BELLY DANCE BASIC STEPS

Bellydance with Liesa

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Belly Dance terminology, unlike other dance forms such as ballet and ballroom dance, is not standarized throughout the world. Most of the terms are descriptive ("hip circle"), named after a dancer who popularized step ("Sohar Zaki hip" = "down hips"), an area ("Saidi" step), or musical term or rhythm ("Baladi step"). Naturally this is confusing and leads to all sorts of discussion, panels,  "Should our dance terms be standardized?" etc. *See link below
Since the majority of terms are self-descriptive, we can usually manage to understand one another. Most teachers use a collection of similiar terms.
Most of our moves are based on isolations. This means one body part (ex. hips) moves while the others remain seemingly still (ex. chest). We can isolate hips, chest (rib cage), stomach, shoulders, arms, hands/fingers, head.
In fact, the non-moving part is actually using contra or alternative movement to creative the illusion of stillness. For example, if your hip is moving to the right side, you will imperceptiblly push your rib cage to the left. This is a concept that needs to be demonstrated by your teacher. DVDs are useful only as supplemental to your classes!
The body parts can only move 3 ways:
Up/down
Front/back
Side-to-side
All the movements are based on moving in these directions; complicated moves combine directions.
 
Your arms should always gracefully frame your body. Imagine that they are suspended in water, use resistance to create a graceful line. As you lift & lower them, imagine they are resting on big soft clouds.
In basic practice, a low relaxed Vee with slightly flexed hands is fine. Other arm positions include diagonal arms, right angle or "L", overhead Vee, hands at hips,some of the ballet/jazz positions as well.
Arms & hands create patterns through space as well. Popular movements are: snake arms, wavy arms, wind arms, classic arms
hand presses, waves, or circles, finger ripples 
These movements use muscle contraction & release, resistance (pressing against "imaginary" substance i.e. water) & imagery ("imagine that your elbows are floating", etc ) to produce circular movements.
 

ARTICLES RE: STANDARDIZATION OF TERMS:

One side of the coin:great food for thought!

NearEastDance "Textbook"

BASIC BELLY DANCE STEPS                                     

Basic stance: feet in parallel position placed under hips. Knees slightly flexed. Pelvic area slightly tucked/neutral, chest lifted, stomach muscles engaged, shoulders relaxed. Imagine head as a balloon floating on a string. Visualize your center as within your solar plexus & your arms as resting within “heavy water” to give a smooth effect to movements.

I. Steps for moderate/fast tempos, using sharp, vigorous movements. Done in place or traveling

1.  Basic step - Lift hip, place foot down; lift other hip, place foot. To travel: when foot is placed, move it slightly in the direction of travel. Variations: where you place foot, which foot steps or lifts hip, etc., will produce different effects.

2.  Twist - push hips front & back, keeping on same level on  a horizontal plane

3.  Slide - hip goes out to the side; sometimes used to describe hips moving up & down. Can also refer to chest, rib cage

4.   Hip bump - hip goes out to the side & up simultaneously

5.   Shimmy - a speeded up motion of slides or twists; can be done with hips or shoulders. Many variations of shimmies both stationary and traveling

6.  Hip lifts - the category of moves in which the hip lifts up & down while the leg & foot of working hip are slightly extended, no weight on leg

            a) Hip lift - hip rises on the accent of the beat

            b) Hip drop - hip lowers on the accent

7.  Thrust - a sharp back & forth movement of hip or shoulder. With hips, an energetic twisting motion with weight on back leg.

8.  Doubles - refers to moving hip, or shoulder, chest, etc., etc. in sequence on each side 2x

9.  Pops, locks, snaps - sharp movements done by contracting muscles quickly & strongly, then release

 

II. Steps for slow / moderate tempos, using smooth languorous motion. The body part lingers before switching to another move. Can be done in place or traveling.

1.  Undulation - a smooth rolling move, can use just the abdomen or engage the whole torso. A stationary stomach undulation (belly roll) involves only the abdominal muscles & not the chest; the full torso move incorporates both. In traveling, the whole torso is usually involved: a flowing, gliding movement is created as the chest lifts & rolls into a stomach roll as the feet move; described as a smooth arch / contraction : these are the “camel” moves.

2.  Rolls - dan be done with any isolation of hips, shoulders, stomach, arms, chest, hands, head. A rounded movement done by isolating the body part in different directions as if describing a clock, compass, etc.

3.  Figure 8s - the category of isolations in which the body part, usually the hips, travels along a rolling & continuous figure 8 (infinity loop). Hip Figure 8s:

            a) Horizontal Fig 8 - hip travels in a front & back smooth twist motion on a parallel plane: while one hip is to the front, the other is back ; hips continuously move

            b)  Vertical up Fig 8; (Hipovers) - lift hip with weight on opposite leg; move that hip into center & down; center your weight; lift other hip in same manner.

c) Vertical down Fig 8 (Mayas) – lift hip w/weight on same leg; push hip out & down, then into center; repeat w/ other hip

4.  Circles - same concept as Rolls, but usually traveling on the horizontal plane. Body part moves around smoothly as if drawing a circle parallel to the floor.

FREEZE POSE - at conclusion of dance & also for dramatic effect during dance. A classic freeze pose: weight on one leg, opposite leg extend to side, lean over extended leg w/arms overhead in temple (palms together) or cobra (backs of hands together) arms: as if you are the “bow” and the energy that you emit is the “arrow”.

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Liesa & the Masouda World Dance Ensemble
Mediterranean & Middle Eastern Style Dance for all occasions
liesabpedersen@aol.com