BARRE PHILLIPS DISCOGRAPHY
(part 2)
compiled by Dan
Kurdilla : updated October 27, 2008
Go to part 1 (1963-1985)
Note: This discography is 'unofficial'; I have no contact information for any musician mentioned herein.
Where a title is given in blue, details have been taken directly from a copy of the recording. Details for recordings with red titles are less certain; I welcome additions and corrections. E-mail with any info you'd like to provide.
| Denis Levaillant: Passages | Thésis THJ 82016 (France) [CD] |
| 1. Drive In | 3:27 | |
| 2. By Easy Stage One (Levaillant/Phillips) | 1:29 | |
| 3. Paris / New York Railway (Altschul/Levaillant/Phillips) | 4:45 | |
| 4. Open Runs | 2:02 | |
| 5. Around The Blues | 3:22 | |
| 6. Rhythmic Training | 3:39 | |
| 7. Dance From Nowhere | 4:08 | |
| 8. Time Colors | 4:54 | |
| 9. Piano Station | 1:39 | |
| 10. By Easy Stage Two (Levaillant/Phillips) | 2:26 | |
| 11. New York / Paris Railway (Altschul/Levaillant/Phillips) | 2:11 | |
| 12. Drum Role (Altschul) | 3:10 | |
| 13. Be Out's Cool (Altschul) | 3:18 | |
| 14. Pressing On (Altschul/Levaillant/Phillips) | 5:21 | |
| 15. Mellow Moment 3.3.3 (Phillips) | 3:43 | |
| 16. Just Arrived | 2:05 |
composed by Levaillant except as noted
recorded at Studio Davout, Paris, no date given -- possibly 1986
Denis Levaillant, piano; Barre Phillips, bass; Barry Altschul, drums
| Jon Rose: Violin Music For Restaurants | ReR BJRCD1 (UK) [CD] |
| 12. Twelfth Table (Rose) | 2:37 |
Note: Additional tracks are without Phillips.
recording information not provided, circa 1987
Jon Rose, violin, sampling; Barre Phillips, bass
| Barre Phillips: Naxos | CELP C14 (France) [CD] |
| 1. Abrac | 4:43 | |
| 2. Sightline | 2:36 | |
| 3. Moana | 3:01 | |
| 4. Instance * | 2:18 | |
| 5. Faedant | 3:00 | |
| 6. Figure (C. Phillips) * | 1:23 | |
| 7. Iglitz (B. Phillips/Bourde) | 2:10 | |
| 8. Angles * | 1:48 | |
| 9. Horvaq | 4:06 | |
| 10. Regard (C. Phillips) * | 2:53 | |
| 11. Palm * | 0:44 | |
| 12. Opaque * | 0:55 | |
| 13. Merman | 4:15 | |
| 14. Splibe (B. Phillips/Montera) | 2:31 | |
| 15. Far | 1:04 | |
| 16. Ernod | 3:04 |
composed by Barre Phillips except as noted
* words by Claudia Phillipsrecorded February 1987 & March 1990, Studio A.I.D., Toulon
Claudia Phillips, voice; Hervé Bourde, saxophone, bolémar; Jean-Marc Montera, guitar; Pierre Cammas, piano, keyboards; Barre Phillips, bass, keyboards, percussion
| Company: Once | Incus CD04 (UK) [CD] |
| 1. Sextet (Konitz/Teitelbaum/Zingaro/Honsinger/Phillips/Bailey) | 12:11 | |
| 2. Duo (Noble/Phillips) | 13:16 | |
| 3. Trio I (Phillips/Bailey/Konitz) | 10:43 | |
| 4. Trio II (Honsinger/Zingaro/Noble) | 11:11 | |
| 5. Quartet (Teitelbaum/Konitz/Noble/Phillips) | 22:10 |
recorded May 12-17, 1987, Arts Theatre, London
Lee Konitz, alto saxophone on 1, 3, 5, soprano saxophone on 5, drums on 3; Carlos Zingaro, violin on 1, 4; Tristan Honsinger, cello on 1, 4; Derek Bailey, electric guitar on 1, 3; Richard Teitelbaum, keyboards on 1, 5; Barre Phillips, bass on 1, 2, 3, 5; Steve Noble, percussion on 2, 4, 5, bugle on 2, saw on 4
| Derek Bailey/Barre Phillips: Figuring | Incus CD05 (UK) [CD] |
| 1. Who's There To Know That You Passed 'Em Around | 16:01 | |
| 2. You'll Find My Theory Is Logically Sound | 16:23 | |
| 3. Don't Save | 10:02 | |
| 4. 100 Years From Today | 14:48 |
all music by Bailey/Phillips
tracks 1, 2 recorded May 12, 1987, Arts Theatre, London
tracks 3, 4 recorded September 4, 1988, Hawth Centre, Crawley, EnglandDerek Bailey, guitar; Barre Phillips, bass
| Barry Guy/Anthony Braxton/London Jazz Composers Orchestra: Zürich Concerts | Intakt 004/005 (Switzerland) [2LP/2CD] |
| 1. Polyhymnia (Guy) | 37:30 | |
| 2. Compositions 135 / 136 / 108B / 134 (Braxton) | 57:13 |
disc 1 recorded live November 11, 1987, Zürich
disc 2 recorded live March 27, 1988, Zürichon disc 1: Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Paul Rutherford, Radu Malfatti, Alan Tomlinson, trombone; Steve Wick, tuba; Trevor Watts, Evan Parker, Simon Picard, Pete McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Howard Riley, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums
on disc 2: same personnel except Barre Phillips is replaced by Dave Holland; added Tony Oxley, drums; Anthony Braxton, conductor
| Karlheinz Miklin: Looking Back | SOS Music J006 (Austria) [CD] |
| Moon |
Note: Additional tracks are without Phillips.
