The Jivin' Ladybug #2

Home | Submit! | ISSUE 2 CONTENTS: | Heller Levinson (#2) | John Olson | Will Alexander | D. Michael Jones | Ken Cormier | Anthony Seidman | Lily Cho (#2) | Clayton Eshleman (#2) | Peruvian Poetry (Translated by Anthony Seidman) | Pierre Joris | Coulter Watt | Adrian Paulsen | Mary Newell | Book Reviews (#2) | ISSUE 1 CONTENTS: | Heller Levinson ( #1) | A "Poemic" | Andrew Roberts | Jared Demick Translations | Lily Cho (#1) | Lily Cho Photos | Chris Degon | Chris Degon Photos | Paige Hill | Exquisite Corpuscle | Jared Demick | Book Reviews (#1) | Clayton Eshleman

Heller Levinson (#2)

Segments from Two Poem Cycles

 Horse

the digits cobbling

                                    clubbing the hoof corral

peristalsis

hooves of crepitant

this surge    these leggy prancers    these scrupulous gymnasts throaty upon the earth

most noble animal

sprig nymph                Godiva shareholder

first lute master

choir of mighty gallopers

sing

 

rearing peals of skyscrape thrall

the trot that establishes then oozes gallop

 

Pegasus

Bucephalus

Trigger

Sleipnir

Xanthus

Man O’ War

Whistlejacket

Hi Yo Silver

 

harness is a construction for intimacy

strapless intimacies, ...  amassments

            Horse is one of the few marveloulsy muscled , airily coursing animals that doesn’t want to eat you.

to cantilever the stirrup a time of reprieval and renewal

saddle up

giddyup

loosed in the ecumenical corral these nuzzlings:

Xenophon says, in his The Art of Horsemanship:  “And in his frame, the first things which I say you ought to look at are his feet.”

Eohippus[i]  piano-ing the earth, to play upon the earth as if  you were tickling your beating heart beneath it, to spectate that ...

the individually segregated congregating to hoof, a clopped ensemble, can support more mass, now percussive, more of a striking instrument,

fingers, ... fist/club

support is an instance of mass

 piggyback the man

 

Virilio writes:  “Man is the passenger of woman, not only at the time of his birth, but also during their sexual relations....  Paraphrasing Samuel Butler, we could say that the female is the means that the male found to reproduce himself, that is to say, to come to the world.  In this sense, woman is the first means of transportation for the species, its very first vehicle, the second would be the horse with the enigma of the coupling of dissimilar bodies fitted out for the migration, the common voyage.”

From this, we seek to explore the phenomenology of man’s initial dismount from his primary vehicle, to mounting his secondary.

dismount ... dissolution?

is the desire to mount the horse, this more steeply alterior body, an erotic ilmpulse, an impulse to exotic.  What does the exotic offer?  Is each serial vehicle – woman[ii], horse, train, automobile, airplane – an additional erotic encounter?

 

range of motion           explicities

idea hopping – abstraction mounts?

with

 

mount(ing), ... here

to bring forth               covering

to cover,   on top of ...

climb upon, to en-counter       voicings

the over and under    attaching

attach-ments                the cling to

umbilical soundings    to further

to go

gather

in an ensemble (to assemble)

erasing the self in this act of twinning

 

 

romance bridles//strapped intimacies

the support bra

support and port

demiurge         the urge to move is the urge to extinguish where you are

with

 

wheel, ...         rotation,

 go round & round, to

& away from      rubbering to jointure   dis-

misses here delivers there

proximity legislator

campaign manager

reeling cartographer

 

to mount the horse to mount the machine is to breakthrough the borderline, it is to trace oneself out of the isolate self, it is a gesture toward Alterior Organization ...

 

“As a species, horses could not have survived without human intervention.  Humans could not have created wealth-generating (and, for that matter, leisure) opportunities that come with large cities without horses.  As the perceptive 1881 New York Times editorial observed, ‘Deprived of their human servitors, the horses would quickly perish; deprived of their equine servitors, the human population in cities ... would soon be in straits of distress.’”[iii]

 

Horse is bridge, is root splurging through sinew, is a sienna siren strophing the curvatures of an outsourcing periphery sonata, is the declamation in foetal bounding, the orchestral lightning spraying through the forelegs of a rearing defiance ...

 

“Among the Scythians, when a leader died, his horses were killed & buried with him.  The expectation was that they would be re-animated to serve the dead man in the after life.”

 

Re-Animation:

stallion black heaves from the stable cuckold-winds toss manefuls kicks & furies prows vertical lavades to erring Jezebels – converyors of halters grooms stables whips saddles coachmen riding crops all manner of tack rupture annihilative – the landscape grows cumulous sinewy, voluptuous mares trot from the forest, the black glee grows, pony stallions squeeze from his monumental shoulders, the de-humanization is vast & good, it is sound, pools of union flutter the tribe, there is intercourse & pawings ....

