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alfredhartsresumeshot.jpg

Alfred's Poetry

 

you are so beautiful
the unknowable
intensified breath of morning
deep inside me
and i want to
care for you.
 
 
in the smell of leaves
a child
jumpshouts
over a rock
in timeless movement of air
and lands breathless
in coolness...
 
fog glowing
with pins of light
the wind rushes
the leaves like rain.
you are dazed
wondering
why you are dry.
 
princess
who lives in the country castle
each sunrise
you reach your hands
across the morning
and wash the night
from your eyes
with the dew
and when I see your dew swept smile
it makes me light as the spring breeze
 
[Sent to Martha in 1972]
 
 
it's winter now
but summer comes with the song
somehow more than before
a twisted trail of memories
wind that pushes the sail
from port to hazy harbor
but stops short,
i close my eyes and listen
i'll tell you what i remember
since september
a pizza parlor with a juke box
a cup of root beer
walking a ravaged sidewalk
with an irish girlfriend
a drunken talk
and the song
and me being the song
 
Cold dripping
underclothes
and raising fog
to peer through
city streets
rain in the morning
warning of dusk
and my misery breaks
as the sun shines
through the heaviness of fog
 
halleluyah for warm rain
halleluyah warm rain
 
so we danced
as leaves swirling
in the rain
with the sun's blessing
never landing, but laughing
and sang
crouched on tenement steps
sang slowly trancelike
with newspapers for caps
the sun dried us
while the rain cleaned us
 and joy was a much handled sorrow
of rain before sun.
 
my fantasy for fall
is the turning of leaves
all changing colors
and the turning of something
inside me
now i am mellow
 
winter imprisons !!!
with coldness-that encompasses
the body yet pushes forth
the heat of man
 
spring is rebirth
from the tyranny of snow
(it is the most
of all the times
that never were)
lovers in the fields
the changing season yields
 
summer is the shadows
sweeping the plains
dry thoughts and
quick rains
it is you
turning from the day
lying in bed
but listening
with half an ear
to what the crickets said.
 
I wonder if things change
I keep changing
All the time
My opinions
My tailor
And my barber
 
Whose life is this
i'm living?
Who'se in charge here?
one hundred chefs
for just one stew.
 
i balance my life
into imbalance
talking in my sleep
about consciousness
 
every time someone says:
take me to your leader.
i laugh
i think i know there isn't one.
 
I am hoping that we
can purge the past
from despair -
commanding rain
to cleanse our days
of seeming sorrow,
and sun
to make her warmth
as newness.
Oh joy!
you are the much
handled sorrow
of rain after sun.
 
the mind is a midwinter thaw 
the ice melting to water
and we rising from sleep
in fluid afterthought
almost ready for action,
yet the cold coming
and arresting change
telling us to wait
holding the world in suspension.
and the warm again
slowly stirring the world to motion
and then the cold,
and so we wait
 
wait for a change in the weather
when we are the weather
and the wind.
 
These Things that are no longer
 
Rooted in my earth
you come gently
tender
new leaf
tearing
green moistness
as whistles for children.
 
           With beauty
not fixed in wax
but as cells
changing inside
with the seasons.
 
          Overflowing
my roots but never saturating
singularly--
the earth inside.
 
          Now I see
signs of life
telling me
in your breathpulse
These Things
that are no longer.
 
     The water like your love
 
The water like your love floods swelling-
onto the beach in a flowing line of sorrow.
I am dreaming - there is no clash of earth to water.
You left me behind with salt-lined lips,
as I flew for the moment
which drew back as the sea.
 
I hear a distant lapping on the beach,
water sighing on the sand,
and slowly fadeing.
Like our love drawing back - leaving only
your seaweed hair upon the beach.
 
[Given by Alfred to Murray in 1969 (approximately)]
 
turning
 
smiling
she claspt her hands
running a finger
down their age,
and tried to tell him
that she was tired that
their love must change.
finally, he knew it,
and thought of
when he was a child,
and smiled.
it was good.
we have looked
in each other's eyes
seeing sunrise.
he touched her lightly;
she thought of when she was mother,
and said nothing.
 
he stood somewhere else
in his manhood,
or childhood-
perhaps before that.
she knew it was good
to have gotten here
to have turned.
he smiled
thinking of no ending
and no beginning,
yet not knowing.
he didn't care,
and he turned.
 
[Marlboro College 1970-1971]
 
        Schoolbell
 
     Seeing only the haze
where the river--
walking on lovelegs
and sitting
among twigs and rocks,
we touched and kissed
without passion.
 