recorded December 1987, Dornbirn
Karlheinz Miklin, alto flute; Andi Schreiber, violin; Barre Phillips, bass; Bill Elgart, drums
| Hervé Bourde: Superbe Demenagement | Apia 191132 (France) [CD] |
| 1. Danse Dans La Boule De Cristal (Kessler) | 3:55 | |
| 2. Kalisson | 10:27 | |
| 3. Aliki (Kessler) | 7:37 | |
| 4. Nam (Kessler) | 6:49 | |
| 5. Pour Julaine | 7:00 | |
| 6. Octopus | 4:38 | |
| 7. Danse Du Rat | 4:57 | |
| 8. Grok | 15:40 | |
| 9. L'Homme Qui Poursuit Le Temps... | 9:00 |
composed by Bourde except as noted
tracks 1-5 recorded June 20-21, 1988, Theatre Artistic Arthevains
tracks 6-9 recorded July 12-14, 1988, Theatre Artistic ArthevainsHervé Bourde, saxophones, flutes, synthesizer, harmonizer; Siegfried Kessler, piano and synthesizer on 1-5; Barre Phillips, bass on 6-9; Joël Allouche, drums on 6-9
| Arrigo Cappelletti: Open Spaces | Splasc(h) HP16 (Italy) [LP] |
| 1. Broken Lines | 4:05 | |
| 2. Open Spaces | 5:08 | |
| 3. An Inward Trip | 6:45 | |
| 4. Six Improvisations For Piano And Bass | 9:08 | |
| 5. Six Adventures For Piano And Drums | 7:22 | |
| 6. Long Ago And Far Away | 5:57 | |
| 7. My Foolish Heart | 4:34 | |
| 8. Orbits | 4:50 |
tracks 1-5 recorded September 22-23, 1988, Milan
tracks 6-8 recorded November 11, 1988, MilanArrigo Cappelletti, piano; Barre Phillips, bass on 1-4; Massimo Pintori, drums on 1-3, 5; Hämi Hämmerli, bass on 6-8; Guido Parini, drums on 6-8
| Peter Brötzmann/Günter Sommer/Barre Phillips: Réservé | FMP CD17 (Germany) [CD] |
| 1. Réservé (Brötzmann/Sommer) | 31:05 | |
| 2. On Walked BeeP (Brötzmann/Phillips/Sommer) | 35:02 | |
| 3. Joya De Nicaragua (Brötzmann/Sommer) | 8:35 |
recorded live November 4, 1988, Quartier Latin, Berlin
Peter Brötzmann, alto, tenor and bass saxophones, bass clarinet; Günter Sommer, drums; Barre Phillips, bass on 2
| Tetsu Saitoh: Coloring Heaven | Aketa's Disk AD-27CD (Japan) [CD] |
| 1. To The Promenade | 3:07 | |
| 2. Coloring Heaven I | 5:41 | |
| 3. A Second | 4:51 | |
| 4. 10.27 | 5:57 | |
| 5. Coloring Heaven II | 9:05 | |
| 6. Music Gallery | 7:32 | |
| 7. Pizzicatissimo | 4:37 | |
| 8. 124 | 9:15 | |
| 9. Okinawa Mama | 3:46 | |
| 10. To The Sea | 7:23 | |
| 11. Invitation | 5:50 |
recorded December 1988, Kuchu-Sanpokan, Yugawara, Japan
Hideaki Kuribayashi, koto; Tetsu Saitoh, Barre Phillips, bass; Sabu Toyozumi, drums
| Yochk'o Seffer: Prototype | Kid 590462 (France) [CD] |
| 1. Lady Queen | 6:03 | |
| 2. Yod Schin | 6:52 | |
| 3. Memory Of Hortobagy | 8:45 | |
| 4. Hungrian Tenor | 7:50 | |
| 5. Sod I II | 12:50 | |
| 6. Ritual Performance I | 10:55 | |
| 7. Solo For "Seguie" | 7:05 |
all composed by Y. Seffer
recorded circa 1989, Gimmick Studio, Yerres, France
Yochk'o Seffer, saxophones (bass, tenor, alto, sopranino), bass clarinet; Barre Phillips, bass; Barry Altschul, drums; with Arno Semyon, cimbalom; Debora Seffer, violin
| Barre Phillips: Route One/U.S.A. | Editions Montparnasse (France) [CD] |
| 1. Opening | 6:45 | |
| 2. Tinker Ship | 2:18 | |
| 3. Bragg Museum | 0:45 | |
| 4. Reverend Welsh | 2:02 | |
| 5. Homeless Harry | 2:58 | |
| 6. Doc's Dream | 1:16 | |
| 7. Sick Tree | 1:22 | |
| 8. Chez Enoch I | 1:49 | |
| 9. The Lighthouse Story | 8:21 | |
| 10. Chez Enoch II | 2:31 | |
| 11. Maine Moose | 0:56 | |
| 12. Monopoly | 2:29 | |
| 13. Oldie Goldie | 2:46 | |
| 14. Witches | 1:46 | |
| 15. Dorothy | 6:06 | |
| 16. Crepuscule | 0:52 | |
| 17. Last School | 2:50 | |
| 18. Cecil | 1:51 | |
| 19. Nuit Mur | 3:25 | |
| 20. Dancing Doc | 2:33 | |
| 21. Lighthouse Pump | 2:08 | |
| 22. Closing | 3:34 |
Note: This CD is only available with the 2-DVD edition of the motion picture "Route One/U.S.A."; the music is from the soundtrack of that film.
