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Born: Chicago,
Illinois.
Parents Martin and Rosetta Ness.
Married:
Charlotte A. Kolczynski (a music reference librarian).
Professional Memberships:
American Federation
of Musicians, Local 6 (San Francisco). Free lance musician
at age 17.
American Musicological
Society (elected Secretary-Treasurer, Southern California Chapter).
International
Musicological Society.
Member, IMS Study
Group for Tablatures
Music Library
Association.
International
Association of Music Libraries.
Lute Society of
America
Lute Society (U.K.)
Nederlandse Luitvereniging
Deutsche Lautengesellschaft
Education:
Private study
(clarinet) with Frank Fragale, clarinetist, San Francisco Symphony and Opera Orchestras.
Eastman School
of Music (clarinet major)
Private study
in Bernhard Ziehn music theory with Julius Gold (Hollywood)
School of Music,
University of Southern California
(Bachelor of Music in Music Theory cum laude). Studies with Halsey Stevens,
Ingolf Dahl, Ernest Kanitz, Ellis B. Kohs, Raymond Kendall, Mitchel Lurie, Kalman Bloch. Senior paper: "An Analysis
of Beethoven's Op. 135 and the Question, 'Muß es sein?'" (advisor: Ellis B. Kohs). Senior composition: Three
Poems of Kenneth Patchen for alto and piano (advisor: Halsey Stevens).
Music Academy
of the West. Studies with Mitchell Lurie (clarinet), Simon Kovar (woodwind ensemble), Maurice Abravanel (orchestra). Participant
as clarinetist in the voice master class with Lotte Lehmann.
Harvard University (Master of Arts in Music). Studies with A. Tillman Merritt, Walter Piston, John
M. Ward, Nino Pirrotta (thesis advisor), Luise Vosgershian. Teaching assistant to G. Wallace Woodworth ("Music One").
Thesis: "The Original Text of Mozart's Concerto, K.V. 622." The thesis formed the basis for Pamel Weston's edition
of the concerto for Universal Editions, and several articles by Rob Adelson (done with my cooperation), in the Performance
Practice Review 10 (1997): 152-91, and The Clarinet 25 (Feb.-Mar. 1998): 50-2. See bottom
of page for LINK to Rob's article.
Graduate School
of Arts and Sciences, New York University. Studies with Gustave
Reese (served as Reese's research assistant), Martin Bernstein, and Jan LaRue. Dissertatation: "The Herwarth
Lute Manuscripts at the Bavarian State Library, Munich: A
Bibliographical Study with Emphasis on the Works of Marco dall'Aquila and Melchior Newsidler." xiii, 440 + 331 pp. UMI
No. 8411428; RILM 84/1263dd. Advisors: Gustave Reese and Stanley
Boorman.
The dissertation
received the annual James C. Cleary Award as the outstanding dissertation in the humanities and social sciences.
Ludwig-Maximilians-Universität,
Munich,u
on a Fulbright Fellowship (2 1/2 years). Dissertation
research; studies with Theodore Göllner and Thrasybulos Georgiades.
Papers delivered at International Conferences:
- Tours, Centre d'Études
Supériores de la Reaissance, 15-18 Septembre 1980: "Domenico Bianchini: Some Recent Findings." and "A Descriptive
Catalogue of Lute Sources." Publ. Le Luth et sa musique II, ed. Jean-Michael Vaccaro (Paris: CNRS, 1984): 97-111,
93-6 (resp.).
-
- International
Lute Symposium Utrecht 1986, sponsored by STIMU Foundation for Historical Performance Practice: "The Siena Lute Book and its
Arrangements of Vocal and Instrumental Part-Music." Publ. Proceedings of the International Lute Symposium Utrecht 1986, ed. L. P. Grijp and Willem Mook (Utrecht: STIMU 1988):
30-49.
-
- Freiburg i/B,
Weiß Akademie & University of Freiburg:
International Conference of the Lute Music of S. L. Weiß. Paper: "The Rostock
Tablatures and their Lautengalanterien for Princess Luisse of Württemburg."
-
- Francesco da Milano
International Symposium on the 500th Anniversary of his Birth (October 1997), sponsored by the University of Milan and the Marco Fodella Foundation.
Paper: "Sources of Francesco da Milano's Music."
-
- Marco dall'Aquila
e il suo Tempo: Convegno Internazionale di Studi (October 1998). Paper: "Marco dall'Aquila: An Introduction to his Musical
Works."
-
-
-
- "Right-Hand Technique
and Style Change in Early Cinquecento Lute Music," Los Angeles,
1964.
-
- "Lute Music: Tablatures,
Textures and Transcription," Study Session panelist, Chicago,
1973.
-
- "Dissertation
Topics in Lute Music," panelist, Vancouver, 1980.
-
- "The Rostock Tablatures," Cleveland, 1983.
-
- "Marco dall'Aquila
and Style Change in Lute Music around 1520," Philadelphia,
1984.
Articles, Reviews and Papers:
- "A Letter from
Melchior Newsidler," Music and Context: Essays for John M. Ward, ed.
Anne Dhu Shapiro (Cambridge: Harvard University Press, 1985): pp. 352-69.
James
Tyler: The Early Guitar: A History and Handbook (London: Oxford University Press, 1980), Lute & Guitar
20 (Jan. 1982): 37.
