Tips and Hints

Bellydance with Liesa

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This section will give you
some helpful hints and tips along your Bellydance path

Safie.jpg

Click on link to Jasmin Jahal-great articles

Why do I use the term Belly Dance?
Why wouldn't I? Well,
Belly Dance is considered a derogatory term by many. It is a term invented as anecdote - imagine if Ballet was referred to solely as the "Tippy-toe" Dance - or a misuse of the term Beledi, Balady (my people, my home) which refers to an Egyptian style of dance.
It is a dance with a checkered, colorful, and at time risque, past.
It first spread across America in the 1890's after being presented at a World's Fair and then appropriated by vaudeville where it acquired some of its hoochie-koochie reputation.
 
The contrived images of Bellydancer as harem girl, odalisque, tantalizing temptress mainly derive from the overblown fantasies from the 19th century European Orientalist movement in art. Yet who is not drawn to those beautiful and luscious images...
Who among the pool of wonderful and talented American Bellydancers did not dive in from thoughts of exotic-fun-dance-shake-it-snake-it, and then went on to serious study of a land and culture whose dance and music called to our hearts and spirits?
 
This dance is as full of contradictions, confusion, and conundrum as is the human race!
Today "Belly Dance" can be seen anywhere from full out glamour theatrical productions, to bohemian dark cafes, to healthcare facility festivals, to bellygrams at Uncle Joe's 75th birthday, to cousins ( boys and girls both) showing off at a wedding...and more.
 
The dancer is a beloved and necessary part of celebrations in many parts of the world, especially in the Middle East, yet the person of the dancer is looked upon by much of society as disrespectable.
All over the world, many cultures and religions frown upon making too much of a show of the body in public, even if discreetly covered, and some outright ban it. The joyous movement is somehow considered shameful.
Great source material: the book A Trade Like Any Other by Karin Van Nieuwkerk, University of Texas Press (1995) see link:
 

Link to a review at Shira.net:

I love Belly Dance. It is my passion and my creative outlet. I love creating choreographies, designing costumes, producing outlets for perfomance. I love watching my students grow and find their dance expression. I love sharing the joy of dance with my friends and mentors. I love how no one can resist the infectious rhythms and sweet melodies.
As a child, I first saw the wonderful Belly Dance-style celebration dancing at weddings, festivals, parties. Later I experienced the amazing professional Belly Dancers in the New York City clubs and restaurants.
As with any other profession or hobby, there are great, good, mediocre and bad Belly Dancers. Many people have gotten the wrong impression that it is like stripping or "tacky" from seeing poorly trained dancers perform that way and misinterpret the flowing movements.  Despite this stigma, the basic elements of "Raks Sharki" (Dance of the East) dancing style lend themselves to the graceful, expressive, and mesmerizing power of the body set to music.
I consider myself an American of Mediterranean descent who studies Middle Eastern and Mediterranean style dance. Since the first demonstrations - approximately 1893 at the Chicago World's Fair - of this dance style, commonly called Belly Dance,  in North America, it has grown a history all its own complete with a wonderful cast of characters. I love researching the evolution of the art form in the West, coupled with studies of the roots in the East, and the modern form all over the world.
And though I do use the terms Middle East Dancer and Raks Sharki, I usually call myself a Belly Dancer, and embrace it despite the flaws of using that term.  
 

Click on What is Bellydance article by Venus of Vancouver:

What is Bellydance? from Gilded Serpent webzine

Yasmina's Very Informative Site

Morocco: the grande dame of American Belly Dance incredible wealth of information from real life

What is Belly Dance?  
 Many scholarly in-depth articles available online: see links above. 
Here I will give my overview from an American Bellydancer's perspective - from years of study with reading, research, interviews, etc - with a Brief Description & a start at some history for you: 
Belly Dance
-An ancient dance without much historical documentation
-Subject to much controversy, speculation, & inaccurate information
-A modern term describing a family of dance movements using the torso as center of gravity
- Differs from European & American style dance which primarily use the chest as center of gravity with emphasis on arm & leg movement
- Named Belly Dance in the West possibly from loose interpretation of the Arabic term Beledi dance (Beledi, Baladi = my people, my place,)
- Characterized by muscular use of shoulders, torso, and hips; & "isolations" where one body part moves while others appear still
-Contains an emotional response to musical interpretation
-Historically considered to have developed in the cradle of civilization, the Middle East
-Possibly with influences from the sub-Indian continent: the dance's name in Arabic is Raks (or raqs) Sharki (sharqi) - Dance of the East
-Sol Bloom brought a type of Middle Eastern dancing to America in 1893 at the Chicago World's Fair with a contingent of Syrian and Algerian dances which then spread into the vaudeville areas of entertainment
-Americans at the turn of the century were transfixed by this colorful and different dance style...& still are
-Western pioneers in Modern Dance such as Ruth St. Denis and Isadora Duncan adopted many Eastern style movements
-Widespread popularity in America started emerging in ethnic restaurant entertainment on East & West coasts  1950's & 60's
-Belly Dance fitness craze hits in the late 60's - can be found at Y's and schools all over US
-Dance artists such as Ibrahim "Bobby" Farrah (NYC) begin producing shows in theaters in the 1960's
-the "Golden Age" of Egyptian dance, considered approx. 1920's - 50's,  captured in cinema, began to be available on video overseas in the 1980's - see below
-Fundamentalists start quashing dance in the Middle East in the 1980's
-Dance starts to wane as a fad in the US 1980's
-End of 20th century brings some sparks back/Many long term performers and instructors still plugging away; some new blood enters the scene as well 
-the 21st century: an explosion of interest, an incredible upswing: Internet community, availability of goods - CDs, DVDs- and services - classes, workshops, demos, travel =  new forms & fusion sprouting everywhere: exciting & confusing!!
 
 
 

Tahia Carioca
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1940's, from "the Golden Age" of Egyptian movies

Click on link to:Old time greats of Belly Dance

The "Golden Age" of Egyptian cinema approx. 1930s - 1950s produced many musicals complete with the famous dancers of the time, such as Tahia Carioca, Naima Akef, the Gamal Twins, Samia Gamal, and later stars Nagwa Fouad, Fifi Abdo, Sohar Zaki, Nelly, & Mona Said.
When videos became available, these movies began to make it across to the US and became prized jewels in a Belly Dancer's study collection. Grainy, terrible quality, poor reproductions - no matter, we soaked up these samples of real Egyptian dancing available to watch over & over at home and at dance study parties!

Liesa & the Masouda World Dance Ensemble
Mediterranean & Middle Eastern Style Dance for all occasions
liesabpedersen@aol.com