recorded 1989, France
John Surman, soprano saxophone, bass clarinet; Michel Petrucciani, Floris Nico Bunink, piano; Barre Phillips, bass; Pierre Favre, drums
| Barry Guy/London Jazz Composers Orchestra: Harmos | Intakt 013 (Switzerland) [CD] |
| Harmos (Guy) | 43:48 |
recorded April 4-5, 1989, Zürich
Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Paul Rutherford, Radu Malfatti, Alan Tomlinson, trombone; Steve Wick, tuba; Trevor Watts, Evan Parker, Simon Picard, Pete McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Howard Riley, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums
| Barry Guy/London Jazz Composers Orchestra: Double Trouble | Intakt 019 (Switzerland) [CD] |
| Double Trouble (Guy) | 46:30 |
recorded April 5-6, 1989, Zürich
Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Paul Rutherford, Radu Malfatti, Alan Tomlinson, trombone; Steve Wick, tuba; Trevor Watts, Evan Parker, Simon Picard, Pete McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Howard Riley, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums
| Barre Phillips: Camouflage | Victo CD08 (Canada) [CD] |
| 1. Camouflage | 16:19 | |
| 2. Covered | 10:05 | |
| 3. Twist And Parry | 8:29 | |
| 4. No Exclusion (Giroudon/Estager/Phillips) | 5:57 | |
| 5. You And Me | 6:17 | |
| 6. Around Again | 7:19 |
music by Phillips except as noted
recorded live May 12, 1989, Western Front, Vancouver
Barre Phillips, bass, electronic tape on 4
| Barry Guy/Barre Phillips: Arcus | Maya MCD9101 (UK) [CD] |
| 1. Prophesies | 21:11 | |
| 2. Wampho | 2:15 | |
| 3. Elliptical | 4:38 | |
| 4. Sundance (Guy) | 6:57 | |
| 5. Biwok (Phillips) | 3:42 | |
| 6. Old Hunka | 2:44 | |
| 7. Fram | 2:19 | |
| 8. Yldona (Phillips) | 3:23 | |
| 9. Sitsoo (Guy) | 4:39 | |
| 10. Warrior Spirits | 8:31 | |
| 11. Stawna(w)l | 5:27 | |
| 12. New Earth | 8:59 |
music by Guy/Phillips except as noted
recorded August 1989, Chapelle Sainte Philomene, Puget-Ville, France
Barry Guy, bass, piccolo bass; Barre Phillips, 5-string bass
(Guy solo on 4, 9; Phillips solo on 5, 8)
| Jean-Bernard Le Flic: Vol. 2 | Plainisphare PL1267-50 (Switzerland) [CD] |
| 1. Diable-à-Ressort (Jordan, adapted from Bartok) | 3:25 | |
| 2. Chanson De La Guardia Civile (Jordan/Gordon-Lennox) | 6:20 | |
| 3. Doppelgänger (F. Schubert) | 8:00 | |
| 4. Les Îles Flottant | 8:09 | |
| 5. Heaven (Duke Ellington) | 6:00 | |
| 6. Electric Moneyland | 7:52 | |
| 7. Le Coup Anglais | 5:30 | |
| 8. Viva La Guardia Civile! | 8:12 | |
| 9. Dialogue (Jordan/Gordon-Lennox, from Hungarian traditional) | 6:34 |
composed by C. Jordan except as noted
recorded October 21-22, December 20-21, 1989, Studio 11, R.S.R., Geneva
Ian Gordon-Lennox, trumpet, euphonium; Claude Jordan, flutes, electronics, synthesizers, voice on 3; Barre Phillips, bass; Claude Tabarini, drums, voice on 9
| Tim Brady: Inventions | Justin Time JTR8433-2 (Canada) [CD] |
| 1. Opening | 7:14 | |
| 2. Marla's Dance | 4:38 | |
| 3. Gwen's Dance | 6:53 | |
| 4. The Box | 4:33 | |
| 5. Swirling | 10:43 | |
| 6. Three Trees | 4:04 | |
| 7. Brutal Motion | 9:09 | |
| 8. ...Of Julie's Dance... | 6:07 | |
| 9. Tut | 3:01 | |
| 10. Trains | 3:14 | |
| 11. Closing | 8:34 |
all composed by Brady
recorded November 1988, October 1989, December 1990, April 1991, Silent Sound Studio, Montreal
Tim Brady, guitars; John Surman, baritone and soprano saxophones on 1, 4, 11; Barre Phillips, bass on 1, 6, 11; Pierre Tanguay, percussion on 2, 11; Simon Stone, saxophones and flute on 3, 5, 7, 11; Christopher Best, cello on 3, 5, 7, 11; Jacques Drouin, piano and sampler on 3, 5, 7, 11; Marie Josée Simard, percussion on 3, 5, 7, 11
| Barry Guy/London Jazz Composers Orchestra: Theoria | Intakt 024 (Switzerland) [CD] |
| Theoria | 57:50 |
recorded February 1991, Zürich
Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Conrad Bauer, Radu Malfatti, Alan Tomlinson, trombone; Steve Wick, tuba; Trevor Watts, Evan Parker, Simon Picard, Pete McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Irene Schweizer, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums
| Barry Guy/London Jazz Composers Orchestra: Study II, Stringer | Intakt 095 (Switzerland) [CD] |
| 1. Study II | 19:47 |
Note: First issued 2006. The remaining tracks (Stringer, recorded 1980 and originally issued as an FMP LP) are without Phillips.
