Brazilian Film Library and Television Filmfest
It's All True
Home
Some Useful Facts...
About the selection...
Barren Lives / Vidas Secas
Black God, White Devil / Deus e o Diabo na Terra do Sol
Bananas is My Business
Central Station / Central do Brasil
Coronel Delmiro Gouveia
End of the Endless / O Fim do Sem-Fim
Gaijin, Caminhos da Liberdade
The Given Word / O Pagador de Promessas
It's All True
Lesson in Love / Lição de Amor
Maids--The Movie / Domésticas--O Filme
Me You Them / Eu Tu Eles
Posthumous Memoirs / Memórias Póstumas
Prison Memories / Memórias do Cárcere
O Quatrilho
The Rifles / Os Fuzis
Rio, 40 Degrees / Rio, 40 graus
São Bernardo
São Paulo, Inc. / São Paulo Sociedade Anônima
Strong Meat / A Marvada Carne
They Don't Wear Black Tie / Eles Não Usam Black-Tie
Useful Links
Planning Process
About me & contact information

Orson Welles, 1941-42; reconstruction and additional documentary materials: Richard Wilson, Myron Meisel, Bill Krohn, 1993

alltrue1.jpg
Region: Southeast and Northeast
Documentary, color/b&w, 86 minutes
In 1942, during the Second World War, Orson Welles was asked by Nelson Rockefeller, the Coordinator of the Office of Inter-American Affairs under Franklin D. Roosevelt, to go to Rio de Janeiro to film "Carnaval" as part of a general effort to shore up US-Brazilian relations. Once there, even as Welles struggled unsuccessfully to retain control of the editing of "Magnificent Ambersons" back in California by phone and cable, he fell in love with Brazil. The result was not just spectacular footage of Carnaval, but also an additional episode for the proposed film: the re-staging of an astounding journey by four men on a "jangada," (wooden raft) who traveled from northern Brazil to Rio in hopes of getting the President of Brazil to extend social benefits to poor fishermen like themselves. During the re-staging for the film of the fishermen's arrival in Rio, one of the men drowned in a freak accident after the long journey from Ceará. The ill-fated movie was never completed and the film was lost to history for over fifty years after Welles's budget was slashed and he was forced to abandon the project.

This documentary film uses Welles's re-discovered footage as its basis and includes interviews with surviving members of the original team as well as with the families of the "jangaceiros." The documentary provides a startling look not only at Brazil in 1942, but also at what might have been another masterpiece by the great North American director. The entire raft episode was edited and presented for the first time in the documentary.

The annual São Paulo International Documentary Film Festival is called "E Tudo Verdade / It's All True" in honor of this film, which plays an ever more significant role in both Brazilian and American film history.
Directed by Richard Wilson, Myron Meisel, Bill Krohn
Based on an unfinished film by Orson Welles
Original cinematography: Floyd Crosby & Joe Noriego [Bonito], Joseph Biroc, William Howard Greene, Harry J. Wild [Carnaval], George Fanto [4 Men On A Raft]
Original score: Jorge Arriagada

Narrated by Miguel Ferrer
Producers: Régine Konckier, Richard Wilson, Bill Krohn, Myron Meisel, Jean-Luc Ormières
Associate Producer: Catherine Benamou
Written by Bill Krohn, Richard Wilson, Myron Meisel
Editor: Ed Marx
Director of photography: Gary Graver
Sound design: Dean Daville
Production: Paramount; Les Films Balenciaga



true15.jpg

Images are copyright of the individual producers/distributors.

Series concept, texts, and other materials copyright © 2003-2006 William Gilcher. All rights reserved.