     A smile flickers--
playfully between us;
I pick her up
she struggles'
gasping
circling--fell.
 
     And through her eyes, I see,
gushing water and God's calm
sunlight on a patch of green--
now dancing in a dream
on our backs.
 
     And we must go
some bastard god
has rung a bell
indicating, direction
pointing
to a blackboard
without memories.
 
      The Teacher
 
(HERE IS RELEVANCE ! Right here
my fingertips
can not hold it dear...
scratch my back-
I have an itch
that time does not erase.)
           ....................
He recalls many tales
(none of which I know)
while I sit in feigned interest
of bigone days
LADIES AND GENTLEMEN !
 
He tells pathetic jokes
and I laugh on cue
but stretch and YAWN too.
TODAY-he'll read us a STORY!
One that's gross and gruesome...
         .......................
But I only sit
while we listen to tales
of men in time recording time.
Is it worthwhile?
No one forces the question.
We are students and Must play
Our mental pantomime.
                                Because
Godgiven is the gift of time
to erase and recreate !
All that, now slips
through our fingers-
that dream-like  lingers
in our minds.
                   Well...
Recreate we can and do-
like the war to end all wars !
(The whore to end all whores
stands on the street corner
with bombs for tits...)
And my mind lingers.
 
walking down the street
my shoes on slush
to the beat of an old song
and i am almost there
but here the ghosts throng
to cloud my way
this is not today
but yesterday or tomorrow
or somewhere deep in time
the footsteps rhyme...
but this is not the way
here my shoes meet slush
and the winds rush
and the ghosts throng
and the song the song is the same
with the lyrics clipped
i forget the name
and they will not stop
but this is not today
and i'm walking
 thinking i'm not growing older
thinking this is today
this is not today
let's go to the dining hall
i shall be older in the spring
and have another meal
it's part of the deal
some food so the body won't deteriorate
while the minds cultivate
we are old priests
forming our decisions
for the world's precisions
now we are doctors
for the serpents have risen
and we shall find the cure
those who follow will endure
we have traded our nightsticks
for rectal thermometers
 
but that's much later
this is not today
 
[Marlboro College 1970- 1971]
 
nancy
whose waking dream
is to fly from the bondage
of vague words
into the all consuming dance
to be unearthly
and still simultaneously
rooted in the richness
of all and everything
 
            Dream Dance
 
Quiet joy with blond lightness
I dreamed of finding you
like cooling mist
for my jungle mind.
 
Dreamed:
we were dancing
                         (and you blushed
                           at words)
I helplessly held
you, delicate,
                     as we swept circles
                      of dream music with rhythm
we created.
 
I kissed moonlit eyes
                                  not wanting
                                  or
                                  seeing more--
we danced on  on
                            hair flying--on
 
But I lost you
(thinking I would be gone
only a moment
back
to a questioning reality)
 
Lost you in my waking
after waiting
                    waiting madly
to prolong
our awe filled
                      dream dance.
 
dance to control
the wind and the way;
i know nothing
i must say
about the dance.
 
We are loud voices
comprehending the togetherness
of flashing lights and beer bottles
dancing in the rubble
with one ear to music
and three feet to the wind
navigating as you would
an iceboat with fingertips
 
but the wind or music
will change and we'll be caught
ridiculous in the vortex
of forces that have passed
and we'll know nothing
 for a moment
but the beat of music
or the wind of life
 
what we must understand
in the showplace of time
in the turning of hand
is that there is only the dance
 
             Sit Still Dear
 
Sit still dear
when I tell you
that I lost my voice.
It happened en route
to get the kids at the dentist.
( I couldn't tell him
about your molar,
but he was understanding. )
           The kids were funny:
daddy daddy
what's the matter daddy--
cat got your tongue?
kids are like that.
          I'm driving them home.
I hope the grocer understands
when I point to your order,
and the policeman...
you know--it's strange
all the things one can't do
without a voice;
I never thought of it.
Never thought of it...
          Almost home now.
I miss you; didn't know it was possible
to miss someone so much.
the kids are giggling--
still think it's funny,
and my hands are sweating
hoping your arms will understand.
Wishing I could sing now
or whisper thoughts to you.
And wishing somehow
I could tell you
about this day.
 