recorded February 1991, Radio Studio DRS, Zürich
Henry Lowther, Marc Charig, Jon Corbett, trumpet; Conrad Bauer, Radu Malfatti, Alan Tomlinson, trombone; Steve Wick, tuba; Trevor Watts, Evan Parker, Simon Picard, Paul Dunmall, reeds; Pete McPhail, reeds, flute; Philipp Wachsmann, violin; Irene Schweizer, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, percussion
| Elsie Jo: Live | Maya MCD9201 (UK) [CD] |
| 1. Megalops Presents (Guy/Schweizer/Parker/Bauer/Phillips/Lytton) | 43:56 | |
| 2. Ta'ay [Now] (Schweizer/Parker) | 10:21 | |
| 3. Spiral Arrival (Guy/Schweizer/Parker/Bauer/Phillips/Lytton) | 21:48 |
recorded March 23, 1991, Amadeus Centre, London
Konrad Bauer, trombone; Evan Parker, soprano and tenor saxophones; Irene Schweizer, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums
| Barre Phillips: Aquarian Rain | ECM 1451 [CD] |
| 1. Bridging (Phillips/Joule) | 5:15 | |
| 2. The Flow (Phillips/Joule/Estager/Giroudon) | 4:00 | |
| 3. Ripples Edge (Phillips/Joule) | 5:34 | |
| 4. Inbetween I And E (Phillips/Joule/Estager/Giroudon) | 9:24 | |
| 5. Ebb (Phillips) | 1:51 | |
| 6. Promenade De Memoire (Joule) | 7:58 | |
| 7. Eddies (Phillips/Joule) | 2:45 | |
| 8. Early Tide (Phillips/Joule/Estager/Giroudon) | 7:05 | |
| 9. Water Shed (Phillips) | 3:04 | |
| 10. Aquarian Rain (Phillips/Joule/Estager/Giroudon) | 6:05 |
recorded May 1991, Rainbow Studio, Oslo
electronic tapes created at Studio Grame, LyonBarre Phillips, bass; Alain Joule, percussion; Jean-François Estager, James Giroudon, electronic tape
| Bass-Spectren | ITH 001 [CD] |
| 1. Practicing Per Questa (W.A. Mozart, arr. Phillips/Robinson) | 3:36 | |
| 2. S. C. and W. (B. Phillips) | 5:16 | |
| 3. Through The Darkness (W. Darling) | 10:01 | |
| 4. Improvisations of Mozart [Symphonie G-moll] (W.A. Mozart) | 4:10 | |
| 5. Apreggione Sonata (F. Schubert) | 13:26 | |
| 6. Duke Ellington's Sound of Love (C. Mingus) | 9:15 | |
| 7. Der Mond Ist Aufgegangen (J.A.P. Schulz, arr. Pedersen/Dekany) | 4:29 |
recorded live May 24-31, 1991, International Society of Bassists Convention, Mittenwald, Germany
on 1: Barre Phillips, Paul Robinson, bass
on 2: Barre Phillips, bass
on 3: Wayne Darling, Barre Phillips, bass; David Phillips, percussion; Paul Robinson, waterphone
on 4: David Phillips, bass
on 5: Dorin Marc, bass; Pamela Lidiard, piano
on 6: Hennings Sieverts, bass; Fritz Pauer, piano; Bill Elgart, drums
on 7: Zoltan Dekany, bass
| Barre Phillips/Keiji Haino/Sabu Toyozumi | PSF PSFD-45 (Japan) [CD] |
| 1. On Politic And Economy | 12:45 | |
| 2. Two Strings Will Do It | 10:50 | |
| 3. KoKa | 16:24 | |
| 4. Death Of Rationalism | 8:21 |
Note: No composition credits are provided, but presumably all are improvisations.
recorded December 20, 1991, Tokyo
Keiji Haino, guitar on 1, 2, 4; Barre Phillips, bass; Sabu Toyozumi, drums on 1, 4
| Barre's Trio: No Pieces | Émouvance 1003 (France) [CD] |
| 1. Erste No Piece (Doneda/Joule/Phillips) | 12:09 | |
| 2. Segunda No Piece (Doneda/Joule/Phillips) | 19:05 | |
| 3. Primaddendum | 2:49 | |
| 4. Zeiteddendum (Doneda) | 2:41 | |
| 5. Terzarolladdendum | 3:53 | |
| 6. Quatriemaddendum (Joule) | 1:58 | |
| 7. Quintaddendum | 2:33 | |
| 8. Sextaddendum | 5:34 | |
| 9. Septiddendum | 5:56 |
composed by Phillips except as noted
recorded February 17, 1992, Studios la Buissonne, Pernes-les-Fontaines
Michel Doneda, soprano saxophone; Barre Phillips, bass; Alain Joule, percussion
| Burgener/Phillips/Schütz: Looking Out Our Window | For 4 Ears CD515 (Switzerland) [CD] |
| 1. Tidal Awakening | 13:52 | |
| 2. Evening Bamboo Growth | 28:15 | |
| 3. Steppes | 11:28 | |
| 4. Looking Out Our Window | 7:32 |
all music by Burgener/Phillips/Schütz
recorded live May 16, 1992, Aargauer Kunsthaus, Aarau, Switzerland
Hans Burgener, violin; Martin Schütz, cello; Barre Phillips, bass
| Jaume/Altschul/Phillips: Giacobazzi, Autour De La Rade | CELP C25 (France) [CD] |
| 1. Eleuthera (Joe McPhee) | 8:15 | |
| 2. La Seyne (Jaume) | 6:30 | |
| 3. Justapose (Phillips) | 5:08 | |
| 4. Be Out S'Cool (Altschul) | 5:20 | |
| 5. Cat Tales (Altschul/Jaume/Phillips) | 3:00 | |
| 6. Le Génie De La Mer (Altschul/Jaume/Phillips) | 5:30 | |
| 7. Arbite (Phillips) | 5:10 | |
| 8. Fort Napoléon (Phillips/Altschul) | 4:25 | |
| 9. Tamaris (Jaume/Altschul) | 2:49 | |
| 10. Port De Toulon (Phillips/Altschul) | 4:22 | |
| 11. L'Arsenal (Jaume/Altschul) | 2:45 | |
| 12. Rendez-vous A Mayol (Altschul/Jaume/Phillips) | 10:12 |
recorded June 4-5, 1992, Studio Cactus, Marseilles
André Jaume, saxophones, clarinets; Barre Phillips, bass; Barry Altschul, drums
| Claudia Phillips: Rendez-Vous | Barclay POCP-1298 [CD] |
| 11. I'm Late (C. Phillips/B. Phillips) | 2:49 |
Note: Additional tracks are without B. Phillips. (Most other tracks are in a dance-pop style.)