 

Consideration:

& horse looked unto man & saw that man was puny & would need speed, elevation, & haulers, saw that they could provide man with horsepower (33,000 foot pounds of work per minute) & great diversion & prove a showpiece & companion & understood that man could be good & could care for horse & would mitigate a great many perils that might befall in the wild & horse considered long & mightily & chose man to groom him & feed him & to tutor him in the dance ... & man undertook horse & prospered & to this day no other animal summons the monies that horse does ....



[i] Eohippus or Hyracotherium, the earliest believed ancestor of the horse.  “They had four toes on their front feet and three toes on their hind feet.  Each toe ended in a separate small hoof.  Large, tough pads similar to those on a dog’s foot kept the toes off the gorund,  These pads bore the animal’s weight.”  The text is exploring the ancestral telluric sensitivity prior to the padded toe evolving into the more hardened hoof.

[ii]   Woman/man is meant to be used interchangeably with no gender pronouncements – other than child-bearing – intended.

[iii] Clay McShane and Joel A. Tarr, The Horse In The City:  Living Machines in the Nineteenth Century (Baltimore:  The John Hopkins University Press, 2007), 178.

 

***

 

smelling

 

mermaid, ...  delicious

chrolophyll                  gardenias                     brackish the bunt

 

Xenophon says of the horse, “And

in his frame , the first things which I say you ought to look at are the feet.”

 

And of the mermaid it is said,

and in her form, it is the tail that sickles & quickens.

 

comet’s tail                  dentrite                        kite

tail not indenturement but torque

mermaid, the form that whisks you away

that subterraneans

that issues deep down dark unders

that floats you in a clutch of surreptition

bellying violoncello shipload succumbs

respiratorial hazards

arguments encounter plum merchants reconnoitering spirogyra rum opulence

argonautic jubilee splash

mint ragas

requisition forms rise from the groin of the sea

a brace to

                time-elude

 

***

 

with

 

mermaid, ...         finning

the suppling mesmeric

                        liquidity wake

smelling electrically leviathan tails silhouette the shoreline

platters of  merriment guise taper-whip

to follow Mermaid Tail is to be encouraged

to sink

sweet submergence

something there is that loves a tail

sprite, flippy, ... whim-si-Cal-ity

trawling hirsute bloomfields calibrate

suction sweet zone whorl swirl spiflicated lungy crucifixions

torso pliant, manageable, ... squishy

below, tegular crystal, -- capable, rebuke-Able, launch-Able, Dar-ing, a slapping

slippery seductress

 

 

In Frederick Leighton’s “The Fisherman and the Syren,” the fisherman is hooked.  He is morsel, he is tail-tied, gripped by the tender sirloin he will undergo unprepared-for excruciations, ... he will be swallowed ... absorbed.

 

Hybridity pedals transference.  Property interminglements.  Disclosures race.  The hybrid in its eco-clash, its torsionanl topo-skin, -- rashes – an inexplicable electro-marvel charged with animistic colli(u)sions.  Human & animal in homomorphic concert.

 

slickly the succubi pool invitations

the road to slick road

urge to glide    splurge with slide ride runners giddy sled merrily merrily chide the chary

 

she excites

she invites

she slurps

she issues

in-sin-u’Ation

 

***

the road to mermaid road

 

                                                 busty

slippery when wet                   slappings

& plinks                       risings

                        sunkfuls

plunge

a flappy tale with novelty

a pursuit more than a direction

the way to mermaid road, please

GPS mermaid road or money back

flute through route

one way

mermaid ahead

mounted on wheels

drums cornering

 

***

FINNING THE MESMERIC MERMAID WAKE

 

 

She springs from palatial calcareous open-shelled boudoir

             wrapped in nacreous rash of nubile mythology

                            (breeze of prince's robes

                              mercurial Karsavina

tresses spun from conjugating spirogyra laze ambulant

              shift in a reed-sway stream-sinewing hypnotic

 

miraculously coined

her hips slickened with newly minted scales

               splash raga showers of a gold-spattering sun-crystalling

           micro-cymbalology

 

artfully toileted    dagger decorated    mirror approved

a form tucked and marmoreal

flush with flex

quivering in a suppling bloom

as a leather whip coils restlessly upon the wall

she rudders a property

merciless with sting

 

***

 

in the hol(y)(iness)ding of mermaid

 

... wet

a slime of skin

a constellative reconstituting

the constitutionality of contact

conduit                        border crossing

currency traffic    net affiliatives    a consideration

consider-ing

suspension-crackling

space opportunes protrusion pills a coax collage

entranc-es

latitudinal rinse

threshing altitudes

 

 

 

 

 

The Jivin' Ladybug- A Skewered Journal of the Arts
 
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