CALM OF NIGHT
WITHIN THE SWELTERING BRONX.
I CAN NOT SLEEP;
I AM THINKING OF OUR CONVERSATION
A GENTLE WHISPER
LIKE GRANDPA'S STURDY CLOCK
A SHARING TIMEPIECE
 
Cold grey sky and the reality
of rocks beneath my toes.
It's six o'clock in the morning
and grandpa is not far from here
dying slowly.   I should visit him.
             This morning I awoke with a start,
and wanted to visit him,
but six in the morning
is a very curious time
to visit a dying man.
(one has to walk off the sleep
and shudder at the reality)
             But he can't die--not now
not while I walk the sea pounded rocks
and think of nothing but death.
             And this dawn rising slowly
on the yellow walls,
and heating silently the air
inside the pane of glass
until it slithers with a medicinal smell.
           And ninety years of human dignity
contracts in one unknown moment
to lie,  and lie patheticly.
            But in memory now
there's a different smell
of grass and wild lilacs--
he always loved that smell.
 
what is this force
turning inward
under force
to each man his cross
til he stumbles
on a rock on the road
inside himself
and curses things
for being as they are
finding excuses
and coffee understandings
for waiting
waiting in the name of waiting
o name
name name na me
give me a name
that i might understand
the heaviness of gravity
the anticipation
in the endless waiting
for the waiting to end
 
our faces turn towards
a voice raised
alive with the excitement
of noise
and the relief of other
 
**********************
yet he whispers your name
in the fire the water
the earth and the air
 
ANCIENT VOICES BREAK THROUGH
MY CONTRIVED THOUGHT
IN AN INHUMAN RAGE;
THEY ARE TESTING MY SOUL
TO SELECT AND THINK
UPON SOME SINGLE THOUGHT
( A THOUGHT TO BE DESTROYED
AND RECONCEIVED IN CONFUSION.)
CYNICALLY I KNOW THIS
AND I THINK
OF HUMAN DIGNITY
AND MUST LAUGH
AT THE SOUL'S INNOCENCE.
VOICES DEVOURING AND
LEAVING BROKEN DREAMS,
AND A NOTION OF FIRE.
 
IT MUST BE
THAT MY EYES ARE FUSED
IN THE SOUL'S UNREADINESS
 
we all go down to death
in the batting of an eye,
or the slowness of breath
those who remain sigh
for those before,
o herald in the night
light the way
for there must be leaders
followers
extras
as well as prima donnas.
you wish these things were different
for life is short
and so much suffering
and there is time
not always steady
the dime tapped on the counter
and the clothes washed on the line
o herald in the night
light the way
for those who come by day
yet have no sight
 
a flower
gentle as breath
touching the earth
with strong fine roots
trembles slightly in the wind
but holds herself
up to the sun
 
beneath the mistleaf tree
a squirrel
surveys the multicolored oneness
of winter
poised in coolwet breath
and suddenly
the world is only fear
with running and greybrowness
i wonder what she hears
 
you run like a frightened doe
from the hand of a hopeful child
who wanted to watch you
and know you
and his hope becomes violence
the doe doesn't know the feeling of child
only the fear of the hand
and doesn't know that she doesn't know
not carried by a stale emotion
or pulled by an idle thought
or stretched by a muscle
you are stopped
for a moment
and receive the breath
and the deep rich bloods flowing inside
and for a moment
you are not a part
of the merciless movement of things
but a something that is close to something
beyond understanding
 
 
John, Al's brother, & a group of actors created this order for his poems which were read in clusters in segments of the 1984 Cape Ann Theatre Production's "fund raiser" A Brother's Tribute staged 10 years after Alfred's death. Although, it was impossible to order most of Al's undated poems chronologically, it was thought that  there was a thematic cohesiveness in each actor's poem cluster.
Also, he didn't  title most of them, but John decided to underline
the 1st line of each poem; so that serves as a title of sorts.
The following 2 poems were read at the end of Al's last poem cluster:
 
Supplication For Alfred Lucius Hart
 
JOY
eludes
yet i avoi-
oh Lord, if I could find it
my soul
would plot
not
against itself
nor
Will
instinct
to thwart its intent.
 
JOY
eludes
yet i avoid-
oh Lord, if I should find it
lack
would transcend'
as fleshy temple
its essence
and
one in purpose
be
with love and beauty.
 
Joy
eludes
yet i avoid-
oh Lord, when I do find it
I
will dread
not
incapacity
nor
doubt if
I
Worthy be.
 