recording details not specified (disc issued 1992)
Claudia Phillips, voice; Barre Phillips, bass; Barry Altschul, drums
| Howard Shore/Ornette Coleman: Naked Lunch | Milan 73138 35614-2 [CD] |
| 1. Naked Lunch | 2:27 | |
| 2a. Hauser And O'Brien (Shore) / b. Bugpowder (Coleman) | 2:39 | |
| 3. Mugwumps | 2:54 | |
| 4. Centipede | 2:03 | |
| 5. The Black Meat | 1:24 | |
| 6a. Simpatico (Shore) / b. Misterioso (Thelonious Monk) | 1:34 | |
| 7. Fadela's Coven | 3:31 | |
| 8. Interzone Suite | 5:11 | |
| 9. William Tell | 1:43 | |
| 10. Mujahaddin | 1:54 | |
| 11. Intersong (Coleman) | 3:45 | |
| 12. Dr. Benway | 3:11 | |
| 13. Clark Nova Dies | 2:03 | |
| 14. Ballad/Joan (Coleman) | 2:37 | |
| 15a. Cloquet's Parrots (Shore) / b. Midnight Sunrise (Coleman) | 1:43 | |
| 16. Nothing Is True; Everything Is Permitted | 1:55 | |
| 17. Welcome To Annexia | 3:33 | |
| 18. Writeman (Coleman) | 3:53 |
Note: This is a motion picture soundtrack.
Track 15b is an excerpt from the Ornette Coleman record "Dancing In Your Head", recorded 1973 in Morocco, performed by Ornette Coleman and the Master Musicians of Joujouka.composed by Shore except as noted
recorded August 12/13/17/19, 1992, CTS Studios, London
Ornette Coleman, alto saxophone; Aziz Bin Salem, nai; J. J. Edwards, sintir; David Hartley, piano on 6b; Barre Phillips, bass; Denardo Coleman, drums; The London Philharmonic Orchestra; Howard Shore, conductor
| Michel Montanaro et al: Tenson | Bleu Regard 541952 (France) [CD] |
| 1. Alienor | 9:18 | |
| 2. Vos Que M'Semblatz | 6:05 | |
| 3. Lanquand Fuelhans | 6:42 | |
| 4. Bels Dos Amics | 2:54 | |
| 5. Dama Lombarda | 7:57 | |
| 6. Ja De Chantar | 8:13 | |
| 7. Dans Ce Jardin | 2:58 | |
| 8. Dama Carenza | 0:54 | |
| 9. Pos Prejatz Me Senhor | 3:32 | |
| 10. Epilogue (Tyler/Phillips/Pesce/Vitous/Montanaro) | 7:10 |
Note: Track 6 also appears on the compilation Womufe: World Music Festival Budapest, Hungaroton HCD 31603 (Hungary) [CD].
composed by Montanaro except as noted
tracks 1-9 recorded November 5-8, 1992, Pernes-les-Fontaines, France
track 10 recorded May 2, 1992, Maison des Comoni, Revest-les-Eaux, FranceMichel Montanaro, alto saxophone, flutes, flageolet, galoubet, guimbardes; Serge Pesce, guitar; Barre Phillips, bass; Alan Vitous, drums; Gyöngyi Écsi, voice on 2, 4, 5, 6, 8; Philippe Neveu, sopranino saxophone on 1, 9, oboe on 5; Gérard Murphy, soprano and alto saxophones on 1, 9; Christian Zagaria, violin on 2; Charles Tyler, alto saxophone on 10
| Barry Guy/London Jazz Composers Orchestra: Portraits | Intakt 035 (Switzerland) [2CD] |
| Part I | 19:07 | |
| Sub I | 2:06 | |
| Part II | 16:35 | |
| Sub II | 2:38 | |
| Part III | 15:11 | |
| Sub III | 2:55 | |
| Part IV | 13:12 | |
| Sub IV | 2:54 | |
| Part V | 16:35 | |
| Sub V | 2:38 | |
| Part VI | 10:57 | |
| Sub VI | 1:48 | |
| Part VII | 8:07 |
recorded March 1993, Zürich
Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Paul Rutherford, Radu Malfatti, Alan Tomlinson, trombone; Steve Wick, tuba; Trevor Watts, Evan Parker, Simon Picard, Pete McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Howard Riley, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums
| Biggi Vinkeloe Trio: Mbat | LJ Records LJCD 5209 (Sweden) [CD] |
| 1. Schnee Hat's | 8:48 | |
| 2. Mbat | 9:47 | |
| 3. Fita (Phillips) | 4:57 | |
| 4. Nuit D'Été | 8:49 | |
| 5. Fenska (Phillips) | 3:20 | |
| 6. Fragments | 11:31 | |
| 7. Sri Lanka | 8:54 | |
| 8. Blue Wind | 9:44 |
composed by Vinkeloe except as noted
recorded April 21, 1993, Swedish Broadcasting Corporation, Umea
Biggi Vinkeloe, alto saxophone, flute; Barre Phillips, bass; Peeter Uuskyla, drums