- Rev. Wolfgang
Boetticher: Handschriftlich überlieferte Lauten- und Gitarrentabulaturen des 15. bis
18 Jahrhunderts, RISM Bvii (Munich 1979), Journal of the American MusicologicalSociety, 34 (1981): 339-45 (featured review).
-
- Rev. Istvan Homoloya
and Gyula Gulyas: Valentine Bakfark: Lutenist from Transylvania (Budapest, 1984), MLA Notes, 44
(1988): pp. 479-9.
-
- Rev. Vladimir
Ivanoff: Das Pesaro-Manuskript: Ein Beitrag zur fruhgeschichte der Lautentabultur
(Tutzing, 1988) and Idem., Eine zentrale Quelle der fruhen italienischen Lautenpraxis
(Tutzing, 1988), Notes, 46 (1990): pp. 939-41.
-
- Rev. C. Howell
Almonte and Warren E. Hultberg, eds., Fray Thomas de Sancta Maria: Arte de Tañer Fantasia
(Pittsburgh, 1991), Notes, 51 (1995): pp. 919-20.
"A
Lautenbuch for Princess C. A. A. d'A. from Wilhelm Tappert's Collection," Celebremus: 1984. XII. 14 (Birthday Offering
for Martin Bernstein) NYU Music Department. Re: Canzoni devotti . . . da me J. M. Sciurius.
Mus Ms 40151 in Cracow (ex-Berlin)
- Jean-Michel Vaccaro,
ed.: Guillaume Morlaye: Oeuvres pour le luth, II: Manuscrits d'Uppsala (Paris 1989), and Andre Souris, et al., eds.: Nicolas Vallet:
Oeuvres pour luth seule: Le Secret des Muses Paris
1989), Notes, 49 (1992): pp. 795-7.
Review,
Thysius Lute Book (Dutch Lute Society, 2010), Journal of the Lute Society of America 40 (2007 issued 2010),
78-9.
"Briefly
Noted: A Physician's Lute Book," Ibid., 81. Re: the Donauseschingen MS (now in Stuttgart)
Articles
for The New Grove of Music and Musicians, ed. Stanley Sadie (London: Macmilan, 1980):
- Albuzio (Giovanni
Giacopo)
- Balletti (Bernadino)--rev.
- Barberiis (Melchiore
de)
- Becchi (Angonio
di)--rev.
- Bendusi, Francesco)--rev.
- Bianchini (Domenico)
- Bianchini (Francescho)--rev.
- Capirola (Vincenzo)
- Francesco Canova
da Milano
- Giovanni Maria
da Crema
- Hofstetter (Georg)
- Panhormitano (Bartolomeo
lieto)
- Marco dall'Aquila
- Testagrossa (Giovanni)
- Sources of Lute
Music (ca. 1490-1800)--37 cols.
Articles for The New Harvard Dictionary of Music, ed. Don Randel (Cambridge:Harvard
University Press, 1986):
Canzona Capriccio
Fantasia
Prelude Ricercar Tablature Tiento Toccata
Toccata di durezze e ligature Intabulation
Inganno
Tuck Tusch
Tocatin
Rasgueado
Sennet Toc
Glosa
Editions:
The Lute Works
of Francesco Canova da Milano (1497-1543), Harvard Publications
in Music, 3 & 4 (Cambridge: Harvard University Press),
2-vols.in one; xxxii + 474 pp.
Tablature
de luth italienne, dit Siena Manuscrit . . . fac-simile du Ms. 28.B.39, La Haye, Gemeentemuseum,
Geneva. Minkoff 1988, 18 pp. + 113 fols.
(with J. M. Ward),
The Königsberg Manuscript: A Facsimile of Ms 285-MF-LXXIX, . . . Vilnius (Columbus [Ohio], Editions Orphee, 1989), 52 + 183 pp. [I researched and penned the preface, "The Manucript and its Context." John Ward only provided concordances for
the English pieces, and accordingly does not even include this work in the bibliography of editions in his biographical article
in New Grove.]
Teaching and Research Positions:
·
Harvard University, Teaching Assistant (G. Wallace Woodworth): “Music One.”
·
New York University, Research Assistant to Gustave Reese
·
University of Southern California (Los Angeles), School, of Music, Instructor/Assistant Professor of Music History and Literature. Courses: Bibliography and Research Methods, Music before/after 1750, Music
Appreciation, Music in Middle Ages, Music in Renaissance, Music in Classical Period, The Bach Cantatas, History of Lute Music,
thesis and dissertation advisement, etc.
·
Daemen College (Buffalo, N.Y.). Chairman, Department of Music, and Associate
Professor of Music. Courses: History of Music, Chamber Music Literature,
Research Methods, Music Appreciation, etc. Juried all student recitals. Supervised
professional recital series, and wrote press releases for same.
·
State University of New
York at Buffalo, State
University College at Fredonia. Adjunct Professor of Music. Courses:
Music History, Music of Bach, History of Lute Music, thesis and dissertation advisement, etc.
Click here for Rob Adelson's article on the Mozart Concerto and the basset clarinet (based in part on my master's thesis):
Here are some examples of my musical engravings. Surprisingly
the most difficult one was not the Bloch Schelomo, but rather the Albeniz. It took some special tricks to get
the inner lines. (If the example is illegible, small, scroll down to the right lower corner, and click on the
orange pillow when it appears.)
click here to download ALBENIZ65
click here to download TANGO
click here to download BLOCH65
click here to download BERG65.PDF
click here to download tablature example
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