[John Lay Hart
12/12/75)
 
 

             For Alfie
                          (whom I never met)
 
Some voices sound so dissonant
to the human ear
that we reject their song:
 
           an old man
                 imprisoned in his bed
           who rails against
                   the impotence of death...
 
             a child come into life
                   misshapen,
              twisted out of
                   childhood hope...
 
             a visionary
                  - a madman -
              tormented by the cursed talons
                     of the mind...
 
while we who are whole
go down to death with blinders
safely strapped about our senses,
 
           unaware that as it echoes
                   in this darkened plane
            the Truth finds
                 harmony
            in wounded song.
 
                                           Jane Bernhardt
A Brother's Tribute (Excerpt)
Biographical Sketch
 
Alfred Hart was born on April 15th, 1950 (Tax Day) and died on July 4th, 1974 (Independence Day). He's been gone now for ten years, so I felt this would be a good time to remember and honor a little of who he was and what he did. Except for Juliet's monologue and the three poems written by others noted in the program, he either wrote or acted in all of the excerpts in this presentation.
Alfred was  a conscientious, dedicated and outstanding actor and poet who wrote about 45 to 50 poems and performed in approximately 40 productions. He excelled in public speaking in elementary school with 2 or 3 cockney Albert Ramsbottom recitations (1 of which you just heard and which he taught me) and 2 famous Shakespearean monologues and won an award as the best public speaker in the school. Here [Slide] we see him hard at work preparing for one of his recitations. Later at South Kent School, he acted in 3 shows including Grandpere in The Happy Time [Slide] and the judge in Harvey [Slide] - both rehearsel shots. After doing a few small parts in Twelfth Night under Nan Webber's direction with among others Debbie Kidder and Jennifer Kite (now an in - law of mine), he helped direct a children's theatre workshop for 2 summers at the Cambridge School in Weston and wrote, produced and directed a III Act play there with a class of 7th graders [Slide]. In his 2 years at the Cambridge School, he also performed Fah in The Emporer's New Clothes [2 slides] and Hortensio in Taming of the Shrew.
After that Al apprenticed at the Loeb Theatre in Harvard Square for a few shows then moved on to BU and a number of productions at Marlboro College including playing the Dutch Courtesan and Moon in The Real Inspector Hound. Then he worked at Keene State College as a resident actor in a summer repertory company doing 5 shows there and finishing off the season as Hero in A Funny Thing Happened On The Way To The Forum on Cape Ann under Myron Yorra's direction. In the fall of 1971 Alfred went to the Neighborhood Playhouse School of the Theatre in New York and began his most rigorous training to be a professional actor. Most of these next 6 slides represent a sampling of some of his resume picture possibilities.

bruegel20icarus.jpg
Bruegel's The Fall of Icarus featured at the beginning of "A Brother's Tribute"

The Following Songs were sung or played in the Tribute:

Blowin’ In The Wind (Bob Dylan)

 

How many roads must a man walk down
Before you call him a man?
Yes, 'n' how many seas must a white dove sail
Before she sleeps in the sand?
Yes, 'n' how many times must the cannon balls fly
Before they're forever banned?
The answer, my friend, is blowin' in the wind,
The answer is blowin' in the wind.

How many times must a man look up
Before he can see the sky?
Yes, 'n' how many ears must one man have
Before he can hear people cry?
Yes, 'n' how many deaths will it take till he knows
That too many people have died?
The answer, my friend, is blowin' in the wind,
The answer is blowin' in the wind.

How many years can a mountain exist
Before it's washed to the sea?
Yes, 'n' how many years can some people exist
Before they're allowed to be free?
Yes, 'n' how many times can a man turn his head,
Pretending he just doesn't see?
The answer, my friend, is blowin' in the wind,
The answer is blowin' in the wind.

 

What did you learn in school today (Tom Paxton)

 

What did you learn in school today, dear little boy of mine?
I learned that Washington never told a lie
I learned that soldiers seldom die
I learned that everybody's free
That's what the teacher said to me
And that's what I learned in school today
That's what I learned in school

What did you learn in school today, dear little boy of mine?
I learned that policemen are my friends
I learned that justice never ends
I learned that murderers die for their crimes
Even if we make a mistake sometimes
And that's what I learned in school today
That's what I learned in school

What did you learn in school today, dear little boy of mine?
I learned that war is not so bad
I learned about the great ones we have had
We fought in Germany and in France
And someday I might get my chance
And that's what I learned in school today
That's what I learned in school

What did you learn in school today, dear little boy of mine?
I learned that our government must be strong
It's always right and never wrong
Our leaders are the finest men
So we elect them again and again
And that's what I learned in school today
That's what I learned in school

 

Patterns

(Simon & Garfunkel)

 

The night sets softly
With the hush of falling leaves,
Casting shivering shadows
On the houses through the trees,
And the light from a street lamp
Paints a pattern on my wall,
Like the pieces of a puzzle
Or a child's uneven scrawl.