| Paul Bley/Evan Parker/Barre Phillips: Time Will Tell | ECM 1537 [CD] |
| 1. Poetic Justice | 17:18 | |
| 2. Time Will Tell | 4:25 | |
| 3. Above The Tree Line | 4:48 | |
| 4. You Will, Oscar, You Will (Bley/Phillips) | 4:55 | |
| 5. Sprung | 5:17 | |
| 6. No Questions | 5:29 | |
| 7. Vine Laces (Parker/Phillips) | 4:02 | |
| 8. Clawback (Bley/Parker) | 3:12 | |
| 9. Marsh Tides | 5:41 | |
| 10. Instance (Parker/Phillips) | 4:24 | |
| 11. Burlesque | 7:15 |
music by Bley/Parker/Phillips except as noted
recorded January 1994, Rainbow Studio, Oslo
Evan Parker, tenor and soprano saxophones; Paul Bley, piano; Barre Phillips, bass
| Motoharu Yoshizawa: Okidoki | Chap Chap CPCD-003 (Japan) [CD] |
| 1. Duo I | 39:50 | |
| 2. Duo II | 28:54 |
track 1 recorded live April 5, 1994, Cafe Amores, Hofu-Shi
track 2 recorded live September 8, 1993, Cafe Amores, Hofu-ShiMotoharu Yoshizawa, bass; Barre Phillips, bass on 1; Kim Dae Hwan, percussion on 2
| Falascone/Locatelli/Monico: Takla Makan | CMC 9970-2 (Italy) [CD] |
| 1. Sven Hedin | 5:53 | |
| 2. Ants | 4:47 | |
| 3. Shamo | 9:15 | |
| 4. Carovana Lunatica | 2:26 | |
| 5. Buran | 8:36 | |
| 6. Djinn | 2:11 | |
| 7. Lop Nor | 16:06 | |
| 8. Cammina Cammina | 18:43 |
all composed by Falascone/Locatelli
tracks 1, 2 recorded May 1994, Mu Rec Studio, Milan
tracks 3-6 recorded February 1995, Mu Rec Studio, Milan
tracks 7, 8 recorded May 1996, Filippo Monico Cellar, MilanGiancarlo Locatelli, Bb, bass, alto, and piccolo clarinets; Massimo Falascone, alto, baritone, and sopranino saxophones; Filippo Monico, drums; with Simonetta Artuso, voice on 2; Barre Phillips, bass on 3-6; Fabrizio Spera, drums on 7, 8
| Barry Guy/London Jazz Composers Orchestra: Three Pieces For Orchestra | Intakt 045 (Switzerland) [CD] |
| 1. Owed To J.S. | 20:28 | |
| 2. Sleeping Furiously - Part 1 | 6:21 | |
| 3. Sleeping Furiously - Part 2 | 12:31 | |
| 4. Sleeping Furiously - Part 3 | 5:13 | |
| 5. Strange Loops | 22:00 |
all composed by Guy
recorded December 18, 1995, Rote Fabrik, Zürich
Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Paul Rutherford, Chris Bridges, Alan Tomlinson, trombone; Robin Hayward, tuba; Trevor Watts, Evan Parker, Simon Picard, Peter McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Howard Riley, Marilyn Crispell, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, drums; Maggie Nicols, voice on 5
| Barry Guy/London Jazz Composers Orchestra: Double Trouble Two | Intakt 053 (Switzerland) [CD] |
| 1. Part I | 8:08 | |
| 2. Part II | 8:38 | |
| 3. Part III | 10:10 | |
| 4. Part IV | 16:52 | |
| 5. Part V | 3:35 |
all composed by Guy
recorded December 19, 1995, Rote Fabrik, Zürich
Henry Lowther, Jon Corbett, trumpet; Marc Charig, cornet; Paul Rutherford, Chris Bridges, Alan Tomlinson, trombone; Robin Hayward, tuba; Trevor Watts, Evan Parker, Simon Picard, Pete McPhail, Paul Dunmall, reeds; Philipp Wachsmann, violin; Irene Schweizer, Marilyn Crispell, piano; Barry Guy, Barre Phillips, bass; Paul Lytton, Pierre Favre, drums
| Barre Phillips/Haino Keiji: Etchings In The Air | PSF PSFD-74 (Japan) [CD] |
| 1. Reading The Net | 10:15 | |
| 2. Etchings In The Air | 16:30 | |
| 3. Back To The Earth | 13:12 | |
| 4. Like A Light | 3:18 | |
| 5. Key Finder | 3:12 |
Note: No composition credits are provided, but presumably all are improvisations.
recorded February 1, 1996, Studio J
Haino Keiji, voice; Barre Phillips, bass, voice
| Barre Phillips/Yoshizawa Motoharu: Uzu | PSF PSFD-75 (Japan) [CD] |
| 1. | 8:21 | |
| 2. | 7:37 | |
| 3. | 4:29 | |
| 4. | 39:48 | |
| 5. | 4:00 |
Note: No track titles provided. Also no composition credits provided, but presumably all are improvisations.
