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Reading Aloud
I don't just read books, I devour them. This is likely the reason that I enjoy rereading my favorites - when I get wrapped up in a good plot I practically fly through the pages and no doubt miss a good bit of the flavor text. Kirk, who is a slower and more thorough reader, has very little inclination to rereading. This, however, makes him excellent for reading books aloud. We've been reading aloud to each other ever since the Harry Potter series, I believe, though by the time we started that series there were already 3 published. At first we took turns reading, but my eyes are too quick and I found myself reading ahead as I read aloud - not good for either of us. Kirk has really become a wonderful reader and I absorb a lot more in listening to him. It is challenging to find books that are good to read aloud. There has to be a healthy amount of dialog and action to make it entertaining. Best of all is finding a good series to get wound up in together. So far, we've read all of the Harry Potter (J.K. Rawling), Horatio Hornblower (C.S. Forester), and Artemis Fowl (Eoin Colfer) series, and are currently on the 2nd book in the Temeraire series (Naomi Novik). All of these have been ideally suited to being read aloud. There have been some failures along the way. The first book in the Bartimaeus series by Jonathan Stroud (The Amulet of Samarkand) proved to be agonizingly long-winded (with Kirk frequently commenting that Stroud must have been paid by the word). The first Dragonlance book (Margaret Weis and Tracy Hickman) reminded us too much of a beginning DM's campaign setting and we kept interrupting the reading to make cynical side comments. Then there is the entertainment factor. We started Mohandas Gandhi's Story of My Experiments with Truth almost a year ago and it is currently sidelined on the nightstand. Definitely interesting and thought-provoking reading, but not quite as gripping a read-aloud tale as dragons in the Napoleonic era... Romance
I think I can finally admit that I am a sucker for romance. But only in the most classic sense please! I'm pretty prickly when it comes to technique and a book has to be well-crafted for me to be able to commit to it. After all, I do spend a good portion of my working day making sure that things are tightly and correctly written. The best plot in the world can be ruined by sloppy writing. Now that I've nailed that point to the floor, onto the books. Charlotte Bronte's Jane Eyre for many years was my favorite book to reread. I am still very partial to it. The story has it all - the orphan girl who loves books struggling against prejudiced relations and oppressive society to make her way in the world, a mysterious and passionate older man, a heart-breaking escape from the temptation of illicit love, a tender and thoroughly satisfying reconciliation. Yes, there is a certain degree of Gothic sensationalism to the book, but it has always been a favorite. What proved particularly eye opening for me was reading a book by another favorite author, Louisa May Alcott, author of my dearly beloved Little Women. In 1873, Alcott published Work: A Story of Experience, which tells the didactic tale of Christie Devon, a young woman who works in a variety of jobs while maintaining her independence and morality. At the end, she finds love in a relationship of equals with a man of great principles, though the 2 of them are off to serve in the Civil War before their marriage can even be consummated. Not exactly a story of great passion or intrigue... However, on reading it, I was immediately struck by the fact that it is a lambasting response to Jane Eyre, published 26 years earlier. Although Word: A Story of Experience is not nearly as enthralling a read as Jane Eyre, nor as well-crafted, it successfully shamed me for my love of the latter. I had the distinct feeling that Alcott was reaching out to chastise me for idealizing a heroine given to romantic fancies, who very nearly subsumed her own worth and morality for a man of many failings. Who is Mr. Rochester, Alcott seems to ask, to deserve someone like Jane Eyre? Should we not exert as much control over our passions as we do over the rest of our lives? A true partner in marriage should be a helpmate with as much dedication and morality as we ourselves possess, or else we do little better than selling our flesh into union with his. Interesting, of course, that of the 2 authors, Bronte was the only 1 married, and is reputed to have had deep feelings for a married man when she herself was a single teacher. Perhaps this is why Jane Eyre resonates more truly. In the end, the model of the passionate woman, fighting with herself and society to find an acceptable compromise for what she most wants, is more appealing (and relatable) than the detached and objective Christie Devon. Still, I found the reading to be highly thought-provoking and a reason to rethink my somewhat blind enthusiasm for Jane Eyre. Romance II and True Love
Before I get to my current favorite book of all time, I want to address another great "classic romance"
that receives a lot less attention than Jane Eyre. Daphne Du Maurier received much acclaim for Rebecca, which is an
excellent read, but my favorite work of hers is The King's General. I first encountered this book when traveling in Europe
as a teenager. My family was going through a Du Maurier phase. I remember my father reading My Cousin Rachel while we were
in Spain - he was enthralled enough with the story that he began to get a bit paranoid that he was being poisoned. It may
have been in Spain too that I read The King's General. Regardless, I distinctly recall being curled up in some chair in a
hotel foyer when I finally reached the last chapter. I cried at the ending (I still tear up on rereading) and marked it as
a most well-crafted read.
The King's General is a great read, romance in the context of history (Cornwall during the time of the English
civil wars), duty, and sacrifice. And honor of course - after all, is not Honor the name of the heroine? Honor has such great
spirit and character and her love, Sir Richard Grenville, is such a well-drawn, imperfect man of temper and ability. I highly
recommend. While I'm at it, I should also point out a collection of highly twisted short stories by Daphne Du Maurier called
The Breaking Point. Some of these might serve as potential adventure ideas! And perhaps you were also unaware as I was until
recently that it was Du Maurier novelette that served as the basis for Hitchcock's famed horror film The Birds. She was truly
a versatile writer.
Now to my current favorite, The Time Traveler's Wife by Audrey Niffenegger. I suppose that gushing about how magnificent the book is doesn't really do much to capture it. Suffice to say that after more than 4 readings, I consider it to be a perfect story of true love, that happens to also involve time travel. It is told in alternating (and completely convincing) fashion by Claire and Henry, the protagonists. Well-crafted indeed. Rarely has a book inspired me to involve myself in its setting as much as this 1. Through it, I have been
inspired to read poetry by Rainer Marie Rilke and to learn about the art of Joseph Cornell - and attend an exhibit of his
work last year! I have even been tempted to find out a bit about the punk music sprinkled throughout the story - though I
haven't acted on that quite yet.
Not that making readers cry is the defining mark of a good book, but it is certainly an indication of the
author's ability to evoke emotion in the reader. I don't fail to cry even on rereadings and I took it as an excellent sign
that Kirk too teared up while he was reading. Niffenegger never gets carried away with how clever the premise of her book
is - and her book rings absolutely true because of it. I love how even when Claire and Henry are in the same time, they are
always a bit out of time with each other. For a large part of the book, she is in love with who he will become and he is resisting
the fatalism of that. Their complete, almost blind, faith in each other is what shines through. Claire and Henry are soul
mates and I recognize all the signs from my own experience. Beyond time, beyond age, is their love.
I can't help thinking here a bit of the love portrayed in the anime film Howl's Moving Castle, so radical
for its portrayal of a young woman turned into an old woman through magic. Despite her hunched, withered appearance, she still
loves, and in that love her youth is again revealed. Her love even has transformative repercussions on those around her. I
know I am getting off topic from books, but I am such a fan of animated films by Hayao Miyazaki and Howl's Moving Castle is
a particularly fine romance, which was the topic I started with.
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