Up a narrow flight of stairs
In a narrow little room,
As I lie upon my bed
In the early evening gloom.
Impaled on my wall
My eyes can dimly see
The pattern of my life
And the puzzle that is me.

From the moment of my birth
To the instant of my death,
There are patterns I must follow
Just as I must breathe each breath.
Like a rat in a maze
The path before me lies,
And the pattern never alters
Until the rat dies.

And the pattern still remains
On the wall where darkness fell,
And it's fitting that it should,
For in darkness I must dwell.
Like the color of my skin,
Or the day that I grow old,
My life is made of patterns
That can scarcely be controlled.

 

“O Lucky Man!” (Alan Price)

 

If you have a friend on whom you think
you can rely - You are a lucky man!
If you've found the reason to live on and
not to die - You are a lucky man!
Preachers and poets and scholars don't know it,
Temples and statues and steeples won't show it,
If you've got the secret just try not to blow
it - Stay a lucky man!
If you've found the meaning of the truth
in this old world- You are a lucky man!
If knowledge hangs around your neck like
pearls instead of chains - You are a lucky man!
Takers and fakers and talkers won't tell you.
Teachers and preachers will just buy and sell you.
When no one can tempt you with heaven or hell-
You'll be a lucky man!


 Many Rivers To Cross (Jimmy Cliff)

 

Many rivers to cross
But I can't seem to find my way over
Wandering I am lost
As I travel along the white cliffs of dover

Many rivers to cross
And it's only my will that keeps me alive
I've been licked, washed up for years
And I merely survive because of my pride

And this loneliness won't leave me alone
It's such a drag to be on your own
My woman left me and she didn't say why
Well, I guess I'll have to cry

Many rivers to cross
But just where to begin I'm playing for time
There have been times I find myself
Thinking of committing some dreadful crime

Yes, I've got many rivers to cross
But I can't seem to find my way over
Wandering, I am lost
As I travel along the white cliffs of Dover

Yes, I've got many rivers to cross
And I merely survive because of my will...

 

 


 


Another hundred people just got off of the train
And came up through the ground,
While another hundred people just got off of the bus
And are looking around
At another hundred people who got off of the plane
And are looking at us
Who got off of the train
And the plane and the bus
Maybe yesterday.

It's a city of strangers,
Some come to work, some to play.
A city of strangers,
Some come to stare, some to stay.
And every day
The ones who stay
Can find each other in the crowded streets and the guarded parks,
By the rusty fountains and the dusty trees with the battered barks,
And they walk together past upholstered walls with the crude remarks.
And they meet at parties through the friends of friends who they never
know.
"Do I pick you up or do I meet you there or shall we let it go?"
"Did you get my message? 'Cause I looked in vain."
"Can we see each other Tuesday if it doesn't rain?"
"Look, I'll call you in the morning or my service will explain."
And another hundred people just got off of the train.

It's a city of strangers,
Some come to work, some to play.
A city of strangers,
Some come to stare, some to stay.
And every day
Some go away
Or they find each other in the crowded streets and the guarded parks,
By the rusty fountains and the dusty trees with the battered barks,
And they walk together past upholstered walls with the crude remarks.
And they meet at parties through the friends of friends who they never
know.
"Do I pick you up or do I meet you there or shall we let it go?"
"Did you get my message? 'Cause I looked in vain."
"Can we see each other Tuesday if it doesn't rain?"
"Look, I'll call you in the morning or my service will explain."
And another hundred people just got off of the train.
And another hundred people just got off of the train,
And another hundred people just got off of the train,
And another hundred people just got off of the train.
Another hundred people just got off of the train.
 
Above Song "Another Hundred People" From "Company" (Pamela Myers Lyrics)

I Never Meant To Hurt You (Laura Nyro)

 

I never meant to hurt you; I'm not that way at all.
Please believe the words of a heart, a heart that seems so small.
And I never meant to hurt you; I guess I lost my place.
Please believe the words of a heart, a heart that hides its face.
Why do I do things I never mean to do?
Why did I speak so carelessly when all that I felt was love for you?
And I swear, I never meant to hurt you. I've got to make you know.
Please believe the words of a heart, a heart that didn't show.
I never meant to hurt you, I only meant to love you it's true.
And when I saw you crying, I cried too.