recorded February 8, 1996, Japan
Barre Phillips, Yoshizawa Motoharu, bass
| Paul Bley/Evan Parker/Barre Phillips: Sankt Gerold | ECM 1609 [CD] |
| 1. Variation 1 | 10:18 | |
| 2. Variation 2 | 7:12 | |
| 3. Variation 3 (Phillips) | 2:56 | |
| 4. Variation 4 (Parker) | 1:59 | |
| 5. Variation 5 | 6:20 | |
| 6. Variation 6 (Bley) | 3:56 | |
| 7. Variation 7 (Phillips) | 7:13 | |
| 8. Variation 8 | 8:14 | |
| 9. Variation 9 (Bley) | 7:03 | |
| 10. Variation 10 (Parker) | 5:22 | |
| 11. Variation 11 | 4:49 | |
| 12. Variation 12 (Parker) | 1:29 |
music by Bley/Parker/Phillips except as noted
recorded live April 1996, Monastery of Sankt Gerold
Evan Parker, tenor and soprano saxophones; Paul Bley, piano; Barre Phillips, bass
| Franz Koglmann: O Moon My Pin-Up | Hatology 566 (Switzerland) [CD] |
| 1. Introduction | 0:55 | |
| First Movement, Clouds | ||
| 2. I | 1:56 | |
| 3. II a | 1:51 | |
| 4. II b | 1:34 | |
| 5. II c | 2:13 | |
| 6. III | 4:41 | |
| Second Movement, Cassandra | ||
| 7. IV | 3:37 | |
| 8. V | 4:36 | |
| 9. VI | 0:44 | |
| 10. VII | 5:10 | |
| 11. VIII | 1:44 | |
| Third Movement, Distinctions | ||
| 12. IX | 5:33 | |
| 13. X | 9:08 |
music composed by Koglmann; text from 'The Pisan Cantos' by Ezra Pound
recorded March 8-10, 1997, ORF Radio Studio, Vienna
Phil Minton, voice; Franz Koglmann, trumpet, fluegelhorn; Rudolf Ruschel, trombone; Raoul Herget, tuba; Tony Coe, clarinet, tenor saxophone; Mario Arcari, oboe, english horn, oboe d'amore; Angelika Riedl, bassoon; Michael Hintersteininger, guitar; Barre Phillips, bass; Wiener Vokalisten (Ursula Fiedler, Birgit König, Lydia Seidl-Vierlinger, Patricia Ermes, James Curry, Alois Glassner, Erich Klug, Colin Mason), voices; Gustav Bauer, conductor
| Biggi Vinkeloe/Barre Phillips/Peeter Uuskyla: One Way Out | Slask SLACD018 (Sweden) [CD] |
| 1. Baustelle | 2:19 | |
| 2. Stamped Stamps | 2:33 | |
| 3. Pont Nunx | 2:51 | |
| 4. Almost There | 3:00 | |
| 5. The Zongring | 3:11 | |
| 6. Ebbes Dirt | 2:47 | |
| 7. But Peace | 2:23 | |
| 8. Zweite Baustelle | 2:08 | |
| 9. One Way Out | 22:12 | |
| 10. Espressivo | 6:41 | |
| 11. The Promise | 5:14 | |
| 12. Dritte Ampel | 3:56 | |
| 13. Oriente | 5:09 |
all music by Vinkeloe/Phillips/Uuskyla
recorded July 7-8, 1997, Bohus Sound Recording, Kungälv, Sweden
Biggi Vinkeloe, alto saxophone, flute; Barre Phillips, bass; Peeter Uuskyla, drums
| Tom Cora: Hallelujah, Anyway | Tzadik TZ 7602 [2CD] |
| 12. Marseille Shout | 4:02 |
Note: This set was compiled in memory of Tom Cora, who died in 1998. Additional tracks are without Phillips.
recorded September 1997, Studio Cactus, Marseille
Oriental Fusion: Edmond Hosdikian, alto saxophone; Hakim Hamadouche, lute, voice; Tom Cora, cello; Barre Phillips, bass; Ahmed Compaoré, drums
| Oriental Fusion | Transes Européennes TE025 (France) [CD] |
| 1. Alexandrie 1954 (Hamadouche/Hosdikian/Compaoré) | 6:57 | |
| 2. Babord (Hamadouche) | 5:18 | |
| 3. Afghan (traditional) | 3:38 | |
| 4. Ahmed Song (Hamadouche/Hosdikian/Compaoré) | 3:16 | |
| 5. Nassim (Hamadouche/Hosdikian/Compaoré) | 6:06 | |
| 6. Errance (Hamadouche/Hosdikian) | 2:47 | |
| 7. Fel' Canebiere (Hamadouche/Hosdikian/Compaoré) | 3:21 | |
| 8. Kamantcha (traditional) | 4:36 | |
| 9. Marseille Shout (Hamadouche/Hosdikian/Compaoré/Cora/Phillips/Orti) | 7:03 |
recorded at Studio Cactus, Marseille, dates not given (disc issued 2000)
Edmond Hosdikian, alto saxophone; Hakim Hamadouche, lute, voice; Ahmed Compaoré, drums; with Guillaume Orti, alto saxophone on 9; Tom Cora, cello on 4, 5, 9; Barre Phillips, bass on 4, 5, 9; Fred Giuliani, sampler on 8
| Hans Burgener/Barre Phillips/Martin Schütz: Heat Transfer | For 4 Ears CD929 (Switzerland) [CD] |
| 1. Ignition | 3:36 | |
| 2. Parallel Combustion | 10:25 | |
| 3. Acceleration | 2:18 | |
| 4. Handwaves | 5:09 | |
| 5. Caldron Swift | 4:19 | |
| 6. Shadow Movement | 6:09 | |
| 7. Altered Friction | 3:50 | |
| 8. Counterbalance | 4:23 | |
| 9. Induction | 6:13 | |
| 10. La Lueur Du Son | 5:07 | |
| 11. Heat Transfer | 5:04 |
all music by Burgener/Phillips/Schütz
recorded January 30-31, 1998, Théatre du Résidence-Palace, Brussels
Hans Burgener, violin; Martin Schütz, cello; Barre Phillips, bass
| Serge Pesce/Barre Phillips/Jean Luc Danna: Jazzd'aià | Bleu Regard CT1956 (France) [CD] |
| 1. La Vigie | 5:24 | |
| 2. Eròs Joiós | 6:28 | |
| 3. Jazzd'aià, Jazz d'acquí | 6:25 | |
| 4. Jòia | 5:20 | |
