POLITICS, AS USUAL
Quick, Henry! The "Dilatory Domiciles"!
Same Talma, Next Year
Vocational Guidance
Wenceslas's Loss
WHATEVER BECAME OF SEX?
Yo, Dreyfus! Is That Bert Lahr in That Lion Suit?
Notes

 

1.  BRUTUS APOSTROPHIZES.

(Rodgers's "You Took Advantage of Me")

 

Caesar, I was once your bosom pal,

Up until the Feast of Lupercal.

You saw the crown

And turned it down,

So you look ambitious to me.

 

Come the Ides of March, I'll run you through;

It'll do no good to cry, "Et tu?"

My righteous stabs

Will pierce your abs,

'Cause you look ambitious to me.

 

Rome was a republic until today,

Which rather gets my goat.

A quick assassination's the only way

To save our right to vote.

 

Murmur "au revoir" but not "good-bye";

I've a hunch we'll meet at Philippi,

So what the heck?

I'll cash your check,

'Cause you look ambitious to me.

 

2.  OTHELLO SOLILOQUIZES; IAGO APOLOGIZES.

(Fisher's "Chicago")

Iago,

Iago—

That son of a bitch!

Speaking of which,

Iago,

Iago—

He made me a pitch;

I bought it.

 

Is it any wonder I blame the name

Of Iago—

Iago?

The underhanded, two-faced, sadistic snitch

And son of a bitch!

 

That swanky

New hankie

Was not the McCoy—

Merely a ploy.

He used me.  She never had a boy toy.

 

Sure, I admit I blew my own life;

I was the one who wasted my wife:

But Iago?

Iago pulled the switch—

That son of a bitch!

 

Othello,

Othello

Had one little quirk—

Goin' berserk!

Othello,

O-schmello

Why shouldn't I smirk?

I've earned it.

 

Mother Nature made a mistake in mak-

Ing Othello

Othello—

The intercontinental ballistic jerk

Mad as a Turk!

 

That skanky

Old hankie

Ignited a flame

Nothing could tame.

So sue me—but let's not play the blame game.

 

Maybe I stepped across the odd line;

Granted, perhaps, the plan was all mine;

But Othello?

Othello made it work—

By goin' berserk!

 

I point at him,

And he points at me;

Still, there's a point

On which we agree:

Desdemona,

That groaner,

Was the cause of all the fuss.

Don't blame it on us!

 

3.  THE THANE HYPERBOLIZES.

(Coward's "Why Do the Wrong People Travel?")

 

Why must the Scots always have hallucinations

At the sight of a drop of blood?

At the first hint of plasma,

A gory phantasma

Besets my dreams and robs my rest;

By 2:00 a.m., I'm bucking for a Rorschach test.

 

The Birnam Wood

Has politely stood

Where it stood from time immemorial,

So I can't think why

Every passer-by

Should be suddenly looking so arboreal.

 

Lord knows, we Scots aren't like superstitious Haitians—

We've a far higher class of mud;

So why, oh why all these weird visitations

At the sight of a drop of blood?

Is this a dagger—

Or a drop of the royal blood?

—I see before me?

I suspect that it's only blood.

I'm merely asking:

What's the deal with the Scots and blood?

 

4.  ROSENCRANTZ AND GUILDENSTERN ARE DEAD . . . RINGERS.

(Davis and Akst's "Baby Face")

 

Rosencrantz—

Is that guy Guildenstern or Rosencrantz?

I wish they'd cool it with the song-and-dance—

Take a stance!

Choosing-

'S tru-

Ly random—

The thing

To do

Is brand 'em.

At a glance,

I'd say it's easier to dope out high finance,

Than ever hope to learn

If that was Guildenstern—

Or was that one Rosencrantz?

 

Guildenstern—

I'm never certain if it's Guildenstern;

I look for Rosencrantz but, when I turn—

Guildenstern!!

Some skill

Is-

N't gelling—

I'm still

A whiz

At telling

Bert from Ern',

And differentiating Shirley from Laverne;

But I don't stand a chance

With freakin' Rosencrantz,

Or that gol-durned Guildenstern!

 

5.  OWEN GLENDOWER SELF-ADVERTISES.

(Hargreaves's "Burlington Bertie from Bow")

 

I'm weird,

And I'm mystical—

Feared—

Egotistical:

Heaven and earth

Shook, at my birth!

Anyway, so I was told.

I join

With the English, but

Only so long as it suits;

With two from the North

Against Henry IV,

For the time being, I'm in cahoots.

 

I’m Owen Glendower,

And I have the power

To call from the vasty deep

The spirits and sirens

Who haunt those environs

(Except when they're fast asleep).

As smoothly as butter

My mantras I mutter,

'Til folk within earshot believe me a nutter:

I'm Welch,

Welch;

I have but to belch,

And the doughtiest Englishman quails.

Whether York or Lancaster,

I'm still my own master—

I'm Owen Glendower of Wales.

 

E-mail me at npetrikov-at-hotmail-dot-com. Replies are optional.
All Text and Verse Copyright Keith H. Peterson
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