 

Sons Of (Jacques Brel)

 

Sons of the thief, sons of the saint
Who is the child with no complaint
Sons of the great or sons unknown
All were children like your own
The same sweet smiles, the same sad tears
The cries at night, the nightmare fears
Sons of the great or sons unknown
All were children like your own...
So long ago: long, long, ago...
But sons of tycoons or sons of the farms
All of the children ran from your arms
Through fields of gold, through fields of ruin
All of the children vanished too soon
In tow'ring waves, in walls of flesh
Among dying birds trembling with death
Sons of tycoons or sons of the farms
All of the children ran from your arms...
So long ago: long, long, ago...
But sons of your sons or sons passing by
Children we lost in lullabies
Sons of true love or sons of regret
All of the sons you cannot forget
Some built the roads, some wrote the poems
Some went to war, some never came home
Sons of your sons or sons passing by
Children we lost in lullabies...
So long ago: long, long, ago
But, sons of the thief, sons of the saint
Who is the child with no complaint
Sons of the great or sons unknown
All were children like your own
The same sweet smiles, the same sad tears
The cries at night, the nightmare fears
Sons of the great or sons unknown
All were children like your own...
Like your own, like your own

 

Musee des Beaux Arts (W. H. Auden)

 

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.

 

Dust In The Wind (Kansas)

 

I close
                                    my eyes
Only
                                    for a moment, then the moment's gone
All my dreams
Pass before my eyes, a curiosity
Dust in the wind
All they are is dust in the wind
 
 
 
Same old song
Just a drop of water in an endless sea
All we do
Crumbles to the ground, though we refuse to see
Dust in the wind
All we are is dust in the wind, ohh
 
Now, don't hang on
Nothing lasts forever but the earth and sky
It slips away
And all your money won't another minute buy
Dust in the wind
All we are is dust in the wind
   All
                                    we are is dust in the wind
Dust in the wind
   Everything is dust in the wind
Everything is dust in the wind
The wind

 

Changes (David Bowie)

 

I still don't know what I was waiting for
And my time was running wild
A million dead-end streets
Every time I thought I'd got it made
It seemed the taste
was not so sweet
So I turned myself to face me
But I've never caught a glimpse
Of how the others must see the faker
I'm much too fast to take that test

Ch-ch-ch-ch-Changes
(Turn and face the stranger)
Ch-ch-Changes
Don't want to be a richer man
Ch-ch-ch-ch-Changes
(Turn and face the stranger)
Ch-ch-Changes
Just gonna have to be a different man
Time may change me
But I can't trace time

I watch the ripples
                                    change their size
But never leave the stream
Of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They're quite aware
of what they're going through

Ch-ch-ch-ch-Changes
(Turn and face the stranger)
Ch-ch-Changes
Don't tell them to grow up and out of it
Ch-ch-ch-ch-Changes
(Turn and face the stranger)
Ch-ch-Changes

Where's your shame
You've left us up to our necks in it
Time may change me
But you can't trace time
Strange fascination, fascinating me
Changes are taking the pace
I'm going through

Ch-ch-ch-ch-Changes
(Turn and face the stranger)
Ch-ch-Changes
Oh, look out you rock 'n rollers
Ch-ch-ch-ch-Changes
(Turn and face the stranger)
Ch-ch-Changes

Pretty soon you're
                                    gonna get
a little older
Time may change me
But I can't trace time
I said that time may change me
But I can't trace time
 
But the World Goes Round (Barry Manilou)
 
 
Sometimes you're happy, sometimes you're sad
But the world goes 'round
Sometimes you lose every nickel you had
But the world goes 'round

Sometimes your dreams get broken in pieces
But that doesn't alter a thing
Take it from me, there's still gonna be
A summer, a winter, a fall and a spring

And sometimes a friend starts treating you bad
But the world goes 'round
And sometimes your heart breaks with a deafening sound

Somebody loses and somebody wins
And one day it's kicks, then it's kicks in the shins
But the planet spins, and the world goes 'round-
But the world goes 'round
But the world goes 'round

Sometimes your dreams get broken in pieces
But that doesn't matter at all
Take it from me, there's still gonna be
A summer, a winter, a spring and a fall

And sometimes a friend starts treating you bad
But the world goes 'round
And sometimes your heart breaks with a deafening sound

Somebody loses and somebody wins
Then one day it's kicks, then it's kicks in the shins
But the planet spins, and the world goes 'round
And 'round and 'round and 'round and 'round
The world goes 'round and 'round and 'round
And 'round!

Dust In The Wind (Kansas)

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