| 5. Noskon 'fi "Vence" | 5:10 | |
| 6. Eròs Antic | 4:51 | |
| 7. Lo Camin Dei Flors | 6:16 | |
| 8. Venon De Luènh | 5:47 | |
| 9. Come Si Muove Il Pesce | 5:20 | |
| 10. Eròs Sotiu | 4:27 |
all composed by Pesce
recorded March 1-2, 1998, Studio Harmonis, La Victorine, Nice
Serge Pesce, guitar; Barre Phillips, bass; Jean Luc Danna, drums, percussion, accordion on 5
| Joe Maneri/Barre Phillips/Mat Maneri: Tales of Rohnlief | ECM 1678 [CD] |
| 1. Rohnlief | 8:24 | |
| 2. A Long Way From Home | 13:05 | |
| 3. Sunned (M. Maneri) | 3:25 | |
| 4. When The Ship Went Down | 6:57 | |
| 5. The Aftermath (Phillips/M. Maneri) | 3:24 | |
| 6. Bonewith | 5:39 | |
| 7. Flaull Clon Sleare (J. Maneri) | 2:31 | |
| 8. Hold The Tiger | 1:46 | |
| 9. Canzone Di Peppe | 3:26 | |
| 10. The Field | 3:13 | |
| 11. Nelgat | 4:01 | |
| 12. Elma My Dear (Phillips/J. Maneri) | 3:19 | |
| 13. Third Hand (M. Maneri) | 1:57 | |
| 14. Pilvetslednah (J. Maneri) | 2:43 |
music by Maneri/Phillips/Maneri except as noted
recorded June 1998, Hardstudios, Winterthur, Switzerland
Joe Maneri, alto and tenor saxophones, clarinet, piano, voice; Mat Maneri, violins; Barre Phillips, bass
| Barre Phillips/Bertram Turetzky/Vinny Golia: Trignition | Nine Winds NWCD0221 [CD] |
| 1. The Incomplete Touching Of The Ground | 9:01 | |
| 2. Spherics & Whistles | 9:48 | |
| 3. Dale Of The Merry Years | 7:48 | |
| 4. Confirmation Of Judgement | 7:32 | |
| 5. Inconabular | 2:22 | |
| 6. Bigman, Hugeman! | 12:59 | |
| 7. Saylaa | 1:17 | |
| 8. It Was Probably The Last One To Be Named | 11:20 | |
| 9. Anodyne | 12:47 |
no composition credits given -- presumably all tracks are group improvisations
recorded September 15, 1998, Spragueland Studios
Vinny Golia, Eb, Bb, bass and contrabass clarinets, soprano and baritone saxophones, suona; Barre Phillips, Bertram Turetzky, bass
| The Space Between with Barre Phillips | 482 Music 482-1007 [CD] |
| 1. King Kong Passes Through The Gates Of Shaolin Temple And Contemplates Life | 8:57 | |
| 2. Natto Breath | 4:30 | |
| 3. After Long Life | 3:36 | |
| 4. The Lonely Halibut | 2:09 | |
| 5. Fantastic Increments | 2:07 | |
| 6. Penguin | 3:33 | |
| 7. Do We Deserve Dubya? | 2:39 | |
| 8. Incandescent Gesture | 13:53 | |
| 9. David's Sandbox | 2:47 | |
| 10. Candles On The Lake Shore | 7:11 | |
| 11. Several Moments | 4:53 | |
| 12. Surely It Was | 5:17 |
all music by Gelb/Oliveros/Reason/Phillips
recorded September 17 & 19, 1998, Center for New Music and Audio Technologies, Berkley, California
Philip Gelb, shakuhachi; Pauline Oliveros, accordion; Dana Reason, piano; Barre Phillips, bass
| Barre Phillips/Imai Kazuo: Play 'Em As They Fall | Eyewill SKCY-1002 (Japan) [CD] |
| 1. Fill Agree | 7:23 | |
| 2. Slogun | 9:55 | |
| 3. Able, My Arm | 6:02 | |
| 4. Rain In | 4:29 | |
| 5. Move Mint | 9:49 | |
| 6. Sticks Harbor | 7:09 | |
| 7. Is Johnny Home? | 5:34 | |
| 8. We Leaves | 3:40 |
all music by Phillips/Kazuo
recorded May 20, 1999, Yellowknife Studio, Tokyo
Imai Kazuo, electric and acoustic guitars; Barre Phillips, bass
| Masashi Harada/Barre Phillips: Voluminous Venture | Cadence Jazz CJR 1128 [CD] |
| 1. Dream Catastrophe | 11:18 | |
| 2. Denouement Day After | 6:45 | |
| 3. Projecting Into The Sea | 4:23 | |
| 4. Hanging Density | 5:53 | |
| 5. Island Unseen | 8:17 | |
| 6. Voluminous Venture | 13:44 | |
| 7. Time Intensive | 6:51 | |
| 8. Time Haptic | 5:10 | |
| 9. Return | 4:19 |
all music by Harada/Phillips
recorded May 26, 1999, Epicurus Studio, Tokyo
Masashi Harada, piano, percussion, voice; Barre Phillips, bass
| Georg Graewe/Barre Phillips/Peter van Bergen: Other Songs | Nuscope 1008 [CD] |
| 1. Verbunden | 7:19 | |
| 2. May (Graewe/Phillips) | 7:00 | |
| 3. Verloren | 3:45 | |
| 4. Verbrochen | 2:47 | |
| 5. Afore | 6:53 | |
| 6. May Be (van Bergen/Phillips) | 2:42 | |
| 7. May Be True | 4:41 | |
| 8. Anew | 3:48 | |
| 9. Versucht | 2:53 | |
| 10. Astray (Graewe/van Bergen) | 2:10 | |
| 11. Alive | 4:11 | |
| 12. Again | 3:54 | |
| 13. Verkruemmt | 4:54 |
music by Graewe/Phillips/van Bergen except as noted
recorded June 28, 1999, Blue Wave Studios, Vancouver
Peter van Bergen, tenor saxophone, contrabass clarinet; Georg Graewe, piano; Barre Phillips, bass
| European Echoes - Improvisierte Kammermusik | JazzTown 2303016-2 (Germany) [CD] |
| 1. Cyberlola (Maurer) | 2:04 | |
| 2. Lola Rennt, Nicht Immer (Maurer) | 12:39 | |
| 3. Schützenfest